Acrylic portrait painting offers endless opportunities for creativity, but accuracy is key when capturing a subject’s likeness. Even experienced artists can sometimes struggle with proportions, features, or subtleties that can throw off the realism of a painting. In this post, we’ll explore techniques to fine-tune your portrait accuracy, including a step-by-step critique process. By addressing common mistakes and refining your approach, you’ll make your acrylic portraits more lifelike.
Proportions are the backbone of a realistic portrait. Even if your shading and colors are flawless, incorrect proportions can distort your subject’s likeness. When comparing your painting with your reference photo, examine the general shape of the head, the placement of facial features, and the overall size.
One technique to achieve accurate proportions is by using a grid system. This method breaks the reference photo into smaller sections, helping you place features correctly. If you choose to freehand, regularly measure distances between key facial elements like the eyes, nose, and mouth. Both methods work, but the grid system is more forgiving for beginners.
Eyes are the focal point of most portraits. In this critique, we notice that one of the eyes appears slightly too large compared to the other. This is a common issue and can occur due to perspective or incorrect placement of the eyeball. To fix this, take note of the size and shape of both eyes. The eye seen at an angle, for example, should be thinner and slightly more oval.
Also, focus on the eyelid thickness. Often, the upper eyelid may be too thick or too distant from the lower eyelid, altering the expression. Adjust this to match your reference photo more closely, and ensure that the shadow from the eyebrow ridge is reflected in the way you paint the eyebrow.
Eyebrows contribute significantly to the expression of your portrait. In some cases, as highlighted in the critique, eyebrows might be painted too thin or flat. This can make the face look less dynamic or lively. Pay attention to the natural thickness of the brows and the shadow underneath them. Eyebrows aren’t just about individual hairs; the underlying structure, such as the brow ridge, also plays a role.
Make sure to capture the shape of the brows as they angle up or down according to the skull’s structure. Adding more thickness and dimension to the eyebrows can instantly change the character and realism of your portrait.
One subtle yet crucial area to improve accuracy in a portrait is the angle and shape of the mouth. The critique points out that the mouth angle in the painting doesn’t fully match the reference photo. A slight change in angle can alter the expression, making the portrait appear off.
To adjust this, focus on where the corners of the mouth fall in relation to other features. The line between the lips should not be overly steep or shallow. Moreover, make sure that the mouth’s width is proportional to the eyes and nose, which will help achieve a more harmonious facial structure.
Light and shadow create depth, making your portrait pop. In the critique, the lighting in the subject’s face was well-executed, but more luminosity was needed in certain areas, such as the forehead and chin, where light hits directly. The glazing technique is an excellent method to preserve luminosity in your painting.
Instead of painting mid-tones first, block in the shadows using thin glazes, leaving the light areas intact. This will allow the light to shine through, giving a more vibrant and realistic feel to your portrait. Apply this to other areas as well, such as the nose and cheeks, where subtle variations in lighting can bring your painting to life.
The jawline and chin define the overall shape of the face. In the critique, it was noted that the chin was slightly too short, and the jawline could have been extended. Small adjustments in these areas can have a big impact on the accuracy of your portrait.
When examining the reference photo, look at how the light interacts with the jawline. Extend or adjust the line accordingly, especially in angled portraits where perspective plays a role. The chin should not be cut off too early but should have a natural curve.
Achieving accuracy in acrylic portraits takes practice and patience, but by refining proportions, focusing on subtle details, and using techniques like glazing, you can drastically improve the realism of your work. Be mindful of common mistakes such as incorrect proportions, mismatched facial features, and lack of depth in lighting. With these tips, you’ll be well on your way to creating more accurate and lifelike portraits.
Read more about my additional resources, tutorials, to learn more and check out my free courses here. . Whether you’re a beginner or an experienced artist, there’s always something new to learn and apply to your paintings. Happy painting!
P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!
When creating a large acrylic painting, one of the key elements in bringing it to life is mastering the shadow work. Blocking in shadows helps define the structure and form of your subject, adding realism and depth. Using an acrylic glazing technique enhances the shadowing effect, keeping it translucent while still maintaining control over the darker areas of the painting.
In this blog post, we’ll explore a step-by-step approach on how to block in shadows for a large painting. We’ll cover the essential tools, glazing methods, and tips to help you create a more dynamic, realistic piece of art.
Before diving into the painting process, it’s important to prepare your materials and mindset. I begin this painting session with a moment of reflection and prayer, setting an intention to create a work that captures emotion and depth. Preparation also involves setting up the canvas, sketching the outline of the subject, and sealing the sketch with a light glaze.
For this demonstration, a mixture of raw umber dark and ultramarine blue was chosen for the shadow work. These colors, when blended, create a rich, cool tone that is perfect for shadows. Here’s how you can apply this to your own painting:
Blocking in shadows for a large painting requires a few specialized techniques. Here are some essential methods to use:
In the video, I focused on several parts of the painting and then demonstrated the blocking in of shadows:
Once the shadow areas are blocked in, the final step involves refining the details. Then I used a smaller brush to control the finer aspects of the shadows, ensuring that they didn’t overpower the highlights. This delicate balance between light and shadow is what ultimately brings the painting to life.
Blocking in shadows is a crucial skill for any artist, especially when working on large paintings. By using acrylic glazing techniques, you can add depth and realism while preserving the underlying details. Remember to take your time, build the shadows in layers, and constantly refer to your reference photo to ensure accuracy.
Master this technique, and you’ll find your large acrylic paintings gaining new levels of dimension and realism.
If you’re looking for more instructional videos on how to improve your acrylic painting, visit www.realisticacrylic.com for more tutorials and check out my free courses here. .
Read more about how to paint a portrait that you can surely be proud of!
I’d love to hear your thoughts on this video. Please share it with your friends and family. Let me know if you have any further questions. I’ll greatly help you.
If you’d like to learn more, sign up for my free email tips and video class today.
Learn How to Paint Acrylic Portraits With My Free Mini-Video Course!
Thank you so much for taking the time to read this tutorial and watch the video. That means a lot to me. I hope you find it very helpful in your portrait painting.
Yours for Better Portraits,
P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!
Now what? Begin painting? Not so fast! 🙂 In this video, I’ll show you how to refine a traced sketch freehand and to make it ready to paint upon.
This is for the book of Isaiah by Russell Stendal and it’s an illustration based off this image here of a man in intercessory prayer. And originally, I did a video showing the tracing process, asking whether it’s ok to trace. And I think I answered that question, that it is—as long as you do freehand sketching and work with grids. But especially as you work with freehand sketching, which will help you to improve as an artist.
Now, I’m going to work in this sketch to show you the process of tightening up a sketch done by tracing initally and the tracing process does leave you with a lot of work left to be done. So, I’m going to show you how I’m going to add additional shading in detail and then have a sketch that I can paint on top of.
Traced sketches are often used by artists to quickly capture the proportions and major features of a subject. However, relying solely on tracing can result in a flat, lifeless image. In this guide we will explore how to refine a traced sketch freehand, enhancing the details, adding depth, and preparing the sketch for the painting stage. By the end of this tutorial, you’ll understand how to transform a traced sketch into a dynamic, polished artwork ready for the next step.
When an artist traces an image, they capture the basic outlines but often miss out on critical details like shadows, textures, and fine forms. This is where freehand refinement comes into play. It allows you to go beyond the rigid lines of a traced image and add life to the drawing.
In this tutorial, I’ll demonstrate how to refine a traced sketch freehand based on my work on a sketch of Isaiah or Hezekiah, which was originally traced. The traced lines were helpful to get the basic structure down quickly, but the freehand refinements were crucial for adding the depth, shading, and detail needed for an intercessory prayer-themed illustration.
Hands are complex and full of intricate details like tendons, veins, and shadows, which are often missed in a simple traced sketch. To refine the hands in this illustration, start by adding shading to differentiate the forms. Pay attention to areas where light hits the fingers and where shadows fall.
The face is another area that greatly benefits from freehand refinement. In this particular sketch, I had traced the basic lines of the face, but it still needed significant work to look convincing. I added texture to the beard and refined the nose’s shading to give it a more three-dimensional appearance.
One of the challenges with tracing is that it can sometimes lead to slightly distorted proportions. Freehand refinement allows you to adjust these proportions for greater accuracy. For instance, I changed the hairstyle in this sketch to make it look less like myself (since I modeled for it) and more like the character I intended to depict.
Clothing, especially in historical or religious illustrations, requires careful attention to the way fabric drapes and folds. In the sketch of Isaiah/Hezekiah, I added shading to the clothing to give it volume and ensure it looked appropriate for the era being depicted.
As you refine your traced sketch freehand, don’t be afraid to go back and rework certain areas that don’t feel quite right. For example, I added a scroll to the hands to illustrate a significant moment in the story of Hezekiah, when he spread a threatening letter before the Lord and prayed for deliverance.
Refining a traced sketch freehand is an essential step for any artist who wants to create dynamic, realistic artwork. The tracing process can save time, but it’s the freehand refinement that brings the sketch to life. By focusing on shading, texture, and proportion, you can take a basic traced image and transform it into a detailed and accurate foundation for painting.
Just like building a house requires a solid foundation, a painting requires a well-executed sketch. The time and effort you put into refining your sketch freehand will set the stage for a more successful painting, allowing you to focus on color and brushwork rather than correcting mistakes.
Refining a traced sketch freehand involves improving proportions, adding textures, and sharpening details to ensure the sketch serves as a strong foundation for painting. This process is especially useful in achieving realistic, dynamic compositions. Remember that tracing is just the starting point; it’s the freehand refinement that makes the difference. Keep practicing your freehand sketching skills to improve your artistic abilities and bring more depth to your work.
If you’re looking for more instructional videos on how to improve your acrylic painting, visit www.realisticacrylic.com for more tutorials and check out my free courses here.
I’d love to hear your thoughts about this video. Please share it with your friends and family. Let me know if you have any further questions. I’ll greatly help you.
If you’d like to learn more, sign up for my free email tips and video class today.
Learn How to Paint Acrylic Portraits With My Free Mini-Video Course!
Thank you so much for taking the time to read this tutorial and watch the video. That means a lot to me. I hope you find it very helpful in your portrait painting.
Yours for Better Portraits,
P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!
In this video, I’ll show you how to paint realistic reflections, using two complementary colors in addition to white, and getting the shape of the reflection just right. Then this originally was a BONUS video in the Acrylic Portrait Painting Challenge Master Class, now available in the All-Access Membership at Realistic Acrylic Portrait School.
Even though it is technically over, you can take the Acrylic Portrait Painting Challenge (it’s FREE!) and paint along with us! 8 master class lessons are posted to help you paint a portrait you can be proud of!
REGISTER TODAY. The challenge is ongoing, something you can do at your own pace. It’s not too late to enter! After you join, I’ll send you the supplies list and reference photos to paint from.
Register for the Challenge!Questions? Suggestions? Thoughts? Let me know, below in the comments. Please share your sketches in our Facebook group and share this post with your friends!
Read more about how to paint a portrait that you can surely be proud of!
I’d love to hear your thoughts about this video. Please share it with your friends and family. Let me know if you have any further questions. I’ll greatly help you.
Thank you so much for taking the time to read this tutorial and watch the video. That means a lot to me. I hope you find it very helpful in your portrait painting.
P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!
In this lesson, we will be wrapping up the Masterclass series for the challenge! I’ll show you how to add some more nuances and details to the portrait of “Cora.” First, we’ll add a glaze to her hair to enrich the overall color. Next, we will enhance some nuances on her eyebrows, dial in the color of the eyes, and paint in the reflections. Finally, we’ll add in the skin tone for her arm in the lower corner and follow up with some work on her lace.
But even though we are nearly done with this portrait painting, it’s not too late to join in the fun!
YOU, too, can paint a portrait!
Take the Acrylic Portrait Painting Challenge (it’s FREE!) and paint along with us!
REGISTER TODAY. The challenge is ongoing, something you can do at your own pace. It’s not too late to enter! After you join, I’ll send you the supplies list and reference photos to paint from.
Would like to paint this portrait with me and hundreds of other artists?
Take the 2021 Spring Portrait Painting Challenge!
You can register below and get started. It is completely FREE to join the challenge and participate. When you join, I’ll send you the “Welcome Kit” which includes:
REGISTER TODAY. The challenge is ongoing, something you can do at your own pace. It’s not too late to enter!
Let me know if you have any questions and I look forward to teaching you more!
—Matt
Questions? Suggestions? Thoughts? Let me know, below in the comments. Please share your sketches in our Facebook group and share this post with your friends!
In this master class lesson (7 of 8), I’ll demonstrate how to add specific detail shapes to “Cora’s” hair. I’ll also add some additional shading to her forehead with a very translucent glaze. Next, I darken the left side of her face while smoothing out some of the rough application of previous glazes with a semi-opaque layer that’s cooler in tone. Finally, I add nuances to her eyes, lips and chin.
But even though we are well along in this portrait painting, it’s not too late to join in the fun!
YOU, too, can paint a portrait!
Take the Acrylic Portrait Painting Challenge (it’s FREE!) and paint along with us!
REGISTER TODAY. The challenge is ongoing, something you can do at your own pace. It’s not too late to enter! After you join, I’ll send you the supplies list and reference photos to paint from.
Would like to paint this portrait with me and hundreds of other artists?
Take the 2021 Spring Portrait Painting Challenge!
You can register below and get started. It is completely FREE to join the challenge and participate. When you join, I’ll send you the “Welcome Kit” which includes:
REGISTER TODAY. The challenge is ongoing, something you can do at your own pace. It’s not too late to enter!
Let me know if you have any questions and I look forward to teaching you more!
—Matt
Questions? Suggestions? Thoughts? Let me know, below in the comments. Please share your sketches in our Facebook group and share this post with your friends!
Historically, the Old Masters used small amounts of pigment dispersed in larger amounts of linseed oil or mineral spirits to create a sense of volume and depth in their paintings. Light shines through and you can see a bit of each layer beneath the ones on top.
We can use that technique to our advantage with acrylic. By applying several translucent layers, there is an increased sense of depth, shading, contrast and color saturation and luminosity.
In this particular lesson, I’ll demonstrate how to add richness to the mid-tones of the girl’s face and hair. We will also add more contrast to the image with a couple of layers to the background, and turn the form of her figure with a precisely placed glaze on her clothing.
But even though we are well along in this portrait painting, it’s not too late to join in the fun!
Take the Acrylic Portrait Painting Challenge (it’s FREE!) and paint along with us!
REGISTER TODAY. The challenge is ongoing, something you can do at your own pace. It’s not too late to enter! After you join, I’ll send you the supplies list and reference photos to paint from.
Would like to paint this portrait with me and hundreds of other artists?
Take the 2021 Spring Portrait Painting Challenge!
You can register below and get started. It is completely FREE to join the challenge and participate. When you join, I’ll send you the “Welcome Kit” which includes:
REGISTER TODAY. The challenge is ongoing, something you can do at your own pace. It’s not too late to enter!
Let me know if you have any questions and I look forward to teaching you more!
—Matt
Questions? Suggestions? Thoughts? Let me know, below in the comments. Please share your sketches in our Facebook group and share this post with your friends!
We’re breaking a fine art portrait painting down into bite-size steps that YOU can do.
Specifically, in this video lesson, I demonstrate how darkening your background can really make the face stand out in a lifelike way.
What colors should we use for the shadows? I’ll show you how to mix them, what brushes to use to apply them, and HOW to do it. Get the shadows right, and 80% of the battle is won, so to speak in your portrait.
What colors for the skin tones?
In this video, you’ll learn the correct color to mix, how to create glazes with matte medium and apply it to the face smoothly.
This is still very much the beginning. More lessons to come.
Take the Acrylic Portrait Painting Challenge (it’s FREE!) and paint along with us!
REGISTER TODAY. The challenge is ongoing, something you can do at your own pace. It’s not too late to enter! After you join, I’ll send you the supplies list and reference photos to paint from.
Would like to paint this portrait with me and hundreds of other artists?
Take the 2021 Spring Portrait Painting Challenge!
You can register below and get started. It is completely FREE to join the challenge and participate. When you join, I’ll send you the “Welcome Kit” which includes:
REGISTER TODAY. The challenge is ongoing, something you can do at your own pace. It’s not too late to enter!
What’s coming up in the next lesson? More shading, more skin tones, and the start of some detail work. Follow the lessons and you will be able to create a portrait you can be proud of…even if you’re a complete beginner!
Let me know if you have any questions and I look forward to teaching you more!
—Matt
Questions? Suggestions? Thoughts? Let me know, below in the comments. Please share your sketches in our Facebook group and share this post with your friends!
Likewise, in an acrylic portrait, we often want to see quick results. But if we take our time, and just add one layer on top of another, even though it looks like hardly anything is happening, eventually, we will end up with a great painting!
I’d like to show you how to slow down a bit, take your time, and paint your acrylic portrait layer by layer, using the acrylic glazing technique.
Take the Acrylic Portrait Painting Challenge (it’s FREE!) and paint along with us!
REGISTER TODAY. The challenge is ongoing, something you can do at your own pace. It’s not too late to enter! After you join, I’ll send you the supplies list and reference photos to paint from.
In this master class lesson #4, I demonstrate how to continue darkening your darkest values on the face and background, and then work in some warmer glazes to set up the skin tones on her face. We’re going very light, using a large amount of matte medium (95%) to a small amount of paint (5%)
Watch how to do it here…
Would like to paint this portrait with me and hundreds of other artists?
Take the 2021 Spring Portrait Painting Challenge!
You can register below and get started. It is completely FREE to join the challenge and participate. When you join, I’ll send you the “Welcome Kit” which includes:
REGISTER TODAY. The challenge is ongoing, something you can do at your own pace. It’s not too late to enter!
Let me know if you have any questions and I look forward to teaching you more!
—Matt
Questions? Suggestions? Thoughts? Let me know, below in the comments. Please share your sketches in our Facebook group and share this post with your friends!
Remember those? You would load up the small film sheets, snap a picture and out popped the print. Back in those days (yes, I’m old enough to remember them) this was amazing. You wouldn’t have to drop off your film and wait 3 days (or even an hour!) for it to process.
But even then, it wasn’t immediate. The image would slowly fade in, and you’d watch a vague outline of your scene start to materialize. Finally, after a minute, you’d have a beautiful print!
In the same way, instead of painting our portrait one section at a time, with thick, opaque applications of paint, we slowly fade it in, covering the entire canvas at once, in stages. We use the classical acrylic glazing technique, just like Da Vinci, Titian and Vermeer used during the Renaissance to achieve smooth, subtle nuances of color and value, vibrant colors, and incredible depth.
I’ll show you how to do it!
But first, make sure you’re registered for the challenge!
REGISTER TODAY. The challenge is ongoing, something you can do at your own pace. It’s not too late to enter! After you join, I’ll send you the supplies list and reference photos to paint from.
Before we can begin the painting, first we must seal in the sketch, so it doesn’t smear or muddy up our paint. Next, we need to white-out the grid lines so they don’t distract from our final painting presentation. Lastly, we mute the sketch and tone the canvas in one step, so that we don’t have a white canvas staring us in the face, and so that the sketch is softened—easier to convert to a painting.
Watch how to do it here…
Let’s begin the actual painting process! I’ll show you what colors we are using, how to block in the value structure simply with just two colors and matte medium. We’re going to go light and leave room to correct any mistakes. This will be the foundation we’ll build off of from here on out…
Would like to paint this portrait with me and hundreds of other artists?
Take the 2021 Spring Portrait Painting Challenge!
You can register below and get started. It is completely FREE to join the challenge and participate. When you join, I’ll send you the “Welcome Kit” which includes:
REGISTER TODAY. The challenge is ongoing, something you can do at your own pace. It’s not too late to enter!
Let me know if you have any questions and I look forward to teaching you more!
—Matt
Questions? Suggestions? Thoughts? Let me know, below in the comments. Please share your sketches in our Facebook group and share this post with your friends!