In acrylic portrait painting, the choice of colors can dramatically impact the realism of your artwork. One technique that often gets overlooked is the use of cooler colors, particularly for creating shadows and depth. Instead of relying on darker versions of the same color or black, incorporating cooler hues like blue and gray can bring out more natural and nuanced details in your portraits. In this tutorial, we will explore how to use cooler colors, specifically in shadows and darker areas, to enhance the depth and contrast of your acrylic portraits.
Cooler colors, such as blues and grays, are ideal for creating subtle and realistic shadows in portrait painting. Because by using cooler tones in shadowed areas, you avoid overly vibrant or muddy colors that can flatten the subject. Cooler shades also help control the brightness in darker values without overpowering the other tones in your painting. Then shadows should never be too warm, as they might disrupt the balance of the painting. Instead, by adding cooler hues, you’ll create a sense of depth and dimensionality that feels natural.
It’s tempting to use black or simply darker shades of your base color for shadows. However, this approach often makes shadows look too harsh or unnatural. Instead, combining cooler colors like ultramarine blue mixed with brown tones, such as raw umber, produces a more harmonious, darker value. This method lets you keep the integrity of your portrait’s vibrancy while still defining areas of shade.
Glazing is a technique where thin, translucent layers of paint are applied over an existing layer to adjust the hue and value without covering the underlying color completely. In this video, we use ultramarine blue mixed with raw umber dark and matte medium to create a translucent shadow that gently cools the red clothing in the portrait.
By using this combination, you get a subtle cooler tone that darkens the red areas without losing the warmth of the original color. The matte medium ensures that the paint layer remains translucent, allowing the original red to shine through but with a softened, shadowed effect. This technique works well for shading clothing, hair, and other elements in a portrait where subtle shadows enhance realism.
The dry brush technique, as shown in the video, allows for fine-tuning of cooler colors in areas where you want to add texture or smooth gradients. By lightly dragging the nearly dry brush over the surface, you can blend colors gently and gradually. This is particularly effective for textured clothing or rough surfaces where you need shadows to add realism without overpowering the light source.
The dry brush technique works best for elements like clothing or textured surfaces in your portrait, where there’s room for a more natural, rough finish. It adds depth without losing the existing colors underneath.
When you apply cooler tones, especially when using the glazing technique, you can layer them to achieve depth. In the video, I use the bluish-gray color not only on the red sweater but also on the surrounding darker areas of the portrait. By layering these cooler tones, you can transition between shadows smoothly, unifying the portrait without jarring contrasts. Each glaze or layer adds a subtle gradation, which makes the painting feel more cohesive.
Using cooler colors in your acrylic portrait can make all the difference when it comes to creating realistic shadows, depth, and contrast. Techniques like glazing and dry brushing with cooler tones such as ultramarine blue and raw umber dark allow you to darken areas without compromising the vibrancy and balance of your painting. If you’re looking to improve your portrait painting skills, remember that shadows are just as important as highlights—and cooler tones are your secret weapon for mastering them.
For more tutorials on acrylic painting techniques, check out realisticacrylic.com, where you can access free tips, tutorials, and classes to enhance your artistic journey.
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Thank you so much for taking the time to read this tutorial and watch the video. That means a lot to me. I hope you find it very helpful in your portrait painting.
Yours for Better Portraits,
P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!
If you’d like the chance to do acrylic portrait painting with me in person, I’ll be teaching a step-by-step workshop this summer in the beautiful mountains of North Carolina…
I’d love to have you there and be able to teach you in person!
Yours for Better Portraits,
Let me know if you have any questions below in the comments or email me from the contact page.
I’d like to let you know that I’ll be teaching at the Chippewa Valley Cultural Association (Heyde Center for the Arts, Chippewa Falls, WI) on March 12-13, 10:30am-3:30pm, a two-day intensive acrylic portrait painting workshop. The class size is limited to 10 people to make sure I can give each student feedback and individual instruction.
Learn more/ register by clicking the image below…
If you live or will be in the St. Paul/ Minneapolis-Eau Claire, WI area around that time and would like to learn how to paint with me, I would love to see you then!
Or maybe you know someone that may be interested. Could you please let them know about this? Thank you so much! Let me know if you have any questions.
Yours for better portraits,
P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!