4 Ways on How to Tell Your Acrylic Portrait is Done

Master the signs of completion: Ensure your acrylic portrait is perfectly finished!

Is it time to “call it quits?” on your painting? How can you tell?

You don’t want to overdo it, but neither do you want to leave the portrait looking unfinished. You want to amaze people with that picture, give a great gift or get paid, and have the satisfaction of a job well done.

But how?

Here are 5 ways to know your painting is done. In this article, I’m going to use a little tough love, artist-to-artist. Ok with that? Alright, here we go…

 

1. You’re not adding any value to it.

If you’ve been working on a one-subject 16″ x 20″ portrait for say, 50 hours, it’s time to say enough is enough.

Test:  get an “innocent bystander” (in my case, usually it’s my wife) to look at your painting from a distance of six feet away, and then come back into your studio a couple of hours later. If they can’t tell the difference, you’re done.

By continuing on, you’re not adding anything significant to the bottom line of the painting.

You’re not adding any value.

Nobody will notice the little details you’re adding if they don’t make an impact from six feet away.  Most of the time, as artists, we fuss over some small portion of the painting that has us stumped. It’s like the kid who takes all his time on one question in the timed exam and then fails the test because he should have skipped the question, completed the rest of the test, and then come back and finish that one problem.

Don’t get me wrong, I’m not saying details aren’t important. I love detail and it makes an acrylic portrait look fantastic. But if you’re struggling with one square inch of your painting, leave it alone and come back to it if you need to. But chances are, you don’t.

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2. You’re making it worse. 

Yes, it’s possible to make a painting worse, the more you work on it.

I’ve done that.

I’ve had some paintings where I should have left well enough alone. That little dimple on the persons’ face was so good, I thought I should make it perfect.

But then I messed it up. So I had to try to restore what I had before, and then leave it alone. Then I found myself messing up another area.

Pretty soon, I realized, the painting is done. Time to sign it!

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3. You just hit the unforgiving end of a deadline.

If you are a professional or semi-professional artist, doing portraits on commission, you know what I’m talking about when I say you hit the end of a deadline. Or you might be doing it as a hobby, but you have an occasion, like a birthday or Christmas, that dictates the painting must be done and wrapped by a certain time.

You know that a portrait must get in the client’s hands today, or at the very least, you have to email a proof image for the client to approve. You put in as many hours as you can. You bring out the coffee and energy drinks if you have to (have you ever tried coffee with a couple of black tea bags thrown in?...that will keep you up!) and you pull an all-nighter if need be.

But eventually, you run out of hours, and you just have to call the painting done, out of necessity.

This, by the way, is why I advocate the glazing technique. You can work your entire painting at once, and even if you feel like it is 80% done, oftentimes, it’s done enough to please the client.

If you’re like those artists who have a white canvas and work it like a drawing, from left to right, making everything detailed and finished section-by-section, then you’ll always have a white section of canvas that’s undone until the very end.

And there’s no way you can pass off that portrait as finished.

Now, that’s not to say we don’t strive for our best work. Don’t turn in a painting to a client that’s not representative of your style, that’s not finished well. But the 80%-100% level of completion in a painting is a very grey area, a very thin line. It’s where you may not be adding much value to the portrait.

There’s a saying:  “your work will expand to fill the time you allot for it.”

That holds true with paintings as well. If you have a tight deadline to meet, if you value your reputation as an artist, you’ll find a way to get the artwork done.

Unless the client is able to give you some wiggle room on the deadline, better to turn in a painting that doesn’t look perfect to you, than say, “Sorry, it’s not done,” when they absolutely needed it by a certain time.

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4. Your client approves the portrait.

Again, let’s say you are a professional artist and you email your client a proof image. They love it. They are ready to pay you.

Don’t you dare add one more drop of paint to that canvas! It’s done.

“But I just noticed an eyelash that’s missing,” you say. “I’ve got to paint it in there.”

No. Leave it. Your client approved this version of the painting, and if you add more paint, it’s a different version. When they come to pick it up, they might say, “it doesn’t look like the proof. Something’s different.”

Then you’d have to try and restore it to what it was. What a nightmare! You’d waste the client’s time, your time, and possibly even lose the commission.

Not worth the gamble.

They approve it=you’re done.

If you think the painting could be improved, save that sentiment for your next painting.

Now, with all these points, it’s good to remember that sometimes a painting is not done and needs more work. Some artists give up on a painting too early. Don’t do that. If you stick with a painting that’s causing you frustration, it will build your endurance as an artist, and you will be able to paint better the next time. It’s just like working out at a gym. Finish your reps, and you will be stronger the next week.

As an example of how to finish a painting successfully, here is a portrait I did not too long ago of a pastor, a memoriam portrait. It’s one of my favorites. I posted some videos of it in the past, but here I want to show you how I finish and sign it.

 

 

Let me know how this article helps! It’s been a while since I’ve last posted, but I hope to get back into the swing of things again!
If you have any questions or comments for me, please leave them below. May God bless you in your painting!

Yours for Better Portraits,

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