Welcome to another insightful painting critique session! In this blog post, we’ll dive into the world of acrylic portraiture by reviewing three submissions from my Acrylic Portrait Painting Challenge. These critiques offer a practical learning experience for artists looking to refine their portraits. Whether you’re struggling with details, skin tones, or lighting, this session is filled with tips that can help you elevate your work. Let’s explore these critique 3 acrylic portrait from my painting challenge and discover ways to improve accuracy, contrast, and overall realism in your portraits.
As artists, we can often hit a wall with our paintings. You may feel that something is “off” but struggle to identify what needs improvement. This is where having a professional critique can make all the difference. As a commissioned portrait artist with over 20 years of experience, I provide in-depth critiques for my students. In this session, I will review three selected paintings from the Acrylic Portrait Painting Challenge participants, offering constructive feedback and detailed guidance.
The first critique features Karen Campbell’s painting. Karen has done an outstanding job capturing the likeness and form of the subject. Let’s break down her work and explore what works well, as well as areas that could use improvement. [Please watch the video below]
One of the first things I examine in a critique is the composition and form. Karen’s composition is spot-on, largely due to her use of the grid technique. The spacing between the eyes, nose, and mouth is accurate, which gives her portrait a solid foundation. Always ensure that your subject fills the canvas appropriately and that proportions are in check.
Next, I assess the lighting. Good lighting is key to creating depth and dimensionality in a portrait. Karen’s portrait shows strong lighting with excellent contrast between darks and lights. However, there are some areas where the contrast is a bit too sharp, especially around the eyes and eyebrows. For example, the highlight on the upper eyelid is too bright, making it appear unnatural. The solution is to soften the contrast by glazing over the highlights using a mixture of burnt sienna, raw sienna, and alizarine crimson.
Tip: Use subtle gradations in value to avoid harsh lines between light and shadow. Glazing is an effective method to soften transitions.
Karen has done a commendable job with skin tones. However, some areas are slightly overworked, making the texture appear too detailed. Realism in portrait painting often relies on suggesting detail rather than rendering every feature with precision. In this case, the wrinkles and shadows near the eyebrows are emphasized too much, making the portrait look harsher than the reference photo. A lighter touch with the brush, and more glazing to blend tones, would soften the portrait and give it a more natural appearance.
Technique: Glaze over exaggerated areas with raw umber mixed with titanium white and ultramarine blue to cool down overly warm tones and smooth out harsh transitions.
The second portrait brings attention to value transitions and color balance. The artist in this case struggled slightly with maintaining the subtleties of skin tone and light transitions. [Please watch the video below]
In portraiture, shadows are critical for creating depth. In this painting, the shadows are too stark in certain areas, particularly around the nose and the lower part of the face. The contrast between light and shadow must be more gradual. One effective way to fix this is by layering thin glazes to gradually darken the shadow areas while maintaining a soft, natural look.
Tip: To create soft, realistic shadows, use thin glazes of raw umber mixed with titanium white. Apply in layers until the desired shadow depth is achieved.
Another area for improvement is the balance between warm and cool tones. The portrait uses too much warm color in places that should feel cooler, such as the shadows beneath the eyes and along the jawline. Introducing cooler tones, like ultramarine blue or phthalo blue mixed with raw sienna, can create a more natural appearance.
Technique: Mix cool tones like ultramarine blue with earth tones like raw umber to balance warmth in shadows.
In the final critique, the focus will be on the eyes, which are often referred to as the “windows to the soul.” A common mistake in portrait painting is over-defining the eyes, which can make them look unnatural. In this case, the artist has done a wonderful job capturing the overall structure of the eyes but has overemphasized certain details. [Please watch the video below]
When painting eyes, less is often more. The artist in this case has drawn every eyelash and wrinkle, which detracts from the overall realism. By softening these details and focusing on the larger shapes and reflections, the eyes will feel more lifelike.
Tip: Focus on the larger forms of the eyes first. Use smaller brushes and fewer strokes to suggest detail rather than over-rendering it.
The reflection in the eye is another critical area that needs subtle treatment. If the reflection is too bright, it can give the eyes a “glassy” appearance. In this portrait, the highlight is too intense. I recommend using a glaze of raw sienna and alizarine crimson to soften the brightness and bring balance to the overall light values.
The critiques in this session highlighted key areas that all portrait artists should focus on: form, lighting, value transitions, skin tones, and detail management. Through subtle adjustments, such as refining contrast or balancing warm and cool tones, you can significantly improve the realism in your acrylic portraits. Remember, the goal is to imply detail where necessary and use glazes to soften transitions between light and shadow.
By implementing these tips and techniques, you’ll be able to take your portrait painting skills to the next level. Whether you’re a beginner or an experienced artist, critiques like these offer valuable insights into improving your work. If you want more personalized feedback, consider joining my Acrylic Portrait Painting Challenge for exclusive critiques and lessons.
Read more about my additional resources, tutorials, to learn more and check out my free courses here. . Whether you’re a beginner or an experienced artist, there’s always something new to learn and apply to your paintings. Happy painting!
Read more about how to paint a portrait that you can surely be proud of!
P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!
Adding realistic details to an acrylic portrait, such as earrings, can elevate the overall quality and depth of your artwork. Painting jewelry is not just about adding a couple of dabs of paint it involves understanding the placement of highlights, shadows, and creating a smooth transition between the elements. In this tutorial, you will learn how to paint earrings in your acrylic portrait using highlights, shadows, and glazing techniques. By the end of this guide, you will have the confidence to create lifelike jewelry that complements your portraits.
Before starting, gather your reference photo to ensure accurate lighting and color representation. In this case, a frontal flash photo was used, which plays an essential role in determining the highlights and shadows on the earring.
Begin by selecting a size 2 round brush, which is ideal for detail work. Mix titanium white with a small amount of indian yellow. The goal is to create a lighter, warm gray tone, which will serve as the base for the earring. Apply this mixture gently over the earring area, covering a significant portion to build the foundation.
Once the base layer dries, the next step is to create a mid-tone glaze. This technique helps to integrate the light and shadow, giving the earring a more natural appearance. For the mid-tone, blend raw umber dark with the existing base mix (titanium white and Indian yellow).
Carefully apply the glaze in thin layers over the base, making sure not to overpower the light areas. Glazing provides depth and softens the transitions between different values.
Pro Tip: Ensure your glaze layers are thin and translucent. This allows the previous layers to show through, adding subtle complexity to the jewelry.
Now that the mid-tone glaze is in place, it’s time to highlight the earring to create a realistic metallic sheen. Go back to your titanium white and use a fine detail brush to apply small dabs of white on the areas where the light hits directly.
When positioning the highlights, consider the source of light from your reference photo. In this example, the highlights were placed on the upper part of the earring. You can zoom in on your reference photo to get a more precise understanding of where the light falls.
Pro Tip: It’s okay to let the highlight exceed the boundaries of the metal slightly. This will give the earring a more convincing, three-dimensional look, as if the light is reflecting beyond the earring’s surface.
Once the highlights are in place, the shadows are crucial to enhance the depth and make the earring stand out. Mix ultramarine blue with a touch of alizarine crimson to create a deep shadow color. This shadow should be applied under the earring where it meets the skin or the hair, depending on the reference photo.
For this step, lightly glaze the darker tones just under the highlighted areas. This step contrasts with the highlight, making the metal of the earring more vibrant and realistic. The shadow will cast a thin, dark line directly adjacent to the bright highlight, creating a striking effect.
Pro Tip: The transition between light and shadow should be smooth. Use a very small amount of paint and blend gently with your brush for a seamless look.
To make the earring pop even more, darken the background or surrounding areas. In this case, the artist chose to slightly darken the subject’s sweater in the painting. Adding contrast around the earring helps it stand out against the background and draws the viewer’s eye to the details of the portrait.
Mix raw umber dark with ultramarine blue and lightly apply it to the background behind the earring. This subtle adjustment can enhance the overall composition and emphasize the earring’s presence in the portrait.
Step back from your painting to assess the overall effect. Are the highlights and shadows properly placed? Is the earring standing out as a focal point in the portrait? Make small adjustments as needed to ensure that the earring looks natural and harmonious within the context of the entire painting.
A well-painted earring should not only be realistic but should also complement the portrait as a whole. Jewelry can bring elegance and detail to your acrylic portrait, and by following these techniques, you can ensure that it adds a professional touch to your work.
Painting earrings in your acrylic portrait may seem like a small detail, but it can significantly impact the realism and professionalism of your artwork. By following the steps outlined in this tutorial, you can master the art of painting jewelry in a way that complements your portrait and adds a subtle yet powerful finishing touch.
For more tips and detailed acrylic portrait tutorials, visit realisticacrylic.com. Happy painting!
Read more about how to paint a portrait that you can surely be proud of!
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Thank you so much for taking the time to read this tutorial and watch the video. That means a lot to me. I hope you find it very helpful in your portrait painting.
Yours for Better Portraits,
P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!
In this video, I’ll show you how to paint realistic reflections, using two complementary colors in addition to white, and getting the shape of the reflection just right. Then this originally was a BONUS video in the Acrylic Portrait Painting Challenge Master Class, now available in the All-Access Membership at Realistic Acrylic Portrait School.
Even though it is technically over, you can take the Acrylic Portrait Painting Challenge (it’s FREE!) and paint along with us! 8 master class lessons are posted to help you paint a portrait you can be proud of!
REGISTER TODAY. The challenge is ongoing, something you can do at your own pace. It’s not too late to enter! After you join, I’ll send you the supplies list and reference photos to paint from.
Register for the Challenge!Questions? Suggestions? Thoughts? Let me know, below in the comments. Please share your sketches in our Facebook group and share this post with your friends!
Read more about how to paint a portrait that you can surely be proud of!
I’d love to hear your thoughts about this video. Please share it with your friends and family. Let me know if you have any further questions. I’ll greatly help you.
Thank you so much for taking the time to read this tutorial and watch the video. That means a lot to me. I hope you find it very helpful in your portrait painting.
P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!
In this lesson, we will be wrapping up the Masterclass series for the challenge! I’ll show you how to add some more nuances and details to the portrait of “Cora.” First, we’ll add a glaze to her hair to enrich the overall color. Next, we will enhance some nuances on her eyebrows, dial in the color of the eyes, and paint in the reflections. Finally, we’ll add in the skin tone for her arm in the lower corner and follow up with some work on her lace.
But even though we are nearly done with this portrait painting, it’s not too late to join in the fun!
YOU, too, can paint a portrait!
Take the Acrylic Portrait Painting Challenge (it’s FREE!) and paint along with us!
REGISTER TODAY. The challenge is ongoing, something you can do at your own pace. It’s not too late to enter! After you join, I’ll send you the supplies list and reference photos to paint from.
Would like to paint this portrait with me and hundreds of other artists?
Take the 2021 Spring Portrait Painting Challenge!
You can register below and get started. It is completely FREE to join the challenge and participate. When you join, I’ll send you the “Welcome Kit” which includes:
REGISTER TODAY. The challenge is ongoing, something you can do at your own pace. It’s not too late to enter!
Let me know if you have any questions and I look forward to teaching you more!
—Matt
Questions? Suggestions? Thoughts? Let me know, below in the comments. Please share your sketches in our Facebook group and share this post with your friends!
In this master class lesson (7 of 8), I’ll demonstrate how to add specific detail shapes to “Cora’s” hair. I’ll also add some additional shading to her forehead with a very translucent glaze. Next, I darken the left side of her face while smoothing out some of the rough application of previous glazes with a semi-opaque layer that’s cooler in tone. Finally, I add nuances to her eyes, lips and chin.
But even though we are well along in this portrait painting, it’s not too late to join in the fun!
YOU, too, can paint a portrait!
Take the Acrylic Portrait Painting Challenge (it’s FREE!) and paint along with us!
REGISTER TODAY. The challenge is ongoing, something you can do at your own pace. It’s not too late to enter! After you join, I’ll send you the supplies list and reference photos to paint from.
Would like to paint this portrait with me and hundreds of other artists?
Take the 2021 Spring Portrait Painting Challenge!
You can register below and get started. It is completely FREE to join the challenge and participate. When you join, I’ll send you the “Welcome Kit” which includes:
REGISTER TODAY. The challenge is ongoing, something you can do at your own pace. It’s not too late to enter!
Let me know if you have any questions and I look forward to teaching you more!
—Matt
Questions? Suggestions? Thoughts? Let me know, below in the comments. Please share your sketches in our Facebook group and share this post with your friends!
Historically, the Old Masters used small amounts of pigment dispersed in larger amounts of linseed oil or mineral spirits to create a sense of volume and depth in their paintings. Light shines through and you can see a bit of each layer beneath the ones on top.
We can use that technique to our advantage with acrylic. By applying several translucent layers, there is an increased sense of depth, shading, contrast and color saturation and luminosity.
In this particular lesson, I’ll demonstrate how to add richness to the mid-tones of the girl’s face and hair. We will also add more contrast to the image with a couple of layers to the background, and turn the form of her figure with a precisely placed glaze on her clothing.
But even though we are well along in this portrait painting, it’s not too late to join in the fun!
Take the Acrylic Portrait Painting Challenge (it’s FREE!) and paint along with us!
REGISTER TODAY. The challenge is ongoing, something you can do at your own pace. It’s not too late to enter! After you join, I’ll send you the supplies list and reference photos to paint from.
Would like to paint this portrait with me and hundreds of other artists?
Take the 2021 Spring Portrait Painting Challenge!
You can register below and get started. It is completely FREE to join the challenge and participate. When you join, I’ll send you the “Welcome Kit” which includes:
REGISTER TODAY. The challenge is ongoing, something you can do at your own pace. It’s not too late to enter!
Let me know if you have any questions and I look forward to teaching you more!
—Matt
Questions? Suggestions? Thoughts? Let me know, below in the comments. Please share your sketches in our Facebook group and share this post with your friends!
We’re breaking a fine art portrait painting down into bite-size steps that YOU can do.
Specifically, in this video lesson, I demonstrate how darkening your background can really make the face stand out in a lifelike way.
What colors should we use for the shadows? I’ll show you how to mix them, what brushes to use to apply them, and HOW to do it. Get the shadows right, and 80% of the battle is won, so to speak in your portrait.
What colors for the skin tones?
In this video, you’ll learn the correct color to mix, how to create glazes with matte medium and apply it to the face smoothly.
This is still very much the beginning. More lessons to come.
Take the Acrylic Portrait Painting Challenge (it’s FREE!) and paint along with us!
REGISTER TODAY. The challenge is ongoing, something you can do at your own pace. It’s not too late to enter! After you join, I’ll send you the supplies list and reference photos to paint from.
Would like to paint this portrait with me and hundreds of other artists?
Take the 2021 Spring Portrait Painting Challenge!
You can register below and get started. It is completely FREE to join the challenge and participate. When you join, I’ll send you the “Welcome Kit” which includes:
REGISTER TODAY. The challenge is ongoing, something you can do at your own pace. It’s not too late to enter!
What’s coming up in the next lesson? More shading, more skin tones, and the start of some detail work. Follow the lessons and you will be able to create a portrait you can be proud of…even if you’re a complete beginner!
Let me know if you have any questions and I look forward to teaching you more!
—Matt
Questions? Suggestions? Thoughts? Let me know, below in the comments. Please share your sketches in our Facebook group and share this post with your friends!
Likewise, in an acrylic portrait, we often want to see quick results. But if we take our time, and just add one layer on top of another, even though it looks like hardly anything is happening, eventually, we will end up with a great painting!
I’d like to show you how to slow down a bit, take your time, and paint your acrylic portrait layer by layer, using the acrylic glazing technique.
Take the Acrylic Portrait Painting Challenge (it’s FREE!) and paint along with us!
REGISTER TODAY. The challenge is ongoing, something you can do at your own pace. It’s not too late to enter! After you join, I’ll send you the supplies list and reference photos to paint from.
In this master class lesson #4, I demonstrate how to continue darkening your darkest values on the face and background, and then work in some warmer glazes to set up the skin tones on her face. We’re going very light, using a large amount of matte medium (95%) to a small amount of paint (5%)
Watch how to do it here…
Would like to paint this portrait with me and hundreds of other artists?
Take the 2021 Spring Portrait Painting Challenge!
You can register below and get started. It is completely FREE to join the challenge and participate. When you join, I’ll send you the “Welcome Kit” which includes:
REGISTER TODAY. The challenge is ongoing, something you can do at your own pace. It’s not too late to enter!
Let me know if you have any questions and I look forward to teaching you more!
—Matt
Questions? Suggestions? Thoughts? Let me know, below in the comments. Please share your sketches in our Facebook group and share this post with your friends!
Remember those? You would load up the small film sheets, snap a picture and out popped the print. Back in those days (yes, I’m old enough to remember them) this was amazing. You wouldn’t have to drop off your film and wait 3 days (or even an hour!) for it to process.
But even then, it wasn’t immediate. The image would slowly fade in, and you’d watch a vague outline of your scene start to materialize. Finally, after a minute, you’d have a beautiful print!
In the same way, instead of painting our portrait one section at a time, with thick, opaque applications of paint, we slowly fade it in, covering the entire canvas at once, in stages. We use the classical acrylic glazing technique, just like Da Vinci, Titian and Vermeer used during the Renaissance to achieve smooth, subtle nuances of color and value, vibrant colors, and incredible depth.
I’ll show you how to do it!
But first, make sure you’re registered for the challenge!
REGISTER TODAY. The challenge is ongoing, something you can do at your own pace. It’s not too late to enter! After you join, I’ll send you the supplies list and reference photos to paint from.
Before we can begin the painting, first we must seal in the sketch, so it doesn’t smear or muddy up our paint. Next, we need to white-out the grid lines so they don’t distract from our final painting presentation. Lastly, we mute the sketch and tone the canvas in one step, so that we don’t have a white canvas staring us in the face, and so that the sketch is softened—easier to convert to a painting.
Watch how to do it here…
Let’s begin the actual painting process! I’ll show you what colors we are using, how to block in the value structure simply with just two colors and matte medium. We’re going to go light and leave room to correct any mistakes. This will be the foundation we’ll build off of from here on out…
Would like to paint this portrait with me and hundreds of other artists?
Take the 2021 Spring Portrait Painting Challenge!
You can register below and get started. It is completely FREE to join the challenge and participate. When you join, I’ll send you the “Welcome Kit” which includes:
REGISTER TODAY. The challenge is ongoing, something you can do at your own pace. It’s not too late to enter!
Let me know if you have any questions and I look forward to teaching you more!
—Matt
Questions? Suggestions? Thoughts? Let me know, below in the comments. Please share your sketches in our Facebook group and share this post with your friends!
A sketch serves as an excellent foundation to build upon. I will show you in this series of Master Class Lessons how to sketch your portrait accurately.
With an accurate sketch, you are already halfway there to a beautiful painting.
I’ll show you how to do it, step-by-step, using the grid method.
With the grid method, even a beginner can create a realistic sketch. With that in place, I can help you build on top, layer by layer using the glazing technique to create smooth transitions of value and lifelike skin tones. You can do this. I’ll be here to help.
Ready? Let’s get started!
I’ll show you exactly how to do it in the lessons below. But first, make sure you’re registered for the challenge!
REGISTER TODAY. The challenge is ongoing, something you can do at your own pace. It’s not too late to enter! After you join, I’ll send you the supplies list and reference photos to paint from.
Let’s begin the sketch! Get out your colored pencil and start making some simple marks. Look at the squares and see where the lines fall. All we need to do at this stage is loosely capture the outline of the subject—the girl—and later on, we will fill in the details. “What if I make a mistake?” No problem. That’s what erasers are for!
Learn how to paint a realistic acrylic portrait by creating a solid sketch. In this in-depth video lesson, I’ll show you how to refine the facial features on your portrait drawing. After watching, you’ll be able to capture a better likeness and also plot out where your shadows and highlights will be.
We’re going further in this sketch for the Acrylic Portrait Painting Challenge! I show you how to add detail to the girl’s hair. It’s important to break down the complex shapes into something simple, and then add the complexity back in again, to make it realistic. I’ll show you how to do it.
In this Master Class Lesson, I will be teaching you how to sketch the lace for the girl’s dress top. It is an extremely detailed portion of the photo, but again, we will follow the method of breaking the complex into simple. That way, we don’t spend all day sketching this portrait and it will be easier to block in during the painting process.
Let’s finish this sketch up! In this lesson, I’ll show you how to add the final touches to the lace, the girl’s face, and some additional details to make this drawing as realistic as possible. Then, we can dive into the painting process with confidence!
Would like to paint this portrait with me and hundreds of other artists?
Take the 2021 Spring Portrait Painting Challenge!
You can register below and get started. It is completely FREE to join the challenge and participate. When you join, I’ll send you the “Welcome Kit” which includes:
REGISTER TODAY. The challenge is ongoing, something you can do at your own pace. It’s not too late to enter!
Let me know if you have any questions and I look forward to teaching you more!
—Matt
Questions? Suggestions? Thoughts? Let me know, below in the comments. Please share your sketches in our Facebook group and share this post with your friends!