Video Tutorial Archives - Page 7 of 20 - Realistic Acrylic Portrait School

How to Paint Thoughtful Man in White: 30-Minute Portrait

/ Real Time Tutorial Uncategorized Video Tutorial
/ By Matt Philleo

Back to doing another 30-minute acrylic portrait, where I paint an Alla Prima portrait in about half an hour.

Introduction:

Acrylic portrait painting doesn’t have to be a long, drawn-out process. In this tutorial, we’ll guide you through painting a thoughtful man in white in just 30 minutes. Using basic acrylic colors and simple techniques, you’ll be able to create a striking, realistic portrait, even if you’re short on time. Whether you’re an experienced artist looking for a quick exercise or a beginner learning the basics, this step-by-step process will help you loosen up and enjoy the painting experience.

Materials You’ll Need:

Acrylic Paints: Burnt sienna, raw sienna, ultramarine blue, pyrrole orange, alizarine crimson, indian yellow, titanium white, matte medium, Ivory black
Brushes: Ranging from ¾ inch flat to small size 2 rounds
Palette
Canvas or Hardboard

Step 1: Block in the Form

Before diving into the finer details, it’s essential to block in the basic shapes and composition of the face. Begin by taking some raw umber dark mixed with matte medium to sketch the outline of the portrait. Using a flat brush, loosely shape the head, focusing on the angles of the facial structure. This stage should remain simple, allowing you to visualize the placement of major features such as the eyes, nose, and mouth.

Key Tip: Don’t worry about precision here—keep your brushstrokes loose and expressive. This helps you to map out the portrait without getting bogged down by small details.

Step 2: Blocking in the Shadows

Once the form is in place, it’s time to focus on the shadows. Mix burnt umber dark with titanium white and a bit of ivory black to create an opaque shadow color. Apply this mixture to areas that are in shadow, such as the left side of the face, under the eyes, and along the nose. This will add depth and contrast, essential for creating a dynamic portrait.

The technique here is reminiscent of chiaroscuro, where light and dark areas are emphasized to create a dramatic effect. Block in the shadows confidently, using bold brushstrokes to establish the form.

Key Tip: Don’t shy away from using darker tones early on. Acrylic paint dries quickly, so building layers can enhance the depth and texture of the painting.

Step 3: Adding Mid-tone Colors

After the shadows are established, it’s time to build the mid-tones, the colors between the darkest shadows and the brightest highlights. Start by mixing titanium white, raw sienna, pyrrole orange, and indian yellow to create a vibrant flesh tone. Adjust the mixture with burnt sienna for darker areas and natural crimson for warmth.

Apply these mid-tones to the face, paying attention to the areas where the light transitions from shadow. The left side should be slightly darker, while the right side, where the light hits, will be lighter. This will give the face dimension and form, making the portrait appear more lifelike.

Key Tip: Use smooth, even strokes when applying mid-tones to maintain a realistic texture. Acrylic paint can be layered easily, so work in gradual transitions from shadow to light.

Step 4: Refining the Details

Now that the base layers are in place, it’s time to refine the details. Add darker tones around the eyes and nose to define the facial structure. For example, darken the area between the eyebrow and the eye socket to create a natural fold. Use a smaller brush to add fine lines and define the contours of the lips and nasolabial fold.

To finish, add small highlights on the right side of the face, especially on the cheekbones, nose, and upper lip. These highlights should be applied sparingly to avoid overpowering the portrait.

Key Tip: Refining doesn’t mean over-detailing. Keep the brushstrokes purposeful and expressive, focusing only on key areas to maintain the loose, painterly feel of the piece.

Step 5: Final Touches

With just a few minutes left on the timer, step back and evaluate your portrait. Are the contrasts between light and shadow strong enough? Does the portrait convey the expression and mood you intended? This is the time to make quick adjustments, such as deepening shadows or adding a bit more brightness to the highlights.

Remember, the goal of this exercise is not perfection but rather to explore a fast, expressive approach to portrait painting.

Key Tip: If you find any areas too intense, simply blend them out with a clean brush and matte medium. This technique softens transitions and adds a professional touch to your artwork.

Completing a thoughtful man’s portrait in just 30 minutes is a great way to practice and improve your acrylic painting skills. This quick exercise allows you to work on shadow, form, and mid-tone application, while also honing your ability to observe and simplify complex details. The best part? You can keep coming back to this technique, each time improving your speed and accuracy.

Tips & Techniques:

Use Bold Brushstrokes: Especially in the blocking stages, don’t hesitate to be bold and expressive with your brushwork.

Use Matte Medium: To keep the paint flexible and transparent when needed.

Work from Dark to Light: Establish shadows first, then build up mid-tones and highlights.

Pay Attention to Light Source: Always keep the direction of light in mind to maintain consistency.

Read more about my additional resources, tutorials, to learn more and check out my free courses here. . Whether you’re a beginner or an experienced artist, there’s always something new to learn and apply to your paintings. Happy painting!

LEARN MORE

I’d love to hear your thoughts on this video. Please share it with your friends and family. Let me know if you have any further questions. I’ll greatly help you.

If you’d like to learn more, sign up for my free email tips and video class today.

Learn How to Paint Acrylic Portraits With My Free Mini-Video Course!

Thank you so much for taking the time to read this tutorial and watch the video. That means a lot to me. I hope you find it very helpful in your portrait painting.

Yours for Better Portraits,

P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!

How to Do Shading and Skin Tones on Small Faces

How to Shading & Skin Tones on Small Faces

Having trouble shading and toning small faces?

Introduction

When painting small faces in acrylic portraits, achieving the right balance of shading and skin tones can be tricky. The key lies in understanding light values and applying the glazing technique to create realistic tones and depth. In this post, I will guide you through a step-by-step process that will help you refine your acrylic portrait and improve your ability to paint smaller, more intricate details.

Step 1: Understanding Light Values

Before working with color, it’s essential to focus on values. Values refer to the lightness or darkness of an area, and they must be correctly identified and applied before considering color. For small faces, areas like the nose, chin, and cheeks are crucial for defining the facial structure. Often, light comes from above, casting subtle shadows and highlights that bring out the form.

Tip: Use reference photos to study where light falls and shadows form on the subject’s face.

Step 2: Selecting Colors for Skin Tones

To achieve realistic skin tones, choose a mix of burnt sienna and titanium white as your base. Adding raw sienna or pyrrole orange can help create warmth and chromatic variation. Start with these hues and adjust the mix depending on the tone you want to achieve. For example, titanium white will cool the skin tone, making it lighter, while raw sienna adds warmth.

Technique: Mix your colors with matte medium to create a transparent glaze that gives your painting more luminosity. Matte medium thins the paint while keeping it translucent, allowing for subtle layers of color that add depth without overwhelming the details.

Step 3: Applying Glazes for Smooth Shading

Glazing is crucial for achieving smooth transitions between light and shadow. When working on small faces, apply thin, semi-opaque glazes to slowly build up the skin tone. Make sure to adjust the transparency by adding more matte medium to control how much of the underlying paint shows through.

Start with the lighter areas: Apply a semi-opaque layer to the nose and chin, which typically catch more light.
Darken the cheeks: Using a slightly darker glaze, apply this color to the cheeks to create contrast with the highlighted areas.

Tip: Wipe off excess paint to avoid streaks and ensure the glaze goes on smoothly. This prevents any harsh lines from forming, which could make the face appear less realistic.

Step 4: Enhancing Shadows for Depth

Once the basic skin tones are in place, it’s time to enhance the shadows, particularly around the eyes, jawline, and nose. Shadows are often underpainted, leading to faces that lack depth. When shading small faces, it’s vital to ensure that areas such as the eye sockets are sufficiently darkened to enhance realism.

Tip: Don’t be afraid to go darker in these areas—shadows help ground the subject and bring the highlights into sharper focus.

Step 5: Adjusting Skin Tone with Chromatic Intensity

As you build up layers of glazes, add small amounts of pyrrole orange or Indian yellow to intensify the chroma. This helps achieve a more natural skin tone that has subtle color variations. Skin isn’t a flat color but rather a dynamic surface with slight shifts in hue.

Technique: Add a little matte medium to each glaze to increase translucency, making the layers more vibrant and realistic. Apply the glaze lightly to areas like the neck or cheeks to enhance warmth, blending softly into the surrounding tones.

Step 6: Adding Final Shading and Highlights

To finish the shading process, concentrate on the jawline and neck area, particularly where light reflects off the subject’s clothing. For example, red clothing can reflect onto the neck, casting a warm glow. In such cases, mix pyrrole orange with matte medium and apply it sparingly to mimic this effect.

Finally, add a final layer of highlights using a lighter glaze of titanium white. These highlights should be carefully placed on areas like the tip of the nose or chin to emphasize light reflections and bring the painting to life.

Tips for Success:

Keep your reference close: Position your reference photo close to your canvas or easel so you don’t lose focus on important details.
Layer gradually: Acrylic painting is best done in layers. Don’t rush the process by applying too much paint at once.
Use multiple glazes: Thin, multiple layers of glazes help achieve a smooth and realistic finish.
Mix paints properly: Ensuring the correct mix of color and matte medium is crucial for achieving the right transparency.
Adjust shadows properly: Eye sockets and other shadowed areas should be dark enough to provide contrast.

Shading and adjusting skin tones on small faces in an acrylic portrait can be accomplished through careful observation and the application of glazing techniques. Focus on values first, and build up skin tones through thin, transparent layers. By following these steps, you’ll improve the depth and realism in your portraits, making even the smallest details shine.

If you want to learn more about perfecting your acrylic portraits, download my free PDF guide, “Fix Muddy Skin Tones in Your Acrylic Portrait now.

LEARN MORE

I’d love to hear your thoughts on this video. Please share it with your friends and family. Let me know if you have any further questions. I’ll greatly help you.

If you’d like to learn more, sign up for my free email tips and video class today.

Learn How to Paint Acrylic Portraits With My Free Mini-Video Course!

Thank you so much for taking the time to read this tutorial and watch the video. That means a lot to me. I hope you find it very helpful in your portrait painting.

Yours for Better Portraits,

P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!

How to Add Highlights to Background Trees in Your Acrylic Portrait

How To Add Highlights To Background Trees In Acrylic Painting

/ Real Time Tutorial Tips and Techniques Video Tutorial
/ By Matt Philleo
/ 1 COMMENT

Creating a depth with layered highlights in background trees

Adding highlights to background trees can transform the overall look of your acrylic painting, bringing depth and realism to your artwork. In this tutorial, we will explore how to effectively apply highlights using a semi-opaque glaze to suggest the texture and lighting of background foliage. You’ll learn the nuances of mixing colors, selecting the right brushes, and how to use these techniques to add beautiful details to your painting.

Step 1: Prepare Your Colors and Materials

Before you begin, ensure you have your colors mixed and materials ready. For this tutorial, we will primarily use the following colors:

Titanium White
Indian Yellow
Phthalo Blue

These colors will help create a vibrant greenish-yellow tone for your highlights. Begin by mixing a small amount of titanium white, Indian yellow, and a touch of phthalo blue. The result will be a soft, yellow-green that works well for depicting leaves hit by sunlight.

Tip: Balance the Chromatic Intensity

When mixing colors for the highlights, aim for a hue that’s slightly lighter and warmer than the mid-tones of your background trees. This will ensure your highlights blend smoothly without appearing too stark.

Step 2: Apply the Initial Highlights

Using a round brush, begin applying the semi-opaque glaze in areas where light naturally hits the leaves. A delicate touch is essential to achieve a soft, realistic effect. Allow your brush to dance lightly across the surface, adding small, irregular dabs of color. These represent leaves catching light through the foliage.

Technique: Layer the Highlights Gradually

Start with a lighter glaze and build the highlights gradually.
Avoid heavy strokes—let the leaves appear naturally.
Apply the glaze sparingly, focusing on areas where the sun would naturally illuminate the leaves, such as the tops of trees or branches.

Step 3: Adjust the Color Mix for Shadows

As you move to darker areas of the background, adjust your color mix by adding more phthalo blue and Indian yellow. This will deepen the tone and create a more chromatic variation, essential for achieving a balanced look across the painting.

Tip: Keep the Highlights Balanced

If the glaze starts to appear too light or chalky over the darker areas, adjust by darkening the mixture. You can add a small amount of ultramarine blue and raw sienna to muddy the glaze slightly, helping it blend with the darker sections of your background.

Step 4: Use Different Brushes for Varying Effects

Switching brushes during the painting process can help create different textures and effects. For instance:

The round brush is great for detailed highlights and small leaf shapes.
A filbert brush can be used to create more painterly, out-of-focus leaves, giving the background a softer, blurred effect.

This transition between brush types will create a contrast between the crispness of the highlighted leaves and the soft appearance of the background trees.

Technique: Blending the Highlights

Use the filbert brush to blend the edges of your highlights into the mid-tones and shadows.
Focus on adding smaller leaf shapes at different angles to suggest movement and depth.

Step 5: Fine-Tune the Details

Once you’ve applied your initial highlights, it’s time to refine the details. You don’t want to over-detail every section—just a few carefully placed dabs of light color can enhance the effect. Aim for balance by leaving some areas less detailed while others are slightly more refined.

Tip: Create Variation in Highlight Intensity

Vary the intensity of your highlights by alternating between slightly lighter and slightly darker hues. This will make your background trees appear more dynamic and realistic.

Step 6: Blend and Add Warmth

As you work on the upper areas of the trees, ensure that the highlights are slightly warmer in tone compared to the surrounding colors. Mixing titanium white with Indian yellow can create a warmer highlight that mimics the effect of sunlight filtering through the leaves.

Technique: Use Warm and Cool Tones

When adding highlights to the trees, consider the lighting conditions in your painting. For areas where direct sunlight hits, opt for a warmer yellowish tint. In contrast, cooler highlights with more blue are suitable for areas in shadow or indirect light.

Step 7: Final Touches and Adding Depth

In the final stages, focus on fine-tuning the leaves and highlights. You can add depth by placing a few outliers—small spots of light—away from the main group of leaves. This will create a natural, unstructured look that enhances realism.

Tip: Avoid Overworking the Highlights

Overworking the highlights can make your painting look artificial. Instead, apply your brushstrokes with intention, leaving areas of contrast between light and dark to maintain a balanced composition.

Bring Your Background to Life with Highlights

By adding highlights to your background trees, you can bring an entirely new dimension to your acrylic painting. The glazing technique allows you to control the transparency of the paint, creating subtle yet impactful lighting effects that mimic real-life foliage. With practice and attention to detail, you’ll master this technique and enhance the overall realism of your landscape paintings.

Read more about my additional resources, tutorials, to learn more and check out my free courses here. . Whether you’re a beginner or an experienced artist, there’s always something new to learn and apply to your paintings. Happy painting!

LEARN MORE

I’d love to hear your thoughts on this video. Please share it with your friends and family. Let me know if you have any further questions. I’ll greatly help you.

If you’d like to learn more, sign up for my free email tips and video class today.

Learn How to Paint Acrylic Portraits With My Free Mini-Video Course!

Thank you so much for taking the time to read this tutorial and watch the video. That means a lot to me. I hope you find it very helpful in your portrait painting.

Yours for Better Portraits,

P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!

How to Block-in Dark Values on Chiaroscuro Acrylic

/ Real Time Tutorial Video Tutorial
/ By Matt Philleo

How to layer and blend acrylic paint for depth

When creating a chiaroscuro painting, one of the most critical steps is blocking in the dark values. This technique emphasizes the contrast between light and dark, producing dramatic lighting and depth. In this guide, you’ll learn the steps to apply dark tones strategically using acrylics, helping you to achieve a balanced and realistic portrayal. By following along, you’ll understand the key methods for effectively handling dark values to improve your paintings.

Materials and Paint Mixtures for Blocking-In

Before diving into the process, it’s important to prepare the correct materials. In this tutorial, we’ll be using a mix of raw umber dark, ultramarine blue, and burnt sienna. The combination of these colors allows for the creation of rich, dark tones. When mixed together, these shades form the ideal hues for blocking in the shadows that define the chiaroscuro technique.

Make sure to have these materials ready:

Raw Umber Dark
Ultramarine Blue
Burnt Sienna
Alizarine Crimson (optional for richness)
Flat Brushes in Various Sizes
Matte Medium

Step 1: Preparing the Dark Values

To begin with, mix raw umber dark and ultramarine blue on your palette, aiming for a deep and cool-toned black. Add a touch of burnt sienna to warm up the mixture slightly. This blend serves as the base for your dark values.

Tip:

For added richness, you can include a hint of alizarine crimson. This will introduce subtle depth to your shadows, making them more visually dynamic.

Once your color is mixed, load your brush and ensure you have enough paint to cover large sections of the painting.

Step 2: Blocking in the Shadows

Start by using a larger flat brush to block in the darkest areas of your subject. These shadows define the structure of your composition and help establish the dramatic lighting that is key to chiaroscuro. Use a bold, confident stroke to apply the dark paint, particularly in the background areas or where the deepest shadows fall.

Technique Tip:

Apply the paint in diagonal strokes for a smoother finish. As acrylic dries quickly, you’ll need to blend while the paint is still wet. Thin the paint with matte medium if needed to increase translucency, ensuring smoother transitions between values.

Step 3: Cutting Around the Edges

When working around detailed parts of the painting, such as the subject’s clothing or hair, switch to a smaller brush for precision. Carefully “cut” around these areas, making sure the dark values don’t intrude on the lighter portions of the painting.

This step is crucial for maintaining the balance between hard and soft edges, which enhances the realism of your artwork.

Technique Tip:

Leave a slight gap where highlights will go later. This will help prevent overlapping, which can muddy the dark tones. If you make a mistake, don’t worry—you can fix it with additional layers later.

Step 4: Balancing Opacity and Transparency

As you apply the dark paint, consider how opaque or translucent you want the layer to be. More opaque paint will create stronger contrasts, while translucent layers help smooth out transitions. Then, gradually build up to a fully opaque black background or shadow as you work.

Technique Tip:

If your paint dries unevenly or too quickly, but you use a perpendicular brush stroke to avoid digging into the surface. When you hold the brush lightly and ease the pressure as you near the top of the stroke, creating a smooth, seamless gradient.

Step 5: Smoothing Out the Dark Layers

Once you’ve blocked in the major dark areas, take time to smooth out any rough patches. Use a soft, diagonal stroke to blend between different tones. Work from dark to light, gradually using less paint as you move into the lighter areas of the painting. This smooth transition is essential for maintaining the realistic feel of chiaroscuro.

Technique Tip:

If areas become choppy or uneven, apply another layer of paint. To avoid this, maintain consistent brush pressure and direction.

Step 6: Enhancing the Richness of Shadows

To add more depth to your painting, apply additional layers of dark values where needed. For example, you might deepen the shadows on fabric folds or darken areas behind your subject. A careful balance of hard edges and soft transitions will bring out the three-dimensionality of your work.

Incorporating subtle shifts between cooler and warmer dark tones—achieved by adjusting your mix with ultramarine blue or burnt sienna—further enhances the richness of the shadows.

Achieving Contrast in Chiaroscuro Painting

Blocking in dark values is a vital component of creating a successful chiaroscuro painting. Then, by using a balanced mixture of raw umber dark, ultramarine blue, and burnt sienna, and applying it with precision and confidence, you can build the dramatic contrast needed for a striking and realistic result. Also, always, remember to carefully blend your strokes, maintain a balance between soft and hard edges, and layer your paint for added depth.

With practice, these techniques will help you master chiaroscuro acrylic painting, giving your portraits a sense of realism and intensity that captivates viewers.

Read more about my additional resources, tutorials, to learn more and check out my free courses here. . Whether you’re a beginner or an experienced artist, there’s always something new to learn and apply to your paintings. Happy painting!

LEARN MORE

I’d love to hear your thoughts on this video. Please share it with your friends and family. Let me know if you have any further questions. I’ll greatly help you.

If you’d like to learn more, sign up for my free email tips and video class today.

Learn How to Paint Acrylic Portraits With My Free Mini-Video Course!

Thank you so much for taking the time to read this tutorial and watch the video. That means a lot to me. I hope you find it very helpful in your portrait painting.

Yours for Better Portraits,

P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!

How to Convert a Tracing to Sketch: Painting Process

/ Real Time Tutorial Sketching Video Tutorial
/ By Matt Philleo

Transform your tracing into a detailed sketch: techniques for realistic portrait

When creating a detailed portrait painting, a tracing can provide a solid foundation, but the real artistry lies in refining that tracing into a fully realized sketch. Tracing outlines gives you the basic proportions, but they often miss critical details that are essential for realism. In this post, we’ll walk you through the process of converting a traced outline into a well-refined sketch, using the example of a portrait of the apostle Paul praying.

Understanding the Role of Tracing in Art

A Solid Start:

Tracing can save time, especially for complex portraits or when accuracy is critical. By using tools such as a projector, you can quickly lay down the basic structure. However, tracing alone doesn’t provide all the necessary details, especially when aiming for realism. For example, simple outlines of hands or facial features will lack the subtleties of light, shadow, and wrinkles.

Step-by-Step Guide to Refining a Tracing

Assess the Tracing
After completing your tracing, take a moment to assess its accuracy. Then, look for areas where the proportions are correct but still lack detail. In our example of Paul praying, the tracing provided the basic layout of the figure but left out critical nuances in the facial features and folds in the fabric.
Start with the Most Important Features
Begin with, refining by focusing on the most significant elements of the portrait. In the case of this sketch of Paul, the face is where we started. When, using tracing as the base, it’s essential to add details such as wrinkles, shadows under the eyes, and the curvature of the facial features. But tracings often simplify features, which means you’ll need to carefully draw in the missing details. Also, pay attention to how the light hits the face and creates shadow, especially in areas like the nose and mouth.
Correcting Proportions and Perspectives
If your reference photo features a unique perspective, then like a worm’s eye view (looking up from below), the tracing may not capture all the nuances. In my sketch of Paul, refining the eye’s position and size was crucial, but given the upward angle of the face. While keeping the eyes proportional and always make sure they reflect the right shape is vital to ensuring the overall accuracy of the portrait.
Utilize Tools for Precision
A battery-operated eraser can be a game-changer when correcting small mistakes in a sketch. This tool allows you to erase specific areas without disturbing the rest of your drawing. Erasers also help lighten lines that are too dark, adding more subtlety to your shading.
Refining Shadows and Values
Tracing can often leave large areas of the sketch looking flat or featureless. After refining the major facial features, the next step is to work on the shadows and values. For instance, the shadow under Paul’s chin, the folds in his clothing, and the contours of his hands all required careful attention. By adding shading, you can indicate areas of light and dark, giving the sketch depth and volume. As you shade, remember to leave room for reflected light, which is the subtle illumination on areas that aren’t directly hit by light but still have a glow.
Focusing on Fabric and Wrinkles
The clothing, especially when it has folds and creases, is another area where tracings often fall short. In Paul’s prayer portrait, the tracing missed many of the intricate wrinkles that give the fabric its realistic texture. To add this realism, pay close attention to the way fabric bunches and folds in real life. Observe the direction of the creases, and emphasize key folds to give your sketch depth. Fabric in motion, like the bending of a sleeve, will show wrinkles in a more dynamic manner.

Tips and Techniques for Converting a Tracing to a Sketch

Don’t Rely Solely on the Tracing: Tracing is just the first step. Always refer back to your reference photo or real-life model to capture the subtleties.
Take Your Time with Key Features: Spend extra time refining the eyes, nose, and mouth—especially in a portrait. These areas are often simplified in tracings and need additional work to feel realistic.
Use Multiple Tools: Incorporate erasers, different grades of pencils, and even digital tools (if sketching digitally) to refine your work.
Pay Attention to Light: Always consider where your light source is coming from. Tracings don’t provide shadows, so it’s up to you to add this layer of realism.
Zoom in and Out: Step back and view your work from a distance occasionally. This helps you see the sketch as a whole and ensures that the proportions and shading are balanced.

Realism Through Sketch Refinement

One of the major issues with relying too much on tracing is that it simplifies the image. The forms can become too basic, losing the intricate shapes and contours that make a drawing feel realistic. As you continue refining your tracing, keep adding subtle details. In the case of Paul’s hand, for example, the tracing left out the finer details of the fingers clasped together. Adding these small details later can be done by freehand drawing, improving the overall realism.

The Final Sketch

By the end of this process, the sketch of Paul went from a simple traced outline to a fully developed, refined sketch, capturing all the essential details necessary for a realistic portrait. Then remember, tracing is just the foundation; the true artistry comes in the refinement. Through careful observation, adding shadows, correcting shapes, and focusing on details like fabric and facial features, you’ll create a sketch that serves as a strong base for a lifelike painting.

Sketching Fundamentals: From Tracing to Freehand Mastery

1. Starting with a Strong Foundation

When beginning a portrait sketch, the initial step often involves tracing. Although tracing can be a helpful tool, it should not be relied upon exclusively. As shown in the video, How to Convert a Tracing to a Sketch, Part #2 tracing an image with an overhead projector helps establish basic proportions but lacks the fine details and accuracy needed for a refined sketch. To improve the likeness and detail, learning freehand sketching or using a grid method is essential.

2. Choosing the Right Tools

A dark umber or dark brown colored pencil is highly recommended for initial sketching. These pencils provide a good contrast against the canvas, making it easier to refine details. Precision is crucial, and using a battery-operated eraser can greatly enhance accuracy. This tool allows for fine adjustments and corrections, particularly in areas requiring detailed work, such as the fingers in our example.

3. Refining the Sketch

Once the basic outline is established, focus on refining the sketch by adding detailed features. For instance, when sketching Paul the Apostle’s hands, attention must be given to the length and placement of each finger. Details such as fingernails and the interplay of light and shadow play a significant role in achieving realism.

4. Incorporating Reference Photos

Using reference photos is vital for accuracy. In this video, a photo shoot in a studio mimicking the lighting of a Caravaggio painting provided a valuable reference. This photo helps ensure that the contrast and structure of the hands are correctly depicted. When sketching, always use a reference photo to guide the placement of details and ensure a realistic portrayal.

Advanced Techniques for a Professional Finish

5. Shading and Blocking in Values

Shading is crucial for adding depth and dimension to your sketch. I uses shading to differentiate between light and dark areas, such as on the clothing and objects in the scene. This technique help me in creating a three-dimensional effect and enhancing the overall realism of the portrait.

6. Adding Textural Details

For a more lifelike result, add texture to elements like clothing and objects. In the example, I use triangular shapes to suggest folds and creases in the fabric, and shading to indicate the structure of a drinking vessel. Textural details contribute to the overall realism and visual interest of the portrait.

7. Creating a Believable Environment

When sketching elements like the background, it’s important to consider how they contribute to the overall scene. The video demonstrates adding elements such as prison bars and a scroll to place the subject in a believable context. Accurate depiction of the environment adds to the narrative and helps the viewer connect with the portrait.

Final Adjustments and Presentation

8. Reviewing and Making Final Adjustments

Before concluding the sketch, review all elements for accuracy and completeness. This step is essential for a polished and professional finish.

9. Presenting Your Work

Once the sketch is complete, it’s time to prepare for the painting process. Ensure that your sketch is well-detailed and ready to serve as a solid foundation for your acrylic portrait. Proper preparation at this stage will significantly influence the final outcome of your painting.

Tips and Techniques for Effective Portrait Sketching

Use Quality Materials: Invest in good quality pencils and erasers to achieve precise details.
Practice Freehand Sketching: Develop your freehand skills to avoid over-reliance on tracing methods.
Utilize Reference Photos: Use high-quality reference photos to guide details and proportions.
Focus on Shading: Effective shading adds depth and dimension to your sketches.
Pay Attention to Texture: Adding textural details enhances the realism of your portrait.

By incorporating these techniques and following a structured approach, you can improve your portrait sketching skills and create more compelling and realistic artwork. For additional tips and resources, visit www.realisticacrylic.com and check out the tutorial on fixing muddy skin tones, then download here.

Feel free to share your own sketching techniques or ask questions in the comments below. Happy sketching!

LEARN MORE

I’d love to hear your thoughts on this video. Please share it with your friends and family. Let me know if you have any further questions. I’ll greatly help you.

If you’d like to learn more, sign up for my free email tips and video class today.

Learn How to Paint Acrylic Portraits With My Free Mini-Video Course!

Thank you so much for taking the time to read this tutorial and watch the video. That means a lot to me. I hope you find it very helpful in your portrait painting.

Yours for Better Portraits,

P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!

How to Paint Eyes in your Acrylic Portrait

How to Paint Realistic Eyes in Your Acrylic Portrait

/ Video Tutorial
/ By Matt Philleo

Bring your portraits to life: Essential techniques for painting realistic eyes

Introduction

Painting realistic eyes is one of the most essential skills in portraiture, as they serve as the focal point of a portrait, bringing the subject to life. But with just a few carefully placed strokes, you can transform a flat, lifeless face into one that captivates with expression and detail. In this tutorial, we’ll walk you through how to paint eyes in your acrylic portrait using subtle nuances, helping you achieve realism with ease.

1. Gather Your Materials

Before diving into painting the eyes, ensure you have the right materials on hand. You’ll need:

Acrylic paints (raw umber dark, ultramarine blue, alizarine crimson, burnt sienna)
Brushes (small round brush for precision)
Clear acrylic medium (for glazing technique)
Palette for mixing colors
Reference photo for accuracy

These basic materials will help you create the details necessary for capturing the eyes realistically.

2. Start with a Good Reference Photo

To paint eyes accurately, a reference photo is essential. I will emphasize in this video by using a detailed reference image, ensuring that the direction, shape, and placement of the eyes are correct. Choose a clear, high-quality photo that shows the eye’s reflections and shadows. The finer details in the photo will guide your painting process.

3. Mix the Right Colors

I starts by using a neutral palette of raw umber dark, ultramarine blue, alizarine crimson, and burnt sienna. These colors create a natural-looking shade for painting eyes, particularly for the whites of the eyes and the shadows. Eyes aren’t stark white; they have subtle shadows and variations that can be achieved by using these earth tones.

Use a small amount of acrylic medium to thin the paint, creating translucent layers that give depth without overwhelming the painting.

4. Focus on Nuances

When painting eyes in a portrait, subtle details make all the difference. Start by using a small brush to add tiny dabs of color where the pupils and irises will go. In my technique, I carefully apply these nuances to make the face “come alive.”

Pupils and Irises: Use a small, round brush to lightly dab the area where the pupils should be. A gentle touch is key—if the paint is too thick, it can appear unnatural.
Shadows Around the Eyes: Create depth by darkening areas around the eyes. This enhances realism and makes the eyes stand out from the rest of the face. You can apply glazing layers to build up the shadows gradually.
Highlights: Adding a small highlight in the eye, just above the pupil, can simulate light reflection and create vibrancy.

By focusing on these small changes, you will see an immediate improvement in the overall appearance of the eyes.

5. Use Glazing for Depth

I utilize the acrylic glazing technique, which is perfect for painting eyes. Glazing allows you to create many thin, transparent layers that build up depth while preserving the sketch underneath.

Here’s how you can apply glazing when painting eyes:

Thin Your Paint: Mix a little clear acrylic medium with your paint. This will allow you to create subtle gradients around the eyes.
Layer Gradually: Apply the paint in thin layers, letting each one dry before adding the next. This technique creates a luminous effect, especially when building up the shadows and highlights.
Blend Carefully: The beauty of glazing lies in its ability to blend naturally. With soft, sweeping strokes, smooth the edges where the light and dark areas meet.

6. Adjust the Eyes to Match the Angle of the Face

When working on a portrait, it’s crucial to place the eyes correctly in relation to the direction the face is facing. In this demonstration, make small dabs of paint on the left side for a subject looking to the right, ensuring the gaze is aligned with the overall pose. Be mindful of the orientation of the head and use tiny corrections to ensure the eyes appear natural.

For a subject looking to one side, the whites of the eyes should show more prominently on the opposite side.
Use reference points like the nose and mouth to position the eyes accurately.

7. Refine the Expression with Small Details

After placing the pupils, irises, and surrounding shadows, it’s time to refine the expression. I often emphasize this point: small touches around the eyes can drastically change the emotion conveyed.

Add Eyelashes and Creases: With a fine brush, add delicate lines for the eyelashes and the creases of the eyelids. These are not stark black lines but rather subtle strokes that suggest the texture.
Smooth Out Harsh Lines: Dab your brush lightly on any overly sharp edges. This helps blend the painted areas for a softer, more natural appearance.

8. Final Touches: Creating Cohesion with the Rest of the Face

Eyes should not stand out unnaturally from the rest of the face. Make sure the tones and shadows around the eyes blend into the surrounding areas. This creates a seamless transition, adding to the realism of the portrait.

If the eyes appear too sharp or bright, use a glazing technique to tone them down, layering slightly darker hues over the highlights. You may also want to darken the shadows underneath the brows and beside the nose to help frame the eyes and make them pop without looking out of place.

Painting eyes in an acrylic portrait might seem challenging, but with careful attention to details and the use of glazing techniques, you can achieve stunning results. I demonstrates, it’s the small nuances—tiny dabs of color, subtle shadows, and highlights—that truly bring a portrait to life. By following these steps, you’ll enhance the depth and realism of your artwork, leaving your viewers captivated by the expressions in your subject’s eyes.

Tips and Techniques:

Use a Fine Brush: Precision is key when painting small areas like eyes.
Glazing Technique: Layer thin, transparent washes to build depth without losing the initial sketch.
Subtle Highlights: Add a touch of light to the eyes to give them vibrancy and a lifelike appearance.
Work Slowly: Patience is vital for getting the right amount of detail in the eyes.

By using these techniques, you’ll be able to master the art of painting eyes, transforming your portraits into realistic works of art.

LEARN MORE

I’d love to hear your thoughts on this video. Please share it with your friends and family. Let me know if you have any further questions. I’ll greatly help you.

If you’d like to learn more, sign up for my free email tips and video class today.

Learn How to Paint Acrylic Portraits With My Free Mini-Video Course!

Thank you so much for taking the time to read this tutorial and watch the video. That means a lot to me. I hope you find it very helpful in your portrait painting.

Yours for Better Portraits,

P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!

First Steps of Painting Trees and Grass in Your Acrylic Portrait

How to Paint Realistic Trees & Grass in Your Acrylic

It’s important to know how to paint greenery in your acrylic portrait.

In this tutorial, we’ll explore how to paint realistic trees and grass using the acrylic glazing technique. This approach allows for gradual layering of colors, which adds depth and vibrancy to your landscape. Acrylic glazing helps build up the scene, much like how an oil painting develops, while maintaining the versatility and quick-drying benefits of acrylics.

Whether you’re working on a portrait background or a full landscape, these methods will enhance your painting’s realism. So, grab your brushes and let’s dive in!

Materials You’ll Need

Before starting, make sure you have these essential tools:

Acrylic paints (Raw umber, ultramarine blue, indian yellow, phthalo blue)
Matte medium
Flat brushes
Palette
Reference photo (optional)

Step-by-Step Guide to Painting Trees and Grass

1. Prepare Your Palette and Materials

Begin by setting up your palette with the necessary colors. In this painting, raw umber and ultramarine blue will serve as the foundation for shadows, while indian yellow and phthalo blue will add vibrancy to the lighter areas. Make sure to have a matte medium to thin out your paints for glazing.

Transitioning between vibrant and muted colors is key. As you work in darker areas, shift away from highly saturated colors like Indian Yellow to cooler tones like ultramarine blue.

2. Start with a Sketch

Begin with a light sketch on your canvas, which will act as a guide for placing trees and grass. Use thin layers of paint to avoid covering up your sketch too early. In the initial stages, the painting may resemble a watercolor, but as you apply more glazes, it will begin to take on the characteristics of a full-bodied acrylic painting.

3. Apply the First Layer of Glazes for the Grass

When painting grass, start by applying a base layer using vibrant colors like Indian yellow and phthalo blue. This combination gives the grass a rich, glowing appearance. As you move further away into the background or shadows, use cooler and less intense tones like raw umber.

For glazing, thin out your paint with matte medium to make it translucent. This will allow previous layers to show through, creating depth. Layering slowly is crucial—don’t rush the process.

4. Develop Shadows Within the Shadows

Once the initial glaze dries, begin adding darker tones to create depth. In this case, mix raw umber dark with ultramarine blue. The deeper shades of color should be applied sparingly to the areas that are farthest from the light source. This technique, known as adding “shadows within the shadows,” adds dimension and makes your painting more realistic.

In places where light barely reaches, such as underneath trees or in between clumps of grass, carefully brush in darker glazes. Thin these glazes with matte medium to ensure the darkness isn’t overpowering.

5. Blending Techniques for a Smooth Transition

To achieve a seamless blend between light and dark areas, use a dry brush technique. As the paint on your brush begins to run out, use the remaining paint to blend areas softly. Gently sweep the brush back and forth in different directions, blending the layers into each other.

Switching between horizontal and vertical brush strokes can smooth the transitions between glazes, ensuring a more natural look for both trees and grass.

Tips & Techniques for Realistic Trees and Grass

Use Cooler Colors for Depth: Darker areas should have cooler, less intense colors. Avoid overly vibrant shades in the shadows to maintain realism.
Layer Gradually: Build your painting slowly, one thin layer at a time. This helps the colors blend well and creates a smooth transition from light to dark.
Reference Photos: Keep a reference photo nearby to help guide your light and shadow placement. Analyze where the darkest areas should be in relation to the light source.
Be Patient: The glazing technique takes time. Allow each layer to dry completely before moving on to the next. This prevents muddying your colors and ensures each layer adds value to the final piece.

Read more about my additional resources, tutorials, to learn more and check out my free courses here. . Whether you’re a beginner or an experienced artist, there’s always something new to learn and apply to your paintings. Happy painting!

LEARN MORE

I’d love to hear your thoughts on this video. Please share it with your friends and family. Let me know if you have any further questions. I’ll greatly help you.

If you’d like to learn more, sign up for my free email tips and video class today.

Learn How to Paint Acrylic Portraits With My Free Mini-Video Course!

Thank you so much for taking the time to read this tutorial and watch the video. That means a lot to me. I hope you find it very helpful in your portrait painting.

Yours for Better Portraits,

P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!

Glazing Background Colors and More in Acrylic

How to Glaze Background Colors & More Acrylic Portrait

/ Backgrounds Glazing Video Tutorial
/ By Matt Philleo

Creating seamless transitions in background colors & step-by-step guide in applying glazes

In this tutorial, we will explore the powerful acrylic glazing technique, focusing on how to glaze background colors and more in an acrylic portrait to create depth and vibrancy. This method adds luminosity and realism to your acrylic portraits by layering colors, which can be used not only for the background but also for clothing and other key details. This lesson is based on a 30 x 40 acrylic portrait of Moses, Aaron, and Hur during the ancient battle against the Amalekites.

The Acrylic Glazing Technique

Acrylic glazing is an essential technique that involves mixing a transparent medium, like matte medium, with acrylic paint to create layers of translucent color. As a result is a soft, glowing effect that gives your painting depth and complexity without covering the layers beneath.

Tools and Materials

Matte Medium
Acrylic paints (Alizarin Crimson, Blue, etc.)
Flat Brushes (size 20, 2-inch, ¾ flat)
Palette
Reference photo
Cloth or rag for cleaning

Step 1: Preparing the Background

Before starting, it’s essential to have a reference photo to guide your colors and shading. In this case, we focus on creating a sky that balances warm tones and cool blues, providing an atmospheric background for the figures.

Mixing Your Glaze:
Basically you begin by mixing a small amount of alizarine crimson with a lot of matte medium. The goal is to have a translucent color that will of course allow the previous layers of paint to show through. But, if the mixture is too opaque, you can add more medium to thin it out.
Applying the Glaze:
Use a large 2-inch flat brush to apply the glaze to the canvas. Then ,start in the upper right corner of the painting, brushing the glaze horizontally across the sky. But, this technique ensures that the background maintains a natural flow and stays consistent with the painting’s perspective.
Using Vertical and Diagonal Strokes:
So to blend the glaze seamlessly, alternate between vertical, diagonal, and horizontal brush strokes. Then this helps spread the paint evenly, preventing streaks. Remember, you can always dilute the glaze if it’s too dark by adding more matte medium or wiping away excess paint with a rag.

Step 2: Building Depth and Adjusting the Colors

After applying the first layer of glaze, assess your work by comparing it to the reference photo. In this example, the right side of the painting is darker and has a slightly pinkish hue, which can be achieved by applying a second layer of alizarine crimson glaze.

Control Your Mixture:
As you move to different parts of the painting, like the horizon or figures, then you can adjust the glaze’s intensity. Then you can add more matte medium for lighter areas or increase the pigment concentration for deeper shadows. Because this flexibility allows you to control the shading gradually, making it easier to match the reference.
Layering Colors in the Sky:
However you will gradually build up the background by layering different shades of pink and blue. But at the horizon, where the sky meets the land, a hint of pink helps tie the colors together. Then, use soft vertical and diagonal strokes to blend the hues smoothly.

Step 3: Glazing Details on the Figures

Once the background is complete, the same glazing technique can be applied to specific details in the painting, such as the clothing of Moses, Aaron, and Hur.

Adding Depth to Moses’s Clothing:
For Moses, we applied the same alizarine crimson glaze to his robe. Then, by increasing the ratio of paint to matte medium, the color becomes slightly more vibrant, adding richness to his garments without losing the transparent effect.
Balancing Colors and Tones:
Be mindful of the overall composition. For example, if the colors of Moses’s robe look too much like the American flag (red, white, and blue), adjust by adding green or a neutral shade to balance it out.
Blending and Refining:
For finer details, such as stripes or shading on clothing, use smaller brushes and carefully scrub the glaze into the fabric’s texture. This adds realism without overwhelming the initial colors laid down.

Common Glazing Tips and Techniques

Dilution is Key:
To avoid overpowering your painting, always mix a high ratio of matte medium to pigment. The goal is to enhance, not obscure, the layers beneath.
Wipe Away Excess Paint:
Glazing offers flexibility; if the color is too intense, you can easily remove it using a damp cloth. This allows for continuous adjustments and experimentation.
Layer Light to Dark:
When working with glazes, start with lighter colors and gradually build up to darker tones. This approach maintains the painting’s luminosity while allowing the colors to interact naturally.
Use a Reference Photo:
Having a clear and close reference photo is essential for glazing. Keep it taped near or on top of your painting to check your colors and values. This ensures you stay on track with the scene’s depth and lighting.
Brush Strokes Matter:
Vary your brush strokes (vertical, diagonal, horizontal) to blend glazes seamlessly. Consistent direction can lead to visible lines that distract from the painting’s flow.

Glazing background colors in acrylic portrait paintings is a powerful way to create depth and atmosphere. By following the layering techniques outlined above, you can achieve a vibrant and realistic sky while also enhancing the finer details of your subjects. Through practice and patience, this method will elevate your acrylic painting skills, giving your artwork a professional and polished look.

Read more about my additional resources, tutorials, to learn more and check out my free courses here. . Whether you’re a beginner or an experienced artist, there’s always something new to learn and apply to your paintings. Happy painting!

LEARN MORE

I’d love to hear your thoughts on this video. Please share it with your friends and family. Let me know if you have any further questions. I’ll greatly help you.

If you’d like to learn more, sign up for my free email tips and video class today.

Learn How to Paint Acrylic Portraits With My Free Mini-Video Course!

Thank you so much for taking the time to read this tutorial and watch the video. That means a lot to me. I hope you find it very helpful in your portrait painting.

Yours for Better Portraits,

P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!

How to Easily Transition from a Sketch to a Painting

/ Real Time Tutorial Uncategorized Video Tutorial
/ By Matt Philleo

Building the foundation of why contrast and form matter more than color initially

Transitioning from a sketch to a detailed painting can be a challenge, but with the right techniques, the process can be simplified. In this post, we will explore how to use acrylic glazing to transform a simple sketch into a vibrant, realistic painting. This method not only builds contrast but also gives the painting depth and life, allowing for gradual layering that enhances detail and realism.

The Importance of Contrast in Your Painting

Before diving into color and skin tones, it’s essential to establish the structural foundation of your painting. Many artists fall into the trap of immediately focusing on skin tones, only to end up with muddy, flat colors due to a lack of contrast. The key is to first build up your dark values to measure your midtones and highlights against them. By doing so, you create a balanced image where light and shadow work harmoniously.

When starting your painting, don’t focus on details like skin tones or small textures right away. Instead, think in terms of light and dark, focusing on the overall contrast. Use your sketch as a guideline and begin with general areas that need darkening. In this tutorial, we will use a combination of raw umber dark and ultramarine blue to create a rich, customizable black that is far more versatile than pre-mixed black paints like mars or ivory black.

Step 1: Preparing Your Glaze

Acrylic glazing is the core technique used to transition from a sketch to a painting. A glaze is simply a thin, translucent layer of paint applied over dry paint to build depth and modify color. For this process, you’ll need two basic components: paint and matte medium. Matte medium helps thin the paint without losing its vibrant color, allowing you to apply multiple layers without muddying the details beneath.

To create your glaze, mix a small amount of raw umber dark with ultramarine blue to make a deep, customizable black. Adjust the warmth or coolness of the black by adding more umber for warmth or more blue for a cooler tone. Once mixed, add in your matte medium to create a smooth glaze.

Step 2: Start by Darkening Large Areas

Once your glaze is ready, begin by applying it to large areas of your painting that require dark tones. For example, in a family portrait with 30 subjects, you might want to start by darkening clothing, hair, and shadows under the neck and face. Work from one side of the painting to the other, applying your glaze in smooth, even strokes.

As you work, keep in mind that the glazing process is all about building up layers gradually. Don’t try to achieve the perfect tone with just one pass. Instead, allow each glaze to dry before adding the next. This method will ensure that your painting remains vibrant and full of depth, rather than becoming flat or muddy.

Step 3: Achieving Smooth Transitions with Your Brush Strokes

When applying your glaze, alternate your brush strokes to create a smooth, seamless transition between light and dark areas. For example, when working on a subject’s shirt, brush horizontally across the fabric and then switch to vertical strokes. This back-and-forth motion helps blend the glaze evenly and prevents blotchiness.

Maintaining a wet edge is crucial during this process. A wet edge allows you to blend the glaze smoothly as you go, creating consistent shading and tone. If you let one area dry before finishing, you might end up with harsh lines or uneven patches.

Step 4: Building Form and Detail Gradually

Once you’ve established the darker areas of your painting, it’s time to move on to more detailed sections. Focus on transitioning from shadows to midtones and highlights. For example, when painting hair or intricate clothing, use your glazing technique to build depth gradually. The shadows in the hair can be darkened while leaving room for highlights, ensuring the subject looks three-dimensional.

At this stage, remember to keep the focus on form and structure. Don’t worry too much about perfect color accuracy just yet. As you layer your glazes, the true colors will emerge, and the painting will gain a natural depth and vibrancy.

Step 5: Avoiding Common Mistakes in Glazing

A common mistake that many artists make is rushing the skin tones too early. Skin tones can be tricky, and if they are not applied with the proper contrast already established, they can easily look flat and lifeless. By focusing first on the shadows and darker values, you will create a foundation on which the skin tones can later be added and adjusted.

When it comes time to start adding skin tones, remember that they should be lighter in comparison to your dark values. This contrast is what brings realism and dimension to your painting.

Tips for Using Glazing to Enhance Your Painting

Use Matte Medium for Control: Always mix your paint with matte medium to control the transparency of your glaze. Matte medium allows for smoother application and prevents the paint from becoming too thick.
Build Layers Slowly: Glazing is a gradual process. Apply thin layers and allow each one to dry before adding the next. This approach helps prevent muddiness and ensures each layer enhances the one beneath it.
Maintain a Wet Edge: As you work, make sure to keep your paint edge wet. This technique allows for smoother blending and prevents harsh lines from forming between different areas.
Alternate Brush Strokes: Use a combination of horizontal and vertical brush strokes to achieve even blending. This technique ensures that the glaze applies smoothly and evenly.

Elevating Your Sketch into a Painting

Transitioning from a sketch to a painting is a delicate process that requires patience and technique. By using acrylic glazing, you can enhance your artwork by gradually building up contrast, depth, and realism. Focus first on your darker values, slowly layering your glazes, and allow the painting to develop naturally.

Read more about my additional resources, tutorials, to learn more and check out my free courses here. . Whether you’re a beginner or an experienced artist, there’s always something new to learn and apply to your paintings. Happy painting!

LEARN MORE

I’d love to hear your thoughts on this video. Please share it with your friends and family. Let me know if you have any further questions. I’ll greatly help you.

If you’d like to learn more, sign up for my free email tips and video class today.

Learn How to Paint Acrylic Portraits With My Free Mini-Video Course!

Thank you so much for taking the time to read this tutorial and watch the video. That means a lot to me. I hope you find it very helpful in your portrait painting.

Yours for Better Portraits,

P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!

How to Block In Shading & Skin Tones in Your Acrylic

/ Blocking-In Glazing Real Time Tutorial Video Tutorial
/ By Matt Philleo

How to add depth and dimension to your portrait with layering

Acrylic portrait painting requires understanding shading, value, and skin tone to capture the subject’s essence. In this post, you’ll learn how to block in shading and skin tones using acrylic glazing techniques, without losing detail or vibrancy.

Creating realistic skin tones and shading is a crucial aspect of acrylic portrait painting. This technique, known as blocking in, helps you define mid-tones and shadows early on, setting the stage for a vibrant and lifelike portrait. Using acrylic glazing, this process ensures a smooth transition from sketch to finished painting, retaining the likeness while building depth and luminosity. In this tutorial, we will break down how to block in shading and skin tones, offering a step-by-step guide to enhance your portrait’s realism.

Understanding the Glazing Technique

Acrylic glazing involves applying thin layers of translucent paint over a base to create depth and smooth transitions. Because combining paint with matte medium, you can control the transparency, allowing the underpainting to shine through. Then this method is ideal for building subtle layers of skin tones without overpowering the original sketch.

Tip: Start with light glazes and build up gradually. Also, use more medium for lighter glazes and increase pigment for darker tones.

Preparing Your Materials

Before diving into shading, gather the following materials:

Acrylic paints: Raw sienna, pyrrole orange, matte medium
Brushes: Soft, round brushes for detailed application
Matte Medium: Thins the paint and creates a translucent effect
Palette: To mix your glazes

Tip: Matte medium works best for glazing because it dries flat, ensuring you maintain control over the values. Avoid gloss mediums, as they can create distracting reflections while working.

Step 1: Begin with a Detailed Sketch

Start by ensuring your portrait sketch is clear and precise. The sketch provides the foundation for your shading and color work. Because it focus on the key areas where light and shadow fall, as these will guide your shading process.

Tip: Preserve the luminosity by keeping the lighter areas, such as the forehead, untouched during initial layers. This helps maintain brightness in the final result.

Step 2: Apply the First Glaze

Mix raw sienna with matte medium to create your first glaze. Raw sienna is an excellent base color for skin tones, providing a natural warmth that can be built upon. Apply this glaze lightly across the mid-tones of the face, avoiding the highlights.

Technique Insight: When, glazing allows you to enhance skin tones subtly without covering the entire surface. And then translucent layers let you build up depth without losing the detailed sketch beneath.

Step 3: Focus on Value, Not Just Color

While color is important, value—the lightness or darkness of an area—is even more crucial. Focus on building form by shading the areas that need more depth, like the sides of the face, beneath the chin, and around the nose.

Tip: “Value over color” is a fundamental principle. A black-and-white portrait can still be striking if the values are correct. Don’t rush to perfect the skin tone without ensuring the shadows and highlights are accurate.

Step 4: Building Skin Tones

Basically to enhance your raw sienna base, introduce subtle variations using pyrrole orange. While this color adds a red-orange tint to areas like the cheeks and nose, creating a more natural skin tone. Mix the pyro orange with matte medium to maintain translucency, then applying it in thin layers over the previous glazes.

Technique Insight: For fairer skin, keep the glazes light and gradually build up warmth with minimal layers. For darker or tanned skin tones, you can deepen the shading by increasing the pigment concentration in each glaze.

Step 5: Blending and Refining

As you continue applying glazes, you’ll notice how the layers blend smoothly, creating a gradual transition between light and shadow. Use a soft brush to gently feather the edges of your glazes, ensuring there are no harsh lines between transitions.

Tip: If any areas become too dark, you can lighten them by adding a glaze of matte medium mixed with titanium white. This will soften the area without disrupting the overall value structure.

Step 6: Maintain Light in Highlights

When blocking in shading, it’s essential to preserve the lighter areas, like the forehead and the top of the nose. You can always adjust these areas with subtle glazes later, but maintaining their brightness early on ensures that your portrait remains balanced in terms of light and form.

Tip: Always work in stages, letting each glaze dry before adding another. This allows you to assess the overall effect and make adjustments as necessary.

Step 7: Finishing Touches

Once you have built up your skin tones and shading, you can start adding more opaque layers in areas that need stronger definition. Reduce the amount of matte medium for these layers, focusing on darker shadows and adding detail to features like the eyes, lips, and nose.

Tip: Use smaller brushes for detailing in these final stages, paying attention to the subtle shifts in color and value across the face.

Building a Realistic Portrait

Blocking in shading and skin tones using acrylic glazing takes practice, but the results can be incredibly rewarding. By focusing on value, applying translucent layers, and preserving luminosity, you can create a portrait that has depth, realism, and vibrancy.

Final Tip: Remember, the glazing technique is all about patience. Build up your layers gradually, allowing each one to contribute to the final result.

Read more about my additional resources, tutorials, to learn more and check out my free courses here. . Whether you’re a beginner or an experienced artist, there’s always something new to learn and apply to your paintings. Happy painting!

LEARN MORE

I’d love to hear your thoughts on this video. Please share it with your friends and family. Let me know if you have any further questions. I’ll greatly help you.

If you’d like to learn more, sign up for my free email tips and video class today.

Learn How to Paint Acrylic Portraits With My Free Mini-Video Course!

Thank you so much for taking the time to read this tutorial and watch the video. That means a lot to me. I hope you find it very helpful in your portrait painting.

Yours for Better Portraits,

P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!

Category Archives for Video Tutorial

Back to doing another 30-minute acrylic portrait, where I paint an Alla Prima portrait in about half an hour.

Introduction:

Materials You’ll Need:

Step 1: Block in the Form

Step 2: Blocking in the Shadows

Step 3: Adding Mid-tone Colors

Step 4: Refining the Details

Step 5: Final Touches

Tips & Techniques:

Having trouble shading and toning small faces?

Introduction

Step 1: Understanding Light Values

Step 2: Selecting Colors for Skin Tones

Step 3: Applying Glazes for Smooth Shading

Step 4: Enhancing Shadows for Depth

Step 5: Adjusting Skin Tone with Chromatic Intensity

Step 6: Adding Final Shading and Highlights

Tips for Success:

Creating a depth with layered highlights in background trees

Step 1: Prepare Your Colors and Materials

Tip: Balance the Chromatic Intensity

Step 2: Apply the Initial Highlights

Technique: Layer the Highlights Gradually

Step 3: Adjust the Color Mix for Shadows

Tip: Keep the Highlights Balanced

Step 4: Use Different Brushes for Varying Effects

Technique: Blending the Highlights

Step 5: Fine-Tune the Details

Tip: Create Variation in Highlight Intensity

Step 6: Blend and Add Warmth

Technique: Use Warm and Cool Tones

Step 7: Final Touches and Adding Depth

Tip: Avoid Overworking the Highlights

Bring Your Background to Life with Highlights

How to layer and blend acrylic paint for depth

Materials and Paint Mixtures for Blocking-In

Step 1: Preparing the Dark Values

Tip:

Step 2: Blocking in the Shadows

Technique Tip:

Step 3: Cutting Around the Edges

Technique Tip:

Step 4: Balancing Opacity and Transparency

Technique Tip:

Step 5: Smoothing Out the Dark Layers

Technique Tip:

Step 6: Enhancing the Richness of Shadows

Achieving Contrast in Chiaroscuro Painting

Transform your tracing into a detailed sketch: techniques for realistic portrait

Understanding the Role of Tracing in Art

A Solid Start:

Step-by-Step Guide to Refining a Tracing

Tips and Techniques for Converting a Tracing to a Sketch

Realism Through Sketch Refinement

The Final Sketch

Sketching Fundamentals: From Tracing to Freehand Mastery

1. Starting with a Strong Foundation

2. Choosing the Right Tools

3. Refining the Sketch

4. Incorporating Reference Photos

Advanced Techniques for a Professional Finish

5. Shading and Blocking in Values

6. Adding Textural Details

7. Creating a Believable Environment

Final Adjustments and Presentation

8. Reviewing and Making Final Adjustments

9. Presenting Your Work

Tips and Techniques for Effective Portrait Sketching

Bring your portraits to life: Essential techniques for painting realistic eyes

Introduction

1. Gather Your Materials

2. Start with a Good Reference Photo

3. Mix the Right Colors

4. Focus on Nuances

5. Use Glazing for Depth

6. Adjust the Eyes to Match the Angle of the Face

7. Refine the Expression with Small Details

8. Final Touches: Creating Cohesion with the Rest of the Face

Tips and Techniques: