Painting a Grisaille in Acrylic

Painting a Grisaille in Acrylic—Using Titanium White Highlights over Dark Brown

I finished up the dark brown glazes over my portrait of Paul the Apostle praying using raw umber dark, trying to emulate a Caravaggio (tenebrism chiaroscuro) approach to the painting.

Now it’s time to add the titanium white highlights to build up something like a grisaille.

I don’t think I’ve ever done anything quite like this before, so it will be fun to see what happens! Watch the video, enjoy the journey, and I hope that this will spark some ideas for you in your acrylic painting. And also to try new things!

We’re continuing on painting a grisaille with titanium white highlights on top of my portrait of Paul the Apostle praying. My goal is to use a similar (though not identical) approach to what Caravaggio does in his tenebrism chiaroscuro works.

In the last video, I did a raw umber dark glaze over the entire painting to give it a ground or a tone to work out of. In this video. I’ll show you how to add white highlights to the clothing—we’ll do a lot of work on folds and creases—and then the hands. Naturally, the hands are important, because they convey the emotion, the intensity of his prayer. So we want to make sure we give them the proper attention.

 

Watch my tutorial to learn more about painting a grisaille highlights in acrylic.

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Read more about how to paint a portrait that you can surely be proud of!

I’d love to hear your thoughts on this video. Please share it with your friends and family. Let me know if you have any further questions. I’ll greatly help you.

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Thank you so much for taking the time to read this tutorial and watch the video. That means a lot to me.  I hope you find it very helpful in your portrait painting.  

Yours for Better Portraits,

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