In this lesson, you will learn how to slowly transition out of the sketch process and into the painting with confidence.
Instead of the typical way of painting—dumping a bunch of paint onto the canvas and hoping something good comes out of it, you will strategically begin your portrait with light, translucent glazing layers.
If you follow the heart of my method, you will not feel like the painting is out of control. You will be guiding the painting to a successful finish, rather the painting taking you and your emotions for a roller-coaster ride.
It takes patience.
So please don’t jump ahead, even though it feels you’re starting so slowly.
You’ll find that once we get the painting moving in the right direction, it will begin to take off, just like a car as it goes into higher gear. Your layers and brushstrokes will get bolder as you hit the midpoint of your painting, like a climax in a good movie or book. You’ll be moving much faster then!
Finally, you’ll slow down again.
You’ll gently add nuances and final touches to bring the portrait home and make it a masterpiece.
In our previous step, I showed you how to sketch your canvas to create a firm foundation for your painting. Not perfect, but accurate.
Now, in this lesson, we will finally get to the painting!
Ready to paint?
Now, before we begin (yes, I have to ask you again, just in case 🙂 )…
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Watch my in-depth Masterclass acrylic online tutorial below to see these steps in action.
After learning from this video, you’ll know exactly how to do it.
Make sure to watch the ENTIRE video first before diving into the painting. It will be worth it to do that. Then, I’d like you to go back and refer to whatever steps you need to as you paint. That way, you won’t miss any of the instruction and tips that will help you make this portrait your very best.
Here’s the video…
[PORTRAIT CHALLENGE] Masterclass Lesson #3: Beginning Your Portrait Painting Lightly and Confidently
The largest challenge of the glazing technique is overcoming the tendency to go dark and thick with your paint. But if you stick with this, even beyond this portrait, you’ll find the technique “clicking” and you’ll understand how it can help you to create a painting with incredible luminosity, smooth shading, depth, and detail.
In other words, a portrait that will “wow” others and you’ll feel proud to have created. And even more, a portrait you can give as a gift, hang on your wall (or someone else’s) and will be enjoyed for years to come.
There you have it! Now you know exactly how to begin your portrait lightly, and confidently. The next step is to build up depth with more glazes and see the amazing portrait fade in, slowly materialize before your eyes.
I’ll see you in our next class! Until then be blessed in your painting and may God guide your every brushstroke!
Yours for Better Portraits,
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Acrylic painting is an exciting medium known for its versatility, but achieving the depth and vibrancy often associated with oil paintings can seem challenging. However, by employing the classical glazing technique, a method favored by old masters like Rembrandt, Titian, and Vermeer then you can produce rich, luminous results with acrylics. This blog post will guide you through 5 essential steps to create a vibrant acrylic portrait using this time-tested method.
Every masterpiece begins with a solid foundation, and in portrait painting, that foundation is the sketch. Before you start adding color to your canvas, take time to create a detailed and accurate sketch of your subject. For this project, an 11×14 portrait of three girls in a park serves as an example.
By using a sepia-tone prismacolor colored pencil, you can establish proportions and likeness. Accuracy in this stage helps set the stage for a calm and confident painting process. Once your sketch is ready, seal it with a clear matte medium. This acts as a protective layer, ensuring that the pencil lines remain intact as you begin adding paint.
The heart of this painting method lies in glazing, where thin, transparent layers of paint are applied over one another to build depth and richness. Unlike traditional opaque acrylic painting, the classical glazing technique requires a mixture of 95% matte medium to 5% paint. This creates a very light wash that enables you to gradually build colors without overwhelming the canvas.
Begin by mixing raw umber dark with ultramarine blue to create lifelike skin tones and shadow areas. These first layers will be almost imperceptible, but they provide a strong base for the layers that follow.
Once the initial glaze is applied, it’s time to focus on layering. As you build up more layers, you’ll notice how the painting starts to take on a more vibrant and realistic appearance. The goal here is to create a seamless transition between light and dark values, blending tones smoothly to replicate the natural shading found in your reference photo.
In this step, more raw umber dark and ultramarine blue are used to deepen the shadows on the forehead and hair. This layering process helps achieve the subtle gradation required for realistic portraits.
To make your portrait truly vibrant, it’s essential to introduce bold colors into the glazing process. In this example, a dash of Liquitex hot pink was added to the dress to intensify the color and give it a glowing effect. The key is to use these bright colors sparingly, applying them in thin layers so that they blend harmoniously with the existing hues.
When applying glazes to areas like the clothing, make sure to leave the white areas exposed. This technique, known as “preserving the luminosity,” ensures that highlights remain bright and eye-catching, adding to the overall vibrancy of the portrait.
The final step in this process involves refining the smaller details and nuances that bring a portrait to life. For example, the highlights in the hair, shadows in the creases of clothing, and the subtle changes in skin tone around the eyes require careful attention.
In the final layers, you can also experiment with a semi-opaque mixture, using titanium white, raw umber dark, and organic red-orange to add warmth and depth to the skin tones. With each new layer, the portrait takes on more life, depth, and realism. At this stage, it’s important to use more opaque layers sparingly, as glazing is best suited for large areas, while more detailed parts, such as fingernails or eyes, may benefit from a slightly thicker application of paint.
As you add each layer of glaze, then always remember that patience is vital. Because acrylic glazing requires multiple layers, sometimes ten or more to achieve the desired depth and luminosity. Each layer builds upon the last, contributing to the portrait’s final vibrancy. While it may take time, the results are well worth the effort.
By following these five steps, you can create a stunning acrylic portrait with vibrant colors and lifelike depth, all while employing the classical glazing technique favored by the old masters.
For further resources and guides, visit realisticacrylic.com and check out my free courses to enhance your acrylic painting journey.
Read more about how to paint a portrait that you can surely be proud of!
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Thank you so much for taking the time to read this tutorial and watch the video. That means a lot to me. I hope you find it very helpful in your portrait painting.
Yours for Better Portraits,
P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!
This was something I’ve always wanted to do: create art while camping. And for all the years I’ve gone camping, I’ve never been able to successfully do it.
But finally, at the end of June, my brother and I decided to go camping at a rustic yurt up in Cable, WI. Where is that? Let’s just say, it’s “way up north.” 🙂 And what is a yurt? It’s a round tent-like house, a permanent structure made of lattice wood, bound together with steel cable, and covered with fabric. We rented it through Airbnb for two days.
Acrylic portrait artist Matt Philleo ready to paint at a yurt in Cable, Wisconsin
We parked at the bottom of the hill and carried our gear up about a mile. We realized how out of shape we were! I also had my painting supplies: easel, palette, and brushes with me. In the middle of hiking and cooking, we decided to both do a little work: my brother wrote (he’s an author) and I painted.
Painting an acrylic portrait from photo inside a yurt while camping, 11 x 14 acrylic on canvas ©2019 by Eau Claire area portrait artist Matt Philleo
I know. You’re probably thinking I should have painted the scenery up there, and yes, it was beautiful. But I had a commissioned portrait from a photo to get done: a painting of a veteran that served in the gulf war. And I love painting people, so it hardly seemed like work.
After bacon, eggs, and oatmeal for breakfast, it was time for painting.
Here is a video showing the beginning part of the process. In this video, I am basically blocking in the values with just raw umber dark and ultramarine blue. Of course, it’s all thinned out and made translucent with matte medium.
And then, here’s the next video in the process. Here I’m adding some color with burnt sienna, alizarine crimson and a few other colors. We’re starting to build up some skin tones. Also working on the flannel shirt. It takes a lot of layers to get it dark enough to look realistic!
After lunch, we hiked, and then came back and did more work: refining the shadows and making sure the likeness is accurate.
Sometimes your sketch just won’t cut it. It will get you about 80% of the way there, and you do the remaining 20% with paint. As you apply the paint, you can change the shape of the nose, the distance between the eyelids, lengthen the smile, etc., to adjust whatever might have been off during your sketch.
Of course, there is more to go on the painting. I’ll share the rest with you soon. I wasn’t able to finish it at the yurt, but I put in several hours. So, not only did I get to spend some great quality time with my brother, but I got to do some enjoyable work as well. After the big move, I finally feel like I’m getting into a regular groove of painting and posting tutorials. Thanks so much for your patience.
UPDATE: Here is the final video of this portrait, painted at my regular studio…
And a photo of it…
Custom realistic acrylic portrait of a veteran and his wife painted by Eau Claire area portrait artist Matt Philleo, 11 x 14, acrylic on canvas, ©2019 by Matt Philleo
I really enjoyed painting this for the client, putting all the elements–the map of Iraq, the capitol building, and the people together into one cohesive portrait that I hope will be a cherished keepsake for the family for years to come.
I hope this painting has encouraged you and given you some ideas to use in your own portrait painting. I would love to help you learn to paint portraits your very best. Let me know if I can be of more help to you in any way.
Yours for better portraits,
P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!
Sanding a canvas panel in preparation for painting an acrylic portrait
I use the glazing technique to slowly bring the portrait from a white canvas to completion. The glazing technique is achieved by mixing your paint with clear acrylic medium (usually matte medium) to disperse the pigment, thus allowing light to pass through.
Although you could use water, it’s not recommended, because it breaks down the acrylic resin binder, causing a rough visual texture and possible poor adhesion. For a smoother look, you want to use clear acrylic medium.
Custom commissioned realistic acrylic portrait from a photo painted by Eau Claire area artist Matt Philleo, ©2019 Fine Art by Matt Philleo
Using colored pencil for your acrylic portrait sketch makes things a lot easier. Technique discovered and developed by Matt Philleo.
Acrylic portrait artist Matt Philleo posing in front of a 48″ x 72″ commission painting for a client in Brunei
I hope these questions and answers were helpful to you as well. I know some of this stuff seems pretty basic, but it’s good for all of us to pause and think about why we do what we do. It then makes the doing that much more significant.
Let me know if you have any questions of your own about acrylic portrait painting and I’ll do my best to help!
P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!
Creating an acrylic portrait with an oval vignette style is an inspiring technique that allows your subject to stand out elegantly, adding focus and artistry. In this timelapse guide, I’ll walk you through how to achieve an oval vignette acrylic portrait using a unique glazing method. This technique helps you build depth, enhance color vibrancy, and create a finish that rivals the luminosity of oil paintings.
An oval vignette composition is a traditional approach that frames your subject in a subtle, softly blurred oval shape, gently drawing attention to the portrait’s focal point. This timeless style is ideal for achieving classic, professional results, whether you’re creating family portraits or a commissioned piece.
To begin, prep the canvas with a light layer of matte medium and diluted paint. Use raw umber dark, ultramarine blue, and a dash of burnt sienna. This combination will set up foundational tones that help bring warmth and depth later on. Thin layers will be added progressively, each enhancing the portrait’s tonal structure.
Blocking in your values provides a strong base for your portrait:
The glazing technique is key to creating a portrait that radiates depth and realism:
As the portrait evolves, focus on adding detail:
In the final stages, highlights and refined details bring the portrait to completion:
Glazing layers allow light to pass through, reflecting back and adding dimension. Each transparent layer builds on the one before, creating complex color variations. This effect gives the portrait an oil-like appearance, a finish that’s often praised for acrylics. The difference in visual depth between these layers keeps the painting from looking flat and enhances the vignette effect around your subject.
Creating an oval vignette acrylic portrait is a wonderful way to highlight your subject and create a stunning effect that draws the viewer’s eye. With glazing, you can achieve depth and richness that elevate your work and add a touch of timeless beauty. Try this technique on your next portrait to experience the difference it makes in achieving realism and sophistication.
For more tips on acrylic portrait painting, glazing methods, and tutorials on creating depth and realism, visit my site at realisticacrylic.com. This technique, along with many others, will enhance your skills and add a professional touch to your portraits.
Let me know how you enjoyed this video, and if you have any questions on acrylic portrait painting, I’ll be happy to help.
Let me know how you enjoyed this video and if you have any questions on acrylic portrait painting, I’ll be happy to help.
Yours for better portraits,
P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!
Creating depth in your acrylic portrait backgrounds can transform your artwork from flat and uninviting to vibrant and lifelike. This comprehensive guide will explore techniques and tips that can be utilized to effectively build depth in your acrylic paintings. Through careful layering, color mixing, and thoughtful brushwork, your backgrounds will not only enhance your portraits but also engage viewers and add emotional resonance.
Depth in art refers to the illusion of three-dimensionality on a two-dimensional surface. It involves creating a sense of space, distance, and perspective. In acrylic portrait painting, the background plays a crucial role in establishing depth and can significantly influence the viewer’s perception of the subject.
Layering is one of the most effective techniques for creating depth. It involves applying transparent layers of paint over one another, allowing underlying colors and textures to show through.
By layering these glazes, different values can be developed. The key is to allow each layer to dry before applying the next, which helps to create a sense of depth through the transparency and complexity of the colors.
Gradation can be used to suggest distance and atmosphere in your backgrounds. This can be achieved through both blending and glazing techniques.
Contrast is essential in making your subject stand out against the background. By darkening background areas, the foreground subjects will naturally become more pronounced.
This can be particularly effective when using glazes, as they dry quickly, allowing for rapid layering without mudding colors. As highlighted in the video, the layering properties of acrylics can be leveraged to achieve a depth that feels rich and engaging.
Adding textures or patterns can create interest in the background and contribute to the overall depth of the painting.
This not only enhances depth but also gives the background a dynamic quality that complements the portrait.
Building depth in your acrylic portrait backgrounds is a rewarding endeavor that can significantly enhance your artwork. By employing layering techniques, creating gradation, utilizing contrast, and incorporating textures, your backgrounds will not only support your subjects but also engage viewers on a deeper level.
As you continue to practice and refine these techniques, your portraits will come to life, showcasing the beauty of depth in acrylic painting. The journey of learning and experimenting is essential for any artist, and through consistent practice, remarkable improvements will be evident in your work.
With these insights, you are now equipped to enhance your acrylic portrait backgrounds and bring your artistic vision to life. For further resources and guides, visit realisticacrylic.com and check out my free courses to enhance your acrylic painting journey. Happy painting!
Read more about how to paint a portrait that you can surely be proud of!
Let me know how this helps! If you have questions on your portrait painting, feel free to contact me ([email protected])
Yours for better portraits,
P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!
I’d like to let you know that I’ll be teaching at the Chippewa Valley Cultural Association (Heyde Center for the Arts, Chippewa Falls, WI) on March 12-13, 10:30am-3:30pm, a two-day intensive acrylic portrait painting workshop. The class size is limited to 10 people to make sure I can give each student feedback and individual instruction. For more details, visit my events page here…https://realisticacrylic.com/paint-an-acrylic-portrait-with-me-in-2019/
Creating a realistic acrylic portrait can be a rewarding experience, especially when utilizing the glazing technique. This method involves layering transparent paints to build depth and luminosity in your artwork. In this tutorial, a step-by-step guide is provided to help artists of all levels achieve impressive results in an 8 x 10 portrait.
The glazing technique is foundational in creating depth and realism in acrylic painting. It is characterized by the application of thin, transparent layers of color, allowing the underlying layers to shine through. This method is often compared to photography, where an image starts light and gradually gains depth.
Before beginning, ensure that the following materials are prepared:
To commence, a light glaze is applied to the background using clear acrylic matte medium. This initial layer serves as a foundation for subsequent colors and adds a soft, ethereal quality to the painting.
Once the background is set, the first layer of details can be added. Ultramarine blue is used to paint the hat, while the brownish tone is applied to create depth in the background. Care is taken to let these layers dry before continuing with additional details.
The glazing technique thrives on layering. After the initial foreground details have dried, the focus shifts to the face and scarf. By layering thin glazes, the desired colors are built up gradually, allowing the light to penetrate through the layers.
Attention is drawn to the finer details in the face, such as the eyes and lips. Using various skin tones, nuances are added to create dimension. This is achieved by carefully layering pinkish tones on the cheeks and around the eyes, emphasizing features like eyebrows and the mustache with darker shades.
As the painting progresses, the need to refine details becomes evident. Skip around the canvas, working on different sections to ensure balance and harmony in the overall composition. Smoothing out areas with a gentle hand helps in creating a realistic appearance.
To achieve a realistic finish, darker tones are added under the chin and in shadowed areas, enhancing the sense of depth. Highlights are strategically placed to simulate the effect of light on the face and clothing.
At the later stages of the painting, I continue to add details and shading. Varying line thickness and texture are key components to realism. Then moves back and forth between different areas of the portrait, ensuring that the final touches are cohesive and enhance the overall image.
After all the details have been finalized, the painting is signed. This not only signifies the completion of the work but also adds a personal touch to the artwork.
This step-by-step guide on painting a realistic acrylic portrait using the glazing technique showcases how layered approaches can bring an image to life. By utilizing transparency and careful detailing, you can create stunning, lifelike portraits that capture the essence of their subjects.
Whether you are an experienced artist or just starting, mastering the glazing technique will enhance your acrylic painting skills.
By following these steps, you can enhance your painting techniques and create stunning, realistic portraits. Embrace the glazing method and enjoy the process of bringing your artistic visions to life!
For further resources and guides, visit realisticacrylic.com and check out my free courses to enhance your acrylic painting journey
Would you like to learn how to paint like this, with individual lessons broken down and explained?
Learn How to Paint Acrylic Portraits With My Free Mini-Video Course!(The lessons show me painting a different picture, but the technique is the same. Enjoy! 🙂
Let me know how this helps.
Yours for better portraits,
P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!
Acrylic painting offers artists a versatile medium, allowing for various techniques to create depth, shading, and vibrant colors. Among these techniques, the glazing method stands out for its ability to build up layers of color, enhancing the painting’s visual complexity. In this blog post, we will delve into how to do layers with the glazing technique, exploring color selection, layering strategies, and tips to achieve a professional finish.
I have a student named Holly, who has just started painting portraits in acrylic. She is currently working on one of her brother, and she was unsure of how to continue after beginning the glazing process. With her permission, I’m going to share her portrait with you. We all know what it feels like to get stuck during painting, especially when starting out…
Hi Matt,Thank you for your advice and the progress photos you sent of your artwork. That really helped. I’ve watched a lot of the student videos and I’m trying to apply everything to my painting. I feel like it looks kind of terrible so far so maybe I’m not doing it right. I’m worried about painting any more shadow in on his face because it looks bad – especially his eyes. I definitely feel like I don’t know what I’m doing. Haha. I don’t know what to do about his hair or face. And the white shirt with the dark creases. And the brass jacket buttons. I’m following your list of paint colors to use for the skin tones off of your skin tone video and that is very helpful. But I just feel kind of lost as to the layering process. For instance, for the face, I don’t know how many layers of shadows I’m supposed to do before I move onto layers of midtones. And how many layers of midtones do I do before I move onto highlights? And when I’m painting the midtones, do I paint over the shadow areas as well? Or only paint on the midtone areas?Thank you so much for your help!Holly
Glazing is a technique where a thin, transparent layer of paint is applied over a dried layer of paint. This process can be repeated multiple times, gradually building up the desired color and intensity. The final appearance of the artwork results from the interplay of colors beneath the glaze, creating a sense of depth and luminosity that cannot be achieved with opaque paint alone.
One of the most critical aspects of mastering the glazing technique is selecting the right colors for different areas of your painting. This can be particularly challenging when working with shadows, midtones, and highlights.
When creating shadows, it is essential to choose colors that will blend well with the underlying layers. The shadows should be darker but also retain a sense of warmth or coolness depending on the lighting in your scene. For instance, using a mixture of raw umber dark and a hint of blue can create realistic shadows, providing depth without overpowering the other colors.
Midtones serve as the bridge between the shadows and highlights. It is essential to mix colors that complement both extremes. For instance, when painting skin tones, a blend of yellow ochre and a touch of red can create a balanced midtone that will seamlessly transition between the shadows and highlights.
Highlights add life to your painting, drawing the viewer’s eye. To achieve this, consider using lighter versions of your base colors mixed with titanium white or a light yellow. However, ensure that these highlights are still somewhat transparent to maintain the glazing effect.
Once you have selected your colors, it’s time to start layering them using the glazing technique. Here’s a step-by-step approach to help you navigate the process effectively:
Begin by preparing your canvas with a base layer of acrylic paint. This initial layer should be dry before you start glazing. It can be beneficial to work on a toned canvas, which can help unify the painting’s overall tone.
Using a soft brush, apply your first glaze. This layer should be thin and transparent. A mixture of matte medium with your chosen paint can help achieve the desired transparency. Start with your shadow color, working it into the areas where you want to establish depth.
Allow your glaze to dry completely before adding additional layers. This is crucial, as working on a wet layer can disturb your previous work and muddy your colors.
Once the first layer is dry, repeat the glazing process with your midtone color. Apply it over the areas where you want to create form and dimension, using a clean brush to blend the edges.
After your midtones have dried, apply your highlight color using the same glazing technique. This layer should be more transparent than your midtones and should enhance the overall brightness of your painting without losing depth.
The glazing process can take several layers to achieve the desired effect. Don’t be afraid to go back and forth between shadows, midtones, and highlights, building up layers until you reach your goal. Each application should add depth and richness to the final piece.
The glazing technique is an invaluable method for any acrylic painter looking to enhance the depth and vibrancy of their work. By understanding how to effectively layer colors, choose the right tones for shadows, midtones, and highlights, and employing the right techniques, artists can achieve stunning results that will captivate viewers.
As you embark on your glazing journey, remember to take your time and enjoy the process. Each layer contributes to the overall beauty of your painting, revealing the complexity of color and depth that acrylics can offer. Happy painting!
P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!
In this video tutorial, I want to show you how to set the stage for a painting with luminosity, by using light glazes.
Glazes are simply mixtures of paint and clear medium (matte medium) and usually at least 50% medium to paint ratio. By building them up slowly, you can steer the portrait in the right direction, incrementally.
You will see how color is applied to the entire painting, and it starts coming alive, even if slowly.
It’s a different way to look at painting. I’ll show you how I do it in this video, using this recent 8″ x 10″ commissioned portrait as an example…
Hope you enjoyed this tutorial and have a blessed day,
P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!