Discover the quick and simple method to capture portraits with speed and precision
As a child, I was amazed as I watched “The Joy of Painting” host Bob Ross paint a beautiful landscape in less than 30 minutes. I was captivated by his gentle touch, his fast wet-on-wet technique, and the way he could totally put you at ease.
I can’t say I wanted to be just like Bob when I grew up, but he did help inspire me to paint.
Later on, I learned the more methodical glazing technique from Norbert Kox, where you apply layer after layer of translucent paint. It’s very time consuming, but it creates fantastic realistic effects. This is the style I have become known for.
But sometimes I just want to knock out a quick painting, have fun with it, and yet push myself.
Can I paint a somewhat respectable looking painting in half an hour?
If I do it often, will I get faster?
Could it help me paint faster, and more confidently in my “typical” more detailed portraits?
Could an exercise like this help YOU to do the same?
There’s only one way to find out.
So, with that, I’m launching a new series of videos, or something like a show called, “The 30-Minute Acrylic Portrait” Season One, Episode 1…
Tips for Success in Fast-Paced Portrait Painting
Set a Timer: Keep yourself on track by setting a timer. This helps maintain focus and prevents overworking areas.
Keep Your Palette Organized: Lay out your colors clearly, so you can mix shades quickly without delay.
Use a Limited Palette: Working with fewer colors will simplify the process and give the portrait a harmonious look.
Practice Blocking and Simplifying: Learn to capture shapes and shadows quickly by focusing on big-picture composition.
Common Mistakes to Avoid
Focusing Too Much on Detail: With only 30 minutes, try to avoid getting caught up in minute details.
Using Too Many Colors: Stick with a few main colors for consistency and ease.
Overthinking the Process: Embrace a relaxed approach, letting the process unfold naturally.
Conclusion
Creating a 30-minute acrylic portrait requires simplifying techniques, focusing on essential shapes, and mastering the art of blocking in shadows and highlights. This method allows for creative expression while enhancing your confidence and ability to capture a portrait quickly. Practice makes perfect, so keep experimenting with colors, tones, and brush techniques.
P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!
Unlock the secrets to creating captivating two bubble frame oval acrylic portraits
Painting two bubble frame oval acrylic portraits offers a unique opportunity to explore creativity and technique while crafting eye-catching artwork. In this guide, you’ll discover the essential steps to create stunning portraits that showcase not only your artistic skills but also the charming oval frames that elevate your paintings. Whether you’re a beginner or an experienced artist, you’ll learn how to blend colors effectively, capture realistic features, and compose your portraits for maximum impact. Let’s dive into the world of acrylic painting and bring your two bubble frame oval acrylic portraits to life!
How is my portrait project coming along?
“Um, I haven’t even started it yet.”
“Oh. Could you do another one and get it done for me by Christmas?”
“Let me check. Sure.”
This is kind of how the conversation went when a client called me on a portrait project that I had scheduled out for a few months. I was backed up with commissions, and it was already well into December.
Do another portrait when I was already behind? Why not? I thrive on a little deadline pressure. I’ve got an extra reserve of midnight oil 🙂
So here are the portraits I created, two convex-oval 14″ x 20″ acrylic on canvas paintings. I decided to work on both at once. And I got them both done in time, too, by God’s grace!
And now I want to show you how I painted them. I’ll take you through the process from the colors I select for the palette, the first few layers, all the way to the completed painting.
How I Painted These Oval Vintage Acrylic Portraits
This tutorial is a work in progress, so I’ll be adding more videos in the future!
Keep in touch and I’ll let you know when I post the next one!
P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!
Learn the art of layering to create stunning backgrounds
Creating depth in your acrylic portrait backgrounds can transform your artwork from flat and uninviting to vibrant and lifelike. This comprehensive guide will explore techniques and tips that can be utilized to effectively build depth in your acrylic paintings. Through careful layering, color mixing, and thoughtful brushwork, your backgrounds will not only enhance your portraits but also engage viewers and add emotional resonance.
Acrylic portrait painting of three children, by artist Matt Philleo, 16 x 20, acrylic on canvas
Understanding Depth in Art
Depth in art refers to the illusion of three-dimensionality on a two-dimensional surface. It involves creating a sense of space, distance, and perspective. In acrylic portrait painting, the background plays a crucial role in establishing depth and can significantly influence the viewer’s perception of the subject.
Techniques for Building Depth
1. Layering with Glazes
Layering is one of the most effective techniques for creating depth. It involves applying transparent layers of paint over one another, allowing underlying colors and textures to show through.
Start with a Base Layer: Begin with a solid background color that will serve as your foundation. A mid-tone color can be effective for this purpose.
Apply Transparent Glazes: Use a mix of acrylic paint and a glazing medium to create transparent layers. Ultramarine blue and raw umber dark can be mixed to achieve subtle variations.
By layering these glazes, different values can be developed. The key is to allow each layer to dry before applying the next, which helps to create a sense of depth through the transparency and complexity of the colors.
2. Creating Gradation
Gradation can be used to suggest distance and atmosphere in your backgrounds. This can be achieved through both blending and glazing techniques.
Segmented Areas: Instead of blending wet colors, use segmented areas of glazing to create smooth transitions. By touching certain areas while leaving others untouched, a subtle blend can be achieved. This method provides a more natural appearance and enhances the depth of the painting.
Use of Color Temperature: Varying color temperature can add to the perception of depth. Cool colors, such as blues and greens, can recede in the background, while warmer tones tend to come forward. For instance, using a cooler ultramarine blue in the background while maintaining warmer tones in the foreground can create a compelling contrast.
3. Employing Contrast
Contrast is essential in making your subject stand out against the background. By darkening background areas, the foreground subjects will naturally become more pronounced.
Darkening Techniques: When applying darker glazes, consider how the light interacts with your subject. By ensuring that the background is darker than the portrait, the subjects will appear more luminous.
This can be particularly effective when using glazes, as they dry quickly, allowing for rapid layering without mudding colors. As highlighted in the video, the layering properties of acrylics can be leveraged to achieve a depth that feels rich and engaging.
4. Incorporating Patterns and Textures
Adding textures or patterns can create interest in the background and contribute to the overall depth of the painting.
Marble-like Backgrounds: A painterly, marble-like appearance can be achieved by varying brush strokes and layering colors. Short, diagonal strokes can create a textured effect that draws the viewer’s eye without overwhelming the portrait.
This not only enhances depth but also gives the background a dynamic quality that complements the portrait.
Tips for Effective Backgrounds
Use a Limited Palette: A limited color palette can help maintain harmony in your painting. This also makes it easier to create depth, as the colors will blend and layer more cohesively.
Experiment with Brush Techniques: Different brush types and strokes can create varying effects. Experimenting with short strokes, glazing, and layering will allow for discovering unique methods of adding depth.
Balance Between Foreground and Background: Always consider the balance of colors and values between your foreground and background. This ensures that your subject remains the focal point while the background supports its presence.
Stay Patient: Building depth takes time. Allow layers to dry completely between applications to achieve the best results.
Conclusion
Building depth in your acrylic portrait backgrounds is a rewarding endeavor that can significantly enhance your artwork. By employing layering techniques, creating gradation, utilizing contrast, and incorporating textures, your backgrounds will not only support your subjects but also engage viewers on a deeper level.
As you continue to practice and refine these techniques, your portraits will come to life, showcasing the beauty of depth in acrylic painting. The journey of learning and experimenting is essential for any artist, and through consistent practice, remarkable improvements will be evident in your work.
Let me know how this helps! If you have questions on your portrait painting, feel free to contact me ([email protected])
Yours for better portraits,
P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!
Would you like to learn portrait painting from me in person?
I’d like to let you know that I’ll be teaching at the Chippewa Valley Cultural Association (Heyde Center for the Arts, Chippewa Falls, WI) on March 12-13, 10:30am-3:30pm, a two-day intensive acrylic portrait painting workshop. The class size is limited to 10 people to make sure I can give each student feedback and individual instruction. For more details, visit my events page here…https://realisticacrylic.com/paint-an-acrylic-portrait-with-me-in-2019/
Just prior to Christmas, I finished this portrait of a local engineer.
Creating a realistic acrylic portrait can be a rewarding experience, especially when utilizing the glazing technique. This method involves layering transparent paints to build depth and luminosity in your artwork. In this tutorial, a step-by-step guide is provided to help artists of all levels achieve impressive results in an 8 x 10 portrait.
Understanding the Glazing Technique
The glazing technique is foundational in creating depth and realism in acrylic painting. It is characterized by the application of thin, transparent layers of color, allowing the underlying layers to shine through. This method is often compared to photography, where an image starts light and gradually gains depth.
Materials Required
Before beginning, ensure that the following materials are prepared:
Acrylic paints: Ultramarine blue, brownish tone (raw umber or dark), and skin tones
Clear acrylic matte medium
Brushes: Small round brushes, flat brushes, and a small detail brush
Palette for mixing colors
Canvas (8 x 10 inches recommended)
Water for rinsing brushes
Step-by-Step Process
Step 1: Preparing the Background
To commence, a light glaze is applied to the background using clear acrylic matte medium. This initial layer serves as a foundation for subsequent colors and adds a soft, ethereal quality to the painting.
Step 2: Adding Foreground Details
Once the background is set, the first layer of details can be added. Ultramarine blue is used to paint the hat, while the brownish tone is applied to create depth in the background. Care is taken to let these layers dry before continuing with additional details.
Step 3: Building Up Layers
The glazing technique thrives on layering. After the initial foreground details have dried, the focus shifts to the face and scarf. By layering thin glazes, the desired colors are built up gradually, allowing the light to penetrate through the layers.
Tip: Work from foreground to background to maintain focus on the subject. This approach helps keep details sharp and defined.
Step 4: Detailing the Features
Attention is drawn to the finer details in the face, such as the eyes and lips. Using various skin tones, nuances are added to create dimension. This is achieved by carefully layering pinkish tones on the cheeks and around the eyes, emphasizing features like eyebrows and the mustache with darker shades.
Technique: When applying glazes, it is essential to work thinly. The use of a clear acrylic medium mixed with paint ensures translucency, allowing for subtle color variations.
Step 5: Refining and Smoothing
As the painting progresses, the need to refine details becomes evident. Skip around the canvas, working on different sections to ensure balance and harmony in the overall composition. Smoothing out areas with a gentle hand helps in creating a realistic appearance.
Tip: Varying brush sizes and techniques can significantly enhance texture. Larger brushes are suitable for broader areas, while smaller brushes are ideal for intricate details.
Step 6: Enhancing Realism
To achieve a realistic finish, darker tones are added under the chin and in shadowed areas, enhancing the sense of depth. Highlights are strategically placed to simulate the effect of light on the face and clothing.
Technique: As the final layers are applied, incorporating more opaque white paint helps achieve smoother transitions between colors.
Step 7: Final Touches
At the later stages of the painting, I continue to add details and shading. Varying line thickness and texture are key components to realism. Then moves back and forth between different areas of the portrait, ensuring that the final touches are cohesive and enhance the overall image.
Step 8: Signing the Artwork
After all the details have been finalized, the painting is signed. This not only signifies the completion of the work but also adds a personal touch to the artwork.
Conclusion
This step-by-step guide on painting a realistic acrylic portrait using the glazing technique showcases how layered approaches can bring an image to life. By utilizing transparency and careful detailing, you can create stunning, lifelike portraits that capture the essence of their subjects.
Whether you are an experienced artist or just starting, mastering the glazing technique will enhance your acrylic painting skills.
Additional Tips and Techniques
Experiment with Colors: Don’t hesitate to mix different colors to achieve unique skin tones and shades.
Practice Patience: Building up layers takes time, but the results are worth the effort.
Use Reference Images: Having a clear reference will guide your color choices and proportions, making the process smoother.
By following these steps, you can enhance your painting techniques and create stunning, realistic portraits. Embrace the glazing method and enjoy the process of bringing your artistic visions to life!
P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!
It is my privilege every week to judge entries for the Realistic Acrylic Portrait School Facebook Contest.
The best 5-6 images get chosen to be included on the Header Image of our 6,000+ member group. But why do I choose the portraits that make it to the top?
In this brief video, I’ll go over the reasons why I awarded these portraits the prizes they received. I also discuss what could be done to improve them.
You can learn from these tips on what makes for a good portrait and how to improve your own.
Also, if you aren’t currently a member of the Realistic Acrylic Portrait School Facebook group (it’s free to join), you should be! Here’s why…
Get help on your portrait from myself and fellow artists when you feel stuck.
Share your artwork with others and get inspired to paint more, by seeing what your fellow artists are doing.
Enter a portrait into the weekly contest, get your work featured, and win a prize!
See you inside the group! Let me know how these tips help, and of course, if you have any questions.
Yours for better portraits,
P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!
Unlocking the secrets to depth and color in acrylic painting
Acrylic painting offers artists a versatile medium, allowing for various techniques to create depth, shading, and vibrant colors. Among these techniques, the glazing method stands out for its ability to build up layers of color, enhancing the painting’s visual complexity. In this blog post, we will delve into how to do layers with the glazing technique, exploring color selection, layering strategies, and tips to achieve a professional finish.
I have a student named Holly, who has just started painting portraits in acrylic. She is currently working on one of her brother, and she was unsure of how to continue after beginning the glazing process. With her permission, I’m going to share her portrait with you. We all know what it feels like to get stuck during painting, especially when starting out…
Here’s her questions…
Hi Matt,
Thank you for your advice and the progress photos you sent of your artwork. That really helped. I’ve watched a lot of the student videos and I’m trying to apply everything to my painting. I feel like it looks kind of terrible so far so maybe I’m not doing it right. I’m worried about painting any more shadow in on his face because it looks bad – especially his eyes. I definitely feel like I don’t know what I’m doing. Haha. I don’t know what to do about his hair or face. And the white shirt with the dark creases. And the brass jacket buttons. I’m following your list of paint colors to use for the skin tones off of your skin tone video and that is very helpful. But I just feel kind of lost as to the layering process. For instance, for the face, I don’t know how many layers of shadows I’m supposed to do before I move onto layers of midtones. And how many layers of midtones do I do before I move onto highlights? And when I’m painting the midtones, do I paint over the shadow areas as well? Or only paint on the midtone areas?
Thank you so much for your help!
Holly
Here is my answer to her questions, in a video format. I used Photoshop to show her digitally, how she would paint with an actual paintbrush. My goal was to create a roadmap she could follow to ease the confusion in the painting process and gain confidence for what to do next.
What is Glazing?
Glazing is a technique where a thin, transparent layer of paint is applied over a dried layer of paint. This process can be repeated multiple times, gradually building up the desired color and intensity. The final appearance of the artwork results from the interplay of colors beneath the glaze, creating a sense of depth and luminosity that cannot be achieved with opaque paint alone.
Choosing Colors for Shadows, Midtones, and Highlights
One of the most critical aspects of mastering the glazing technique is selecting the right colors for different areas of your painting. This can be particularly challenging when working with shadows, midtones, and highlights.
1. Shadows
When creating shadows, it is essential to choose colors that will blend well with the underlying layers. The shadows should be darker but also retain a sense of warmth or coolness depending on the lighting in your scene. For instance, using a mixture of raw umber dark and a hint of blue can create realistic shadows, providing depth without overpowering the other colors.
2. Midtones
Midtones serve as the bridge between the shadows and highlights. It is essential to mix colors that complement both extremes. For instance, when painting skin tones, a blend of yellow ochre and a touch of red can create a balanced midtone that will seamlessly transition between the shadows and highlights.
3. Highlights
Highlights add life to your painting, drawing the viewer’s eye. To achieve this, consider using lighter versions of your base colors mixed with titanium white or a light yellow. However, ensure that these highlights are still somewhat transparent to maintain the glazing effect.
Layering Process in the Glazing Technique
Once you have selected your colors, it’s time to start layering them using the glazing technique. Here’s a step-by-step approach to help you navigate the process effectively:
Step 1: Prepare Your Canvas
Begin by preparing your canvas with a base layer of acrylic paint. This initial layer should be dry before you start glazing. It can be beneficial to work on a toned canvas, which can help unify the painting’s overall tone.
Step 2: Apply the First Glaze
Using a soft brush, apply your first glaze. This layer should be thin and transparent. A mixture of matte medium with your chosen paint can help achieve the desired transparency. Start with your shadow color, working it into the areas where you want to establish depth.
Step 3: Let It Dry
Allow your glaze to dry completely before adding additional layers. This is crucial, as working on a wet layer can disturb your previous work and muddy your colors.
Step 4: Build Up Midtones
Once the first layer is dry, repeat the glazing process with your midtone color. Apply it over the areas where you want to create form and dimension, using a clean brush to blend the edges.
Step 5: Add Highlights
After your midtones have dried, apply your highlight color using the same glazing technique. This layer should be more transparent than your midtones and should enhance the overall brightness of your painting without losing depth.
Step 6: Repeat as Necessary
The glazing process can take several layers to achieve the desired effect. Don’t be afraid to go back and forth between shadows, midtones, and highlights, building up layers until you reach your goal. Each application should add depth and richness to the final piece.
Tips and Techniques for Effective Glazing
Use High-Quality Paints: The quality of your paint can significantly affect your glazing results. Invest in artist-grade acrylics to ensure better transparency and mixing capabilities.
Maintain a Light Touch: When applying glazes, use a gentle hand. It’s easier to add more layers than to remove excess paint.
Test on a Palette: Before applying any glaze to your painting, test your colors on a palette or scrap canvas. This will give you a better idea of how they will interact.
Layer Order Matters: Always start with the darkest colors and work towards the lightest. This approach helps maintain control over the overall value and temperature of your painting.
Keep Brushes Clean: Regularly clean your brushes to avoid muddying your colors. Using separate brushes for each color can also be beneficial.
Be Patient: Glazing is a slow process that requires patience. Allow each layer to dry fully before proceeding to the next to achieve the best results.
Practice: The more you practice glazing, the more comfortable you will become with the technique. Experiment with different colors and layering styles to find what works best for you.
Conclusion
The glazing technique is an invaluable method for any acrylic painter looking to enhance the depth and vibrancy of their work. By understanding how to effectively layer colors, choose the right tones for shadows, midtones, and highlights, and employing the right techniques, artists can achieve stunning results that will captivate viewers.
As you embark on your glazing journey, remember to take your time and enjoy the process. Each layer contributes to the overall beauty of your painting, revealing the complexity of color and depth that acrylics can offer. Happy painting!
Let me know how this video helps! Does it clear up the process at all for beginning a portrait using the glazing technique? Let me know.
In the meantime, many blessings to you and your portrait painting.
All the best,
P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!
Protect and enhance your artwork: A step-by-step guide to varnishing your painting for a lasting finish.
It was a large portrait on hardboard, about 48″ tall. Having just done some mural work with a well known muralist, I attempted to copy his method of using a household paint roller and a clear coat.
It was a disaster.
The medium looked so milky white while it was drying, that I started to panic like Rowan Atkinson did in the movie “Bean” when he sneezed on Whistler’s Mother. I tried to clean off the half dried medium with a damp towel. To my dismay, the medium started globbing up and totally distorted the fine detail work on the surface. Some areas had no varnish. Other areas were covered with a streaky, bumpy film. My painting was a hideous mess.
I said I would never varnish a painting again.
Except that I did.
I knew I needed to learn how to do it correctly in order to protect my paintings from dust and debris, saturate the colors and dark values more, and give it a uniform finish.
What I’m going to teach you is the process I learned basically from trial and error over the years.
I’m not scared to varnish any more. But I like to say a quick prayer before I put brush to canvas, because if you don’t varnish correctly, you can mess up a good painting very quickly!
Here’s a video that will show you the correct way to do it…
Here are the steps, simplified.
Use acrylic matte varnish. Not matte medium. (unless you want a flat finish) Matte varnish dries to a satin sheen and looks fantastic. If you want a little more saturation on your dark values and colors, you can add some gloss medium to your matte varnish and mix them together very thoroughly.
Put your painting on a flat table, or slightly angled. Don’t varnish the painting on a vertical easel or you could get drips and it will look terrible.
Use a 1″ or larger flat brush that’s in good condition. Put your varnish in a cup or container than is wide enough to accommodate the brush.
Dip the brush into the varnish and apply from top down, left to right, overlapping slightly. Do not overbrush!
Continue the process all the way down and when you’re done, leave it alone for a couple hours. It should dry completely clear.
That’s all there is to it!
What do you think? What are YOUR experiences with varnishing? Do you have any stories–or tips–to share? Do you avoid varnishing completely?
P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!
Sometimes as portrait artists, we are called to capture the memory of a lost loved one. It’s a very special thing, a privilege that we given, to be able to do that for someone.
I don’t take it lightly.
Recently, I just finished up a commissioned portrait for a friend, whose pastor has recently passed away. This is an 11″ x 14″ acrylic on canvas. I want to show you the entire process, but I’m going to start in this post with just the sketch and first couple layers. Then, we’ll just add on with more steps to this same post.
Many of my blog readers prefer more video content rather than written, so that’s how I’m going to do it here.
Hope you enjoyed this acrylic portrait painting tutorial. As always, let me know how I can help you with your portraits or if you have a question. Leave me a comment below!
Be blessed in your painting,
P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!
What is the best way to get better as an acrylic portrait artist?
Is it by learning a new skin tone recipe? Is it by getting a new glazing medium? Or is it by watching a bunch of time-lapse videos?
All of these things can help, but what will get you the fastest results is to go to the foundation: accurate drawing. Most painters spent months or even years doing drawings before ever picking up a paintbrush. There’s just something about drawing that works wonders for your painting skills.
I think part of it is that it bypasses the other concerns of handling paint: mixing colors, brush technique, drying times, etc. You only have a few simple tools: your pencils, paper, and an eraser. And you work in monochromatic so it forces you to think only about your form and shading.
Portrait artist Matt Philleo sketching from a photo
So, why do I have a drawing tutorial here in Realistic Acrylic Portrait School? Because drawing is a fundamental skill, and it will drastically improve your painting. It won’t help to learn advanced skin tone and shading skills unless you know how to see three-dimensional forms and translate them to a two-dimensional surface. You want to be able to see the likeness of the person you’re trying to paint and accurately capture that. Drawing will do this for you faster than anything.
One of my neighbor’s friends’ sister died recently, and she asked me if I could draw a sketch of her to commemorate her. I agreed, and when I had some time in my crazy studio schedule, I got out my paper, and pencils and started sketching.
I set up the photo on my Kindle Fire, right next to my paper and started working. Now this drawing is definitely not fancy since it’s just a sketch done in under an hour, but I try to draw freehand often, to keep my skills sharp. I’m still learning, and trying to improve my skills.
Here is a a free training session showing how I drew the 11″ x 14″ pencil portrait, from start to finish, in about 45-50 minutes. In this video, you will learn:
How to decide how big to make the face and get the initial proportions
How to accurately position draw the shape of the features by working loosely at first and getting specific later
Techniques for shading in the face to give it dimension
Why it’s important not to blend too much
And more!
If you regularly do freehand drawings like this, you will find your painting skills will improve too.
Have a blessed day,
P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!
If you’re like me, printing off reference photos for painting a portrait is a major inconvenience.
You have to run to the photo developer and get them printed off, hoping they turn out ok, then tape them up next to your canvas, and struggle with them falling off. Or you try to print your own from your own computer and it costs you an arm and a leg in ink.
I got tired of it.
I asked for a Kindle Fire for Christmas and got one. Photos look outstanding in it.
I knew I wanted to set it up next to my canvas, but how would I get it to stay there? I thought of attaching a wire to the ceiling but that sounded sketchy.
So I made my own contraption to hold it up out of cardboard. If said this before, but if wasn’t an artist, I’d be a “mad scientist” inventor like Doc Brown from Back to the Future! The thing I made to hold my Kindle worked great.
One of my students saw it in a video and said she was having “technology envy.” 🙂 She thought the idea was cool. So I figured, why not share this with my students?
I explain more about it and how it can help you in my video below…
Hope this helps in your painting endeavors. Would you like step by step instructions on how to build one for yourself? Here is a free video course that will show you how!
P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!
