March 2021 - Realistic Acrylic Portrait School

Archive Monthly Archives: March 2021

realistic acrylic portrait student with first painting attempt

You Can Learn How to Paint a Realistic Acrylic Portrait

“Can I paint a portrait?”

This is the question so many of my students asked themselves prior to taking my master class for the Acrylic Portrait Painting Challenge.

The fact is: yes, you can.

“But,” you may ask right now as you read this, “Will it look terrible? Will it even look human? Will the skin tones be muddy? Will I be able to get a good likeness? Will the paint layers get blotchy? How exactly do I paint a portrait?”

Again, these questions have been asked before. You’re not alone.

And I’m happy to say, that many of my students, an aspiring artist just like you, have taken these questions to the canvas, started painting following my step-by-step video instruction, and created a beautiful portrait. Even as beginners.

Then now, I can’t promise you’ll be able to paint a Rembrandt your very first try.

But I will promise this: if you come with a mindset of being willing to try, and being willing to hang in there when the painting process gets challenging, you will create a portrait that is way better than you ever thought possible!

Some of my students create portraits that look professional on their very first attempt. Others create portraits that are much improved from what they previously did, but they will need to keep practicing to get better. (We all need to keep working to get better, myself included! 🙂 )

So you can do this! And then I’ll show you how, and you won’t be alone.

Last year, I launched our inaugural spring portrait painting challenge, just as the lockdowns of the coronavirus hit. And then Over 700 artists took the challenge, and I have personally seen many, many portraits that look amazing considering it was the very first portrait they ever did.

In this case, you would think they had been painting for years! When they posted their portraits to social media, they started getting commissions! Of course, others started painting portraits of family members to give as unique gifts.

Then here’s what my student Rod Martin (part of the Realistic Acrylic All-Access Membership) created. So below is his very first acrylic portrait (on the left) and a more recent one on the right. And when I write this, he’s only been with me for a year!

Realistic Acrylic Portrait School student Rod Martin with his very first acrylic portrait

I am not going to boast in myself or my teaching. I do really care for my students, and then I put everything I have into helping them paint portraits they can be proud of. But the real secret is I pray and God helps me not only to teach, but my students to apply the teaching and create something amazing. They take the knowledge I give them, put into practice with tenacity, and they produce a fantastic portrait.

So, take the 2021 Spring Portrait Painting Challenge!

You can register below and get started. It is completely FREE to join the challenge and participate. When you join, I’ll send you the “Welcome Kit” which includes:

The Supplies List (so you know what you need to paint with us, your shopping list. 🙂 )
The Reference Photo with and without the grid, then with high resolution, that you can download ready to print out or display on your tablet. You’ll be able to create an accurate portrait this way.
The Palette Layout Guide showing you how to arrange your colors so they don’t get muddy on your palette
The Master Class Lesson Schedule
the Lessons emailed to you
A private Facebook group to cheer you and help answer your questions
And a few “bonuses” like opportunities to win my paid online classes

REGISTER TODAY. The challenge is ongoing, something you can do at your own pace. It’s not too late to enter!

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2021 Spring Acrylic Portrait Painting Challenge is Coming!

It was last year around this time that I got news of my state doing a lockdown because of the new coronavirus that was spreading like wildfire.

I thought, What would happen to my art business? I won’t be able to do art shows or teach classes anymore. If the economy tumbles, will I be able to pay the mortgage?

You probably had similar thoughts brewing in your mind too. You still remember what it felt like after the initial news of this unknown pandemic.

Many businesses were hunkering down, trying to stay afloat while the sea of uncertainty and fear poured in around them.

I didn’t know what to do either.

But one of my business mentors, Graham Cochrane, said “this is not a time to hold back. This is a time to be generous.”

I thought, “I could do a portrait challenge. Many artists are stuck at home, sheltering in place. It would not only give us all something productive to do, but would help conquer the fear that can come from just letting our thoughts run wild.”

Additionally, I could teach a whole class on how to paint this portrait, for free, showing all the steps from start to finish.

But then the other side of my mind protested, “If you do that, if you give it all away for free, who will ever buy your courses again?”

“No!” the right side of my brain said.“I’m going to trust God. I’ll be generous like Jesus is to me and just trust God will take care of me and my family!”

So I listened to that part of my brain (and God) and launched the Spring Portrait Acrylic Painting Challenge. We painted this portrait of “Lockdown Larry” the man with the hat, supplied by

Mary Power Dunphy

Over 700 artists took the challenge. Many never painted a portrait before, but through their hard work and perseverance, at the end of the challenge produced a portrait they could be proud of!

Some even said they were struggling with severe depression, and the challenge helped lift them out of it!

When the challenge was over, some of these artists went on to do commissioned portraits and are now thriving! Others are painting portraits of their grandchildren, loving every moment of creating a special gift they can give and capture memories.

What a joy to hear these stories and be a part of it!

And the teaching side of my art business has increased incredibly since the challenge last year. God has blessed me and my family. The best part is, I am part of a wonderful community of artists in the All-Access Membership. We have such a great time learning and encouraging each other to do our very best portrait work.

Well, it’s almost spring here in Wisconsin and we are doing the challenge again. I will soon be putting out a call for images that we can vote on as a group to paint from.

I am excited and look forward to teaching you and helping you paint a portrait you can be proud of!

—Matt

YOUR NEXT STEP: Please share this Challenge posting with your friends, by using the social media links below. The more that see it, the more artists we can help all over the world. Thank you!

How to Trace? Is it OK to Trace as a Portrait Artist?

/ Sketching Tips and Techniques Video Tutorial
/ By Matt Philleo
/ 28 COMMENTS

Let’s address the elephant in the room: tracing as a portrait artist. Is it OK? Is it cheating?

I’m going to answer that question today.

Up until COVID-19 hit, I participated in a Fall studio art tour every year. An artist on the tour, who was also the founder and coordinator for it, had some strong opinions about tracing.

“Matt, tell me you didn’t trace that sketch for the mural project you did.”

“I’m not going to lie,” I told her. “I did use a projector to get the proportions up, and then refine it freehand.”

“How could you do that? What if your client found out?”

“Well, first of all, this project was done for my church, as a gift,” I replied. “And secondly, I would be upfront with them if they asked about my process.”

Is it OK to Trace as a Portrait Artist — Photo by Dan Reiland, used with permission.

She chided me in a motherly kind of way, and I listened respectfully and smiled.

This is the first time I ever really thought about the concept of tracing as being a bad thing, at least to this degree. But is it?

I’m going to give you 5 reasons why I believe tracing is OK.

Tracing saves time. Let’s face it. Drawing freehand, or with a grid is a time-consuming process. You have to measure, re-measure your proportions, and if you lack much drawing experience, often have to settle for eyes that are too large, noses that are unnatural, and mouths that aren’t aligned properly. I have many commissions to do, and so tracing expedites my workflow. I don’t trace all of my portraits, but for some, I choose to do so.
Tracing helps you get accurate proportions, especially for a large painting. I had always drawn freehand and never even thought of tracing until 1999, when I did mural work with a well-known Florida muralist, Bob Jenny. He had hired me to do a series of murals depicting army medics serving in American wars at some VA hospitals. They were large—two 6′ x 30′ murals. One day, he came by to check on my work. He saw me meticulously sketching a battle scene, freehand. “We’re going to be here for months if you do it that way!” he exclaimed. “Let me show you how to do it.”And he taught me how to use an overhead projector to transfer the design up quickly and effectively.
Tracing helps you to see distinctions in value. When you trace, especially using a projector, details become blurred and you readily notice differences in value—those distinct shapes that create the planes, the forms we see—whether they are the forehead, nose, cheekbones, or locks of hair. You can trace along the edges of those distinctions. It can be a beneficial exercise to help you in your portrait painting.
There is historical precedent for tracing. Jan Vermeer reportedly used a camera obscura to project scenes from outside onto his surface to create exact replications of landscapes. So there is so shame. I think we can all appreciate the work of Vermeer. Art historians and art appreciators alike marvel at his skills.
Tracing is a tool. It can be used like a contractor uses a nail gun to frame a house. The same work could be done by old-fashioned hammer and nail, but the nail-gun will do it faster. Obviously, this metaphor doesn’t translate entirely in terms of portrait painting, but the idea I’m trying to convey is that it’s just a tool.

Now, with all that said, here are some caveats on tracing.

If you ONLY trace, and never do freehand sketching or use the grid method, your portrait painting skills will suffer. You will either stagnate, or take a very long time to progress past the beginners’ level. I get emails often from artists asking me to help them with skin tones, but because they haven’t put in the time to observe proportions and render them on the canvas, they don’t create realistic value shapes. The result is a portrait that looks falls far short of their goals. Anatomy and values must come first, skin tones after. And freehand sketching is the best way to develop it. I drew freehand for years as a child, before beginning to use acrylic in high school, and the observational skills I learned were priceless. Tracing is not cheating. But if you rely on it too much, it will cheat you, as an artist, of growth. This is why I teach my classes mostly using the grid method. It’s a good middle-of-the-road option between freehand and tracing. It helps artists create a solid sketch, so they can do a portrait they’re proud of without having to spend years getting proficient at freehand sketching. It helps them to see proportions and shapes, and then carry that confidence into their painting process!
Tracing helps you to quickly establish proportions on your canvas, but it by itself, it’s not enough. The process often omits fine details and nuances that can only be achieved by refining your sketch with freehand sketching. In fact, tracing can flat-out distort your photo reference. In a scene, it totally obliterates the distinction between foreground and background. It can cause areas with lighter value to exceed the proper boundaries. If you want an accurate sketch to work from, you must evaluate your tracing and go back on top of it with more work, to fix mistakes and supply detail that is lacking.
If you trace, be honest about your process. You are not obligated to tell the whole world, “I traced this!” But if your client or Facebook follower asks, did you do this freehand (most will never ask) be sure to answer them honestly and confidently about your process. If you don’t feel ashamed about it, they won’t think any less of you as an artist. Even with a traced/ projected sketch, it still takes an incredible amount of skill to do the remaining work: selecting colors, mixing them, applying them in the right places, and finishing with detail.

Here is a fun video I did on tracing. I go over a few of the ideas I shared with you above, and I also show you, if you choose to trace, how to do it, using a painting I’m doing right now as an example…

Is it OK to Trace as a Portrait Artist?

What are YOUR thoughts on tracing? Let me know below, in the comments!

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I’d love to hear your thoughts about this video. Please share it with your friends and family. Let me know if you have any further questions. I’ll greatly help you.

If you’d like to learn more, sign up for my free email tips and video class today.

Learn How to Paint Acrylic Portraits With My Free Mini-Video Course!

Thank you so much for taking the time to read this tutorial and watch the video. That means a lot to me. I hope you find it very helpful in your portrait painting.

Yours for Better Portraits,

P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me kno