Archive Monthly Archives: November 2018

How Do You Do Layers With the Glazing Technique?

The glazing technique can do some amazing things for you, but it can be a challenge to learn how to do it at first.

I have a student named Holly, who has just started painting portraits in acrylic. She is currently working on one of her brother, and she was unsure of how to continue after beginning the glazing process. With her permission, I’m going to share her portrait with you. We all know what it feels like to get stuck during painting, especially when starting out…

Here’s her questions…
Hi Matt,
Thank you for your advice and the progress photos you sent of your artwork. That really helped. I’ve watched a lot of the student videos and I’m trying to apply everything to my painting. I feel like it looks kind of terrible so far so maybe I’m not doing it right. I’m worried about painting any more shadow in on his face because it looks bad – especially his eyes. I definitely feel like I don’t know what I’m doing. Haha. I don’t know what to do about his hair or face. And the white shirt with the dark creases. And the brass jacket buttons. I’m following your list of paint colors to use for the skin tones off of your skin tone video and that is very helpful. But I just feel kind of lost as to the layering process. For instance, for the face, I don’t know how many layers of shadows I’m supposed to do before I move onto layers of midtones. And how many layers of midtones do I do before I move onto highlights? And when I’m painting the midtones, do I paint over the shadow areas as well? Or only paint on the midtone areas?
Thank you so much for your help!
Holly
Here is my answer to her questions, in a video format. I used Photoshop to show her digitally, how she would paint with an actual paintbrush. My goal was to create a roadmap she could follow to ease the confusion in the painting process and gain confidence for what to do next.

 

Let me know how this video helps! Does it clear up the process at all for beginning a portrait using the glazing technique? Let me know.
In the meantime, many blessings to you and your portrait painting.
All the best,

 

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P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!

 

how to varnish your acrylic portrait painting

How to Varnish Your Painting

I remember the first time I attempted to varnish one of my paintings.

It was a large portrait on hardboard, about 48″ tall. Having just done some mural work with a well known muralist, I attempted to copy his method of using a household paint roller and a clear coat.

It was a disaster.

The medium looked so milky white while it was drying, that I started to panic like Rowan Atkinson did in the movie “Bean” when he sneezed on Whistler’s Mother. I tried to clean off the half dried medium with a damp towel. To my dismay, the medium started globbing up and totally distorted the fine detail work on the surface. Some areas had no varnish. Other areas were covered with a streaky, bumpy film. My painting was a hideous mess.

I said I would never varnish a painting again.

Except that I did.

I knew I needed to learn how to do it correctly in order to protect my paintings from dust and debris, saturate the colors and dark values more, and give it a uniform finish.

What I’m going to teach you is the process I learned basically from trial and error over the years.

I’m not scared to varnish any more. But I like to say a quick prayer before I put brush to canvas, because if you don’t varnish correctly, you can mess up a good painting very quickly!

Here’s a video that will show you the correct way to do it…

 

Here are the steps, simplified.

  1. Use acrylic matte varnish. Not matte medium. (unless you want a flat finish) Matte varnish dries to a satin sheen and looks fantastic. If you want a little more saturation on your dark values and colors, you can add some gloss medium to your matte varnish and mix them together very thoroughly.
  2. Put your painting on a flat table, or slightly angled. Don’t varnish the painting on a vertical easel or you could get drips and it will look terrible.
  3. Use a 1″ or larger flat brush that’s in good condition. Put your varnish in a cup or container than is wide enough to accommodate the brush.
  4. Dip the brush into the varnish and apply from top down, left to right, overlapping slightly. Do not overbrush!
  5. Continue the process all the way down and when you’re done, leave it alone for a couple hours. It should dry completely clear.

That’s all there is to it!

What do you think? What are YOUR experiences with varnishing? Do you have any stories–or tips–to share? Do you avoid varnishing completely?

Let me know how this tutorial helps.

All the best,

 

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P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!