Realistic Acrylic Portrait School

All posts by Matt Philleo

Arranging the Composition in a Multi-Person Portrait

How to Arrange the Composition of Multi-Person Portrait

Mastering the art of group portraits techniques and tips for captivating compositions

When arranging the composition of a multi-person portrait can be a daunting task. But the intricacies involved in representing several individuals within a single artwork are immense. Then having over 30 years of portrait experience, I have learned that the complexity of incorporating multiple figures presents unique challenges. However, through careful planning and effective techniques, stunning group portraits can be created that capture the essence of each individual while maintaining a cohesive overall image.

So in this blog post, the techniques required to arrange the composition of multi-person portraits will be explored. Whether you are an experienced artist or just starting out, these tips can significantly improve your group portrait painting skills.

Understanding Composition

The composition refers to the arrangement of elements within a work of art. So it is the foundation upon which the narrative of the painting is built. And then well-structured composition helps convey emotions and relationships among the subjects. In multi-person portraits, the interplay between the figures is crucial in expressing unity or diversity within the group.

An effective composition guides the viewer’s eye, allowing them to navigate through the artwork smoothly. It ensures that the focal points are highlighted and that the overall piece communicates the intended message. Thus, investing time in planning your composition is essential for creating impactful portraits.

Tools for Arranging Composition

To simplify the process of arranging compositions, various tools can be utilized. One effective tool is a projector, which can be used for tracing images. By projecting the reference onto the canvas, the initial outlines can be sketched accurately. This method allows for precise placement of each figure and ensures proportionality within the composition.

Additionally, software tools like Photoshop assist in assembling various images, providing a clear plan before the painting begins. Using digital images, artists can experiment with different arrangements, backgrounds, and lighting conditions, giving them a solid foundation for their physical work.

The Golden Ratio in Composition

One of the most effective techniques in arranging compositions is the application of the golden ratio. This mathematical ratio, approximately 1:1.62, has been used by artists throughout history to create aesthetically pleasing works. The ratio is derived from the Fibonacci sequence, and it can be observed in nature, architecture, and art.

To utilize the golden ratio in a multi-person portrait, the focal points should be strategically placed along the lines created by dividing the canvas according to this ratio. For instance, ensuring that the center point of the figures aligns with the golden ratio enhances the visual appeal of the artwork. Artists can measure and apply this ratio by using simple tools, such as their fingers or a ruler, making it accessible for anyone.

Sketching the Initial Outlines

Once the composition is determined, the sketching process begins. It is advisable to start by blocking in forms from the background to the foreground. Major shapes should be identified first, allowing for a clear structure to develop. This approach helps in visualizing the overall composition and its flow.

Begin by lightly sketching the outlines of each figure, focusing on their relative positions and sizes. Pay attention to the relationships between the subjects, ensuring that their placements enhance the narrative of the painting. It may be beneficial to sketch some elements of the background simultaneously, as this can provide context for the figures.

Value Shifts and Major Forms

Recognizing the importance of value shifts is vital in achieving depth in multi-person portraits. Value refers to the lightness or darkness of a color, and it plays a critical role in establishing contrast and focus within the artwork. By sketching major forms with distinct values, the viewer can navigate the painting easily.

Techniques such as using darker shades for shadows and lighter shades for highlights can guide the viewer’s eye and create a sense of realism. For multi-person portraits, it is essential to consider the light source and how it affects each individual. The light will interact differently with each figure, and capturing these variations will enhance the overall composition.

Avoiding Over-Complication

It is essential to avoid over-complicating the composition, especially in multi-person portraits. With numerous figures to portray, it can be tempting to include excessive detail. However, focus should be placed on key elements that define the interaction among the figures. Simplifying details can enhance the clarity and impact of the portrait.

One strategy to maintain clarity is to limit the number of distinct backgrounds or props. A cohesive background can help unify the subjects and reduce visual clutter. Additionally, consider emphasizing gestures and expressions that reflect the relationships between individuals, allowing their interactions to take center stage.

Refining the Composition

The initial sketch serves as a foundation for refinement. As the painting progresses, continual adjustments should be made based on feedback. Observing how the elements interact within the composition allows for improvements that strengthen the overall piece.

Regularly step back from your work to evaluate the composition from a distance. This perspective can reveal imbalances or areas needing adjustment. It is also beneficial to seek feedback from fellow artists or mentors, as fresh eyes can offer valuable insights that enhance your work.

Practical Tips for Success

  1. Creating Group Dynamics: Focus on how the figures relate to one another. Their body language and positioning can convey emotions and interactions. This can involve tilting heads toward each other or capturing laughter and joy.
  2. Capturing Expressions: Expressions can significantly influence the mood of the portrait. Aim to portray authentic emotions that resonate with the viewer. Pay attention to subtle changes in facial features and body language.
  3. Experiment with Angles: Consider various viewpoints when planning your composition. Changing the angle from which you depict the figures can lead to a more dynamic composition, adding interest and depth.
  4. Use Color Wisely: Colors can convey emotions and establish relationships among figures. Harmonizing color schemes can unify the composition, while contrasting colors can emphasize differences between individuals.

Conclusion

Arranging the composition of a multi-person portrait requires patience and practice. By utilizing tools, understanding composition principles, and applying techniques such as the golden ratio, artists were creating captivating group portraits. As you embark on your portrait painting journey, remember that each composition is an opportunity to tell a story.

Engaging with the techniques shared here will undoubtedly elevate your portrait skills. By continuously experimenting and refining your approach, you will develop your unique style. So grab your materials, and let your creativity shine as you create stunning multi-person portraits that capture the essence of human connection.

If you’re looking for more instructional videos on how to improve your acrylic painting, visit www.realisticacrylic.com for more tutorials and check out my free courses here. .

LEARN MORE

Read more about how to paint a portrait that you can surely be proud of!


I’d love to hear your thoughts on this video. Please share it with your friends and family. Let me know if you have any further questions. I’ll greatly help you.

If you’d like to learn more, sign up for my free email tips and video class today.

Learn How to Paint Acrylic Portraits With My Free Mini-Video Course!

Thank you so much for taking the time to read this tutorial and watch the video. That means a lot to me.  I hope you find it very helpful in your portrait painting.  

Yours for Better Portraits,

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P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!

 

How to Varnish an Acrylic Painting

How to Varnish Your Acrylic Portrait : One Step Method

A simple, effective technique to protect and enhance your acrylic artwork.

Varnishing an acrylic painting is an essential step for artists aiming to protect their work and enhance its vibrancy. The process can seem daunting due to the various opinions on methods and materials. Because this guide presents a straightforward, effective method that has been trusted for over 20 years. By following these steps, artists can achieve a professional-looking finish that preserves their artwork beautifully.

Why Varnish Your Acrylic Portrait?

  1. Protection: Varnishing helps shield your artwork from dust, dirt, and UV rays, preventing fading over time.
  2. Finish: It enhances the colors and adds a desirable sheen, making your artwork stand out.
  3. Durability: A good varnish can protect against scratches and scuffs, so in maintaining the integrity of your painting.

Tools and Materials Needed

  • Varnish: Permanent varnish (recommended brands include Nova Color and Liquitex).
  • Brush: A specialized varnishing brush, such as the Liquitex freestyle varnishing brush (4 inches).
  • Container: A wide-mouthed container for easy access to varnish (a yogurt container works well).
  • Water: A rinseable water container for cleaning your brush.
  • Towel: For wiping off the brush if necessary.
  • Blocks: Furring strips or similar blocks to elevate the painting.

Step-by-Step Varnishing Process

Prepare Your Workspace

  • Lay the painting flat: Ensure your acrylic portrait is on a stable surface to prevent spills.
  • Elevate the painting: Use blocks or furring strips to raise your artwork off the table. This prevents debris from getting into the varnish.
  • Gather materials: Have your varnish, brush, towel, and water container within reach.

Select the Right Varnish

  • Choose a suitable varnish: Opt for a permanent varnish such as Nova Color matte varnish or Liquitex satin varnish. Then these brands provide good quality at an affordable price. Note that matte varnish dries to a satin sheen, which is ideal for enhancing colors.
  • Avoid isolation coats: This method does not require an isolation coat, keeping the process straightforward and effective.

Brush Preparation

  • Use the right brush: A high-quality varnishing brush will yield the best results. Liquitex’s freestyle brush is recommended due to its fine bristles, allowing for a smooth application.
  • Pour varnish into a container: Transfer the varnish into a wide-mouthed container for easy dipping.

Application Technique

  • Dip the brush: Immerse the brush about one-third to half of the way into the varnish, avoiding the metal ferrule.
  • Start varnishing: Begin at the farthest edge of the painting, then brush towards you in long strokes. Wipe any excess varnish back into the container.
  • Overlap strokes: As you move, overlap your previous stroke slightly to ensure even coverage. And then avoid over-brushing, as this can create streaks or cloudiness.
  • Let it dry: After applying the varnish, so allow the painting to sit flat undisturbed. It should begin to look great within 30 minutes to an hour.

Inspect and Repeat (If Necessary)

  • Check for coverage: If you notice that some areas need more protection, a second coat can be applied. Just ensure the first coat is completely dry before doing so.

Additional Tips and Techniques

  • Use a spray bottle: Lightly spraying the brush with water before dipping into varnish can help with smoother application.
  • Clean your brush: Rinse your brush frequently to avoid buildup of varnish, ensuring a smooth finish.
  • Avoid environmental factors: Work in a dust-free environment to minimize debris landing on your painting while varnishing.
  • Brush direction: Always brush in the direction of the longest part of your canvas, whether horizontal or vertical, to achieve an even finish.

Conclusion

Varnishing your acrylic portrait can significantly enhance its longevity and appearance. By following this one-step method, you can protect your artwork while maintaining its vibrancy and detail. Then recommended materials and techniques simplify the process, making it accessible for artists of all levels. So, gather your supplies, prepare your workspace, and start varnishing with confidence!

LEARN MORE

Read more about how to paint a portrait that you can surely be proud of!


I’d love to hear your thoughts on this video. Please share it with your friends and family. Let me know if you have any further questions. I’ll greatly help you.

If you’d like to learn more, sign up for my free email tips and video class today.

Learn How to Paint Acrylic Portraits With My Free Mini-Video Course!

Thank you so much for taking the time to read this tutorial and watch the video. That means a lot to me.  I hope you find it very helpful in your portrait painting.  

Yours for Better Portraits,

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P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!

Adjust the Eyes in Acrylic Portraits

How to Adjust the Eyes in an Acrylic Portrait

Master the art of eye adjustments to enhance your portraits

When it comes to painting portraits, the eyes are often considered the windows to the soul. Adjust the eyes in acrylic portraits can significantly enhance the overall realism and appeal of your artwork. In this post, the importance of eye adjustments will be discussed, along with effective techniques that artists can utilize to create lifelike portraits.

Understanding Eye Structure

The eye consists of various components, including the iris, pupil, and eyelids. Each of these features plays a critical role in conveying expression and character. Artists often face challenges such as proportions, shape, and placement of the eyes. A solid understanding of eye anatomy can help artists make informed adjustments.

Preparing for Adjustments

Before making any adjustments, artists should gather their materials. Ensure you have your acrylic paints, brushes, a palette, and a reference photo ready. The reference photo serves as a vital tool for accuracy and should be positioned near your painting for easy comparison.

Techniques for Adjusting Eyes

Thickening Lines

To achieve a more balanced and dynamic look, artists should consider thickening the lines above the iris. This technique adds visual weight and reduces the scalloping effect often seen in portraits. Begin by slightly rounding off the existing lines. Instead of following the previous line too closely, raise the line above the iris to create a more natural and appealing shape.

Adjusting the Shape

When adjusting the shape of the eyes, it is crucial to ensure that they are not overly flattened. Slightly round the eye, particularly towards the middle section, to achieve a more lifelike appearance. This adjustment can be made by adding more paint along the upper eyelid and ensuring the iris is adequately framed.

Utilizing Reference Photos

Regularly referencing your photo while painting can make a world of difference. Many artists find it helpful to bring the reference photo onto the canvas or have it displayed nearby. This technique allows for constant comparison and ensures accuracy in adjustments.

Common Mistakes to Avoid

While making adjustments, artists should be cautious of overcorrection. It’s essential to maintain the overall likeness to the subject without altering the unique features that define them. Additionally, symmetry plays a crucial role; both eyes should be balanced in shape and size. Lastly, ensure that enough reference material is used to guide your adjustments effectively.

Final Touches

Once the eyes have been adjusted, take a step back and assess the overall composition. Balancing both eyes is essential for achieving symmetry, while using shadows can add depth and realism. Artists should ensure that the final result closely resembles the reference photo, capturing the subject’s essence.

Conclusion

Adjusting the eyes in an acrylic portrait is a skill that can greatly enhance the overall quality of your artwork. By understanding eye structure and implementing techniques such as thickening lines, adjusting shapes, and utilizing reference photos, artists can create lifelike portraits that resonate with viewers. With practice and patience, these techniques can be mastered, leading to significant improvements in your portrait painting skills.

Tips and Techniques

Don’t Rush: Take your time when making adjustments; a careful approach leads to better results.

Use a Variety of Brushes: Different brush sizes and shapes can help achieve various effects when painting eyes.

Practice Regularly: The more you practice adjusting eyes, the more intuitive the process will become.

Study Real Eyes: Observing real eyes in different lighting conditions can provide insights into how to recreate them in your portraits.

LEARN MORE

Read more about how to paint a portrait that you can surely be proud of!


I’d love to hear your thoughts on this video. Please share it with your friends and family. Let me know if you have any further questions. I’ll greatly help you.

If you’d like to learn more, sign up for my free email tips and video class today.

Learn How to Paint Acrylic Portraits With My Free Mini-Video Course!

Thank you so much for taking the time to read this tutorial and watch the video. That means a lot to me.  I hope you find it very helpful in your portrait painting.  

Yours for Better Portraits,

Signature_200dpi_sm.jpg

P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!

Painting a Portrait Outside at a Dinner

How to Paint a Portrait Outside: Glazing Technique

Master the art of outdoor portrait painting using glazing techniques for depth and realism

Outdoor portrait painting can be a rewarding experience that connects artists with nature. The beauty of the natural light offers a unique perspective that can enhance the realism of your artwork. One effective technique to achieve depth and vibrancy in your portraits is glazing. This method involves applying thin layers of transparent color over dried paint, allowing the underlying layers to shine through.

Understanding Glazing Techniques

Definition of Glazing
Glazing is a painting technique where transparent layers of paint are applied over a dried base layer. So this process creates a luminous effect, enhancing colors and adding depth to your artwork.

How Glazing Enhances Color and Depth

By using glazing, so artists can build up complex colors and tones gradually. The layering effect allows for subtle changes in color, making the portrait appear more lifelike. As each layer dries, the artist can assess the depth and adjust accordingly.

Essential Materials

Before starting your outdoor portrait, gather the following materials:

Recommended Colors for Glazing

  • Raw Umber Dark: Ideal for adding depth and shadow.
  • Titanium White: Provides opacity and brightness.
  • Burnt Sienna: Useful for warm skin tones and shading.
  • Alizarine Crimson: Adds richness to the color palette.

Tools Required for Outdoor Painting

  • Canvas or panel
  • Palette for mixing colors
  • Brushes (various sizes for different applications)
  • Rags for cleaning brushes
  • Easel for stability
  • Water container for cleaning brushes

Step-by-Step Process

Preparing Your Canvas

Then start with a prepared canvas. Make sure it is dry before applying any paint. Because this preparation allows for better adhesion and a smoother finish.

Layering Colors Using Glazes

  1. Apply the Base Layer: Begin with an initial layer of paint to establish your color base. This layer can be more opaque.
  2. Mix Colors: Create a glaze by mixing raw umber dark with titanium white to form a more opaque mixture. Then this will be used to darken specific areas.
  3. Test the Colors: Before applying, test the mixed colors on a rag to ensure the desired tone and opacity.

Adding Depth with Shadows and Highlights

  1. Identify Areas for Glazing: Look for areas that need more depth, such as shadows under the chin or around the neck where the hair casts a shadow.
  2. Apply Glaze: Using a soft brush, apply the glaze over the selected areas. Allow the paint to dry for a few minutes before assessing the color.
  3. Layering: After the initial glaze dries, apply another layer of color, gradually building depth.

Tips for Success

  • Working with Natural Light: Pay attention to how natural light changes throughout the day. Because this can affect the appearance of colors and shadows in your painting.
  • Adjusting Colors for Outdoor Conditions: Outdoor lighting can vary, so adjust your palette accordingly. Warmer colors may be needed to balance the coolness of shade or overcast skies.
  • Patience in Layering: Take your time with each layer. Allow glazes to dry fully before applying the next layer to prevent mudding of colors.

Conclusion

In conclusion, glazing is a powerful technique for outdoor portrait painting that can add depth and luminosity to your work. Because by understanding how to layer colors effectively and adjust to natural light, artists can create stunning and realistic portraits. Whether painting from life or a reference photo, the practice of glazing will enhance your skills and results. So grab your materials, head outdoors, and enjoy the process of capturing the beauty around you.

If you’re looking for more instructional videos on how to improve your acrylic painting, visit www.realisticacrylic.com for more tutorials and check out my free courses here. .

LEARN MORE

Read more about how to paint a portrait that you can surely be proud of!

I’d love to hear your thoughts on this video. Please share it with your friends and family. Let me know if you have any further questions. I’ll greatly help you.

If you’d like to learn more, sign up for my free email tips and video class today.

Learn How to Paint Acrylic Portraits With My Free Mini-Video Course!

Thank you so much for taking the time to read this tutorial and watch the video. That means a lot to me.  I hope you find it very helpful in your portrait painting.  

Yours for Better Portraits,

Signature_200dpi_sm.jpg

P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!

30-Minute Acrylic Portrait: Friendly Young Man in Blue

How to Paint Friendly Young Man in Blue: 30 Minutes

Unlock your artistic potential by learning to paint a vibrant portrait of a young man in just half an hour.

In the world of portrait painting, efficiency and creativity often go hand in hand. This will guide you through the process of painting a friendly young man in blue within 30 minutes. Not only does this exercise encourage quick thinking and decision-making, but it also helps you refine your artistic skills in a time-sensitive manner. The beauty of this approach lies in its simplicity and accessibility, making it perfect for both beginners and experienced artists looking to enhance their techniques.

Materials Needed

To embark on this exciting painting journey, ensure you have the following materials ready:

  • Acrylic Paints:
    • Ivory Black
    • Raw Umber Dark
    • Burnt Sienna
    • Raw Sienna
    • Ultramarine Blue
    • Alizarine Crimson
    • Pyrrole Red
    • Indian Yellow
    • Titanium white
  • Brushes:
    • Round brush for detail work
    • Flat brush for broader strokes
  • Other Tools:
    • Palette for mixing colors
    • Matte medium for thinning paint
    • Timer for tracking your painting session
  • Canvas Preparation:
    • An 8×10 canvas panel, toned with a mix of raw umber dark and titanium white

Setting Up the Painting Process

Before diving into the painting, it is essential to prepare your canvas properly. Begin by toning the canvas with a mixture of raw umber dark and titanium white. This step provides a neutral background, allowing for better contrast when adding colors.

Once the canvas is prepared, block in the basic composition of the young man. Using a thin wash of darker paint, outline the general shapes of the head, neck, and shoulders. This initial sketch serves as a guide for placing the facial features accurately.

Blocking in the Composition

Start by identifying key features:

  1. Earlobe and Hairline: The bottom of the earlobe typically aligns with the halfway point of the face.
  2. Jawline and Shoulders: Mark where the jawline will curve and where the shoulders begin.
  3. Eyes and Nose: Establish the placement of the eyes, ensuring they are positioned correctly in relation to the nose and mouth.

By keeping the lines light, adjustments can be made easily without significant disruption to the painting.

Painting Steps

Establishing the Base Colors

After blocking in the main features, it is time to apply the base colors. Begin by mixing the appropriate shades for the skin tones and clothing. The goal is to create a vibrant, friendly appearance for the young man.

  1. Skin Tone: Use a mix of raw sienna, titanium white, and a touch of alizarine crimson to create a natural skin tone.
  2. Clothing: For the blue shirt, mix ultramarine blue with a hint of titanium white to achieve a soft, friendly blue shade.

Detailing Facial Features

With the base colors applied, the next step involves refining the facial features. Pay attention to:

  • Eyes: Add depth by incorporating darker tones around the edges. Use a mix of burnt sienna and raw umber dark to define the shadows.
  • Nose and Mouth: Sculpt the nose by using highlights and shadows to add dimension. For the mouth, emphasize the natural curvature by applying darker shades to the corners and lighter shades to the center.

Creating Shadows and Highlights

Shadows play a crucial role in portrait painting, providing depth and realism. Observe the light source carefully and identify where the shadows fall on the face. Utilize a combination of raw umber dark and ivory black to create darker shadows, and titanium white for highlights.

  1. Cheekbones and Forehead: Define the cheekbones with darker shades while keeping the forehead lighter to indicate light reflection.
  2. Jawline: Establish the jawline shadow with a gentle gradient, allowing it to flow seamlessly into the neck.

Tips for Success

To enhance your painting experience, consider these helpful tips:

  • Achieving Smooth Skin Tones: Many artists struggle with muddy skin tones. Understanding color theory and using complementary colors can help avoid this common pitfall. Use the free PDF guide “Fix Muddy Skin Tones in Your Acrylic Portrait here,” .
  • Using Reference Images: Reference images are invaluable in portrait painting. They provide a clear visual guide for proportions and colors. When selecting an image, look for good lighting and strong contrasts to help create depth in your work.

Conclusion

Painting a friendly young man in blue in just 30 minutes may seem challenging, but with practice and perseverance, it can be a rewarding experience. Because this exercise encourages artistic growth and helps you develop essential skills in portrait painting. Remember to have fun and embrace the process. For further resources and guides, visit realisticacrylic.com to enhance your acrylic painting journey.

LEARN MORE

Read more about how to paint a portrait that you can surely be proud of!

I’d love to hear your thoughts on this video. Please share it with your friends and family. Let me know if you have any further questions. I’ll greatly help you.

If you’d like to learn more, sign up for my free email tips and video class today.

Learn How to Paint Acrylic Portraits With My Free Mini-Video Course!

Thank you so much for taking the time to read this tutorial and watch the video. That means a lot to me.  I hope you find it very helpful in your portrait painting.  

Yours for Better Portraits,

Signature_200dpi_sm.jpg

P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!

30-Minute Acrylic Portrait:

How to Paint Pensive Young Woman: 30-Minute Acrylic Portrait

Master the alla prima technique to capture expression, lighting, and form in a half-hour acrylic portrait.

Welcome to another 30-minute acrylic portrait session! In this tutorial, we will walk through the process of painting a pensive young woman with red hair. While acrylic painting can take several hours or even days using layered techniques, today we’ll focus on alla prima—a method where you paint wet-on-wet in one sitting. This exercise helps artists become more efficient by focusing on capturing the subject’s gesture and overall expression in a short period. With practice, you can improve your speed, brushstroke accuracy, and confidence.

Follow this step-by-step guide to complete a beautiful, expressive portrait in just 30 minutes.

Materials and Color Palette

Before diving into the actual painting process, it’s essential to know the materials you’ll be using. For this quick portrait, the following supplies are necessary:

  • Colors:
    • Ivory Black
    • Raw Umber Dark
    • Burnt Sienna
    • Raw Sienna
    • Ultramarine Blue
    • Alizarine Crimson
    • Pyrrole Red Orange (or Cadmium Red Medium)
    • Indian Yellow
    • Titanium White
  • Brushes:
    A mix of flat and round brushes, including filberts for blending skin tones and hair.
  • Canvas Preparation:
    The canvas is pre-toned with a light wash of burnt sienna mixed with titanium white, giving the flesh tones a warm underlayer. This helps speed up the process since the mid-tones are already in place, leaving you to focus on shadows and highlights.

Step 1: Sketching the Composition and Features

Blocking in the Shapes:

Start by mixing raw umber dark with ivory black and a little matte medium to thin the paint. Use a flat brush to sketch the basic composition of the portrait. Focus on capturing the shapes of the young woman’s hair, face, and neck. This quick block-in will define the main forms and ensure your proportions are correct.

  • Tip: Focus on the overall gesture and avoid getting bogged down with small details at this stage. Pay attention to the negative spaces between the subject’s contours and the background.

Step 2: Identifying Shadows and Highlights

With the basic form sketched out, move on to blocking in shadows. Using the same mixture of raw umber black, deepen the darker areas, such as her neck, jawline, and the left side of her face.

For the highlights, mix titanium white with burnt sienna and pyrrole red orange to create a warm skin tone. Apply this mixture to the areas where light naturally hits her face, including the forehead, cheeks, and chin. This initial contrast between light and dark will help shape the face’s three-dimensional look.

  • Tip: Use a filbert brush to blend these highlights smoothly into the surrounding skin tones for a softer transition. Quick, choppy strokes can help with texture, while longer, smoother strokes are ideal for refining the skin’s appearance.

Step 3: Refining the Facial Features

Now that the major shadows and highlights are established, begin working on the facial features. Thin the paint with matte medium to give yourself flexibility in making corrections. Use a smaller round brush to block in her eyes, nose, and mouth.

  • Eyes: Place the eyes about two-thirds of the way up from the chin to the top of the head. Make small marks to indicate their placement, followed by the eyebrows, nose, and mouth.
  • Nose: The bottom of the nose should align with the lower third of the face. Use shadows to accentuate its form and add dimension.
  • Mouth: Capture the subtle expression by carefully observing the shape of her lips and how they relate to the other facial features. There’s a slight smile, so a careful balance of shading around the mouth will be essential.

Step 4: Painting the Hair

For the red hair, create a mixture of burnt sienna, pyrrole red orange, and a hint of alizarine crimson. This combination will yield a vibrant, natural red that complements the subject’s expression.

Work in layers, starting with the darker shadows to indicate the depth of the hair. Then, add mid-tones and finish with highlights using a lighter mixture of titanium white and pyrrole red orange.

  • Tip: The texture of the hair can be suggested using short, directional strokes to mimic the flow and volume. Pay attention to where light hits the hair, adding highlights in those areas.

Step 5: Final Touches and Enhancing Contrast

To bring everything together, add the final highlights and enhance the contrast in key areas, such as the bridge of the nose, the cheekbones, and the lips. For the background, use a mixture of raw sienna and burnt umber to create a neutral tone that contrasts with the warm colors of her face and hair.

As the painting progresses, keep in mind the subtle shadows that give depth to her expression. Soft transitions between light and shadow will make the portrait feel more lifelike.

  • Tip: Step back from your painting regularly to check the overall balance of the portrait. This will allow you to see the piece with fresh eyes and make any necessary adjustments before the timer runs out.

Technique and Tips for Success

  • Alla Prima Technique: This wet-on-wet approach forces you to make decisive brushstrokes and prevents overworking the paint. Embrace the loose and expressive nature of this method.
  • Color Harmony: Use a limited palette to ensure harmony in the skin tones, shadows, and highlights. The pre-toned canvas will help unify the colors.
  • Efficient Brushwork: Each brushstroke counts in a 30-minute portrait. Focus on broad strokes for the initial block-in, then refine with smaller brushes for detail work as time allows.

Conclusion: Practice Makes Perfect

Completing your artwork in a 30-minute acrylic portrait painting is challenging but highly rewarding. Because with practice, this exercise will sharpen your skills, improve your brush control, and help you capture the essence of your subject quickly and confidently. By then focusing on the most important aspects of light, shadow, and expression, you’ll be amazed at what you can achieve in a short time.

Start with this tutorial and see how your speed and efficiency improve over time!

For further resources and guides, visit realisticacrylic.com and check out my free courses to enhance your acrylic painting journey.

LEARN MORE

Read more about how to paint a portrait that you can surely be proud of!

I’d love to hear your thoughts on this video. Please share it with your friends and family. Let me know if you have any further questions. I’ll greatly help you.

If you’d like to learn more, sign up for my free email tips and video class today.

Learn How to Paint Acrylic Portraits With My Free Mini-Video Course!

Thank you so much for taking the time to read this tutorial and watch the video. That means a lot to me.  I hope you find it very helpful in your portrait painting.  

Yours for Better Portraits,

Signature_200dpi_sm.jpg

P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!

30-Minute Acrylic Portrait:

How to Paint Young Woman with Black Hair: 30- Minute Acrylic

Discover the power of the alla prima acrylic technique with a quick and efficient 30-minute portrait painting exercise.

Painting a portrait in just 30 minute acrylic might seem like a daunting task, but with the right technique and a little practice, you can create stunning results. So in this guide, we’ll walk through how to paint a young woman with black hair using acrylics, focusing on the alla prima technique, where you paint wet-on-wet in one session. Because this exercise will help you improve your speed and efficiency, making it easier to tackle more detailed and time-consuming works in the future. Let’s dive into the process!

Materials and Tools Needed:

Before you start, gather the following materials:

  • Canvas: 8×10 inch toned canvas board (gray works best for portraits).
  • Acrylic Paints: Ivory black, raw umber dark, burnt sienna, raw sienna, ultramarine blue, titanium white, alizarin crimson, and phthalo blue.
  • Brushes: A variety of flats, filberts, and rounds (inexpensive brushes like “Fine Touch” work well for portraits).
  • Palette: For mixing colors.
  • Matte Medium: To adjust the fluidity of the paint.

Step 1: Preparing the Canvas and Plotting the Portrait

To begin, tone your canvas with a neutral gray to establish a balanced base. Then gray background allows for better contrast between your light and dark areas and helps guide your values throughout the painting process.

Using a mixture of raw umber dark, ivory black, and matte medium, start by loosely sketching the proportions of the young woman’s face. So it’s crucial to get the structure right at this stage. Focus on blocking out key elements like the position of the eyes, nose, mouth, and overall shape of the head.

Tip: Take your time to plot out the general anatomy and features. Once the structure is clear, the rest of the painting will flow smoothly.

Step 2: Blocking in the Hair

In this case the hair, start by mixing ivory black with a bit of raw sienna and ultramarine blue. Because ultramarine blue adds richness and depth to the black, making the hair appear more dynamic. While using a flat brush, block in the larger shapes of the hair, paying attention to where the light hits and where the shadows fall.

Leave room for highlights by using lighter brushstrokes in specific areas, such as the top of the head and the strands framing the face.

Tip: Then use firm pressure to make sure the paint penetrates the texture of the canvas and blending the darker areas with lighter values will give the hair more volume and realism.

Step 3: Adding Facial Features

Now that the hair is blocked in, it’s time to focus on the face. Then begin with the lighter skin tones. Mix titanium white with a bit of raw sienna and pyro red orange. Because this combination provides a warm, natural skin tone, apply the highlight colors to the areas where light hits the most, such as the forehead, cheeks, and chin.

For the shadows, mix raw umber dark with alizarin crimson to create a soft, reddish shadow. Apply this to the areas that fall into shadow, particularly on the right side of the face where light is less prominent.

Pay close attention to the subtle transitions between light and dark. This is key to achieving a realistic, three-dimensional effect.

Tip: Use smaller round brushes for the finer details like the eyes, nose, and mouth. Keep the brushstrokes loose, especially in the early stages, to avoid overworking the paint.

Step 4: Defining Light and Shadow

The success of a portrait depends heavily on how well you capture the play of light and shadow. In this painting, the light source is on the left, casting most of the face in a soft glow. The right side of the face falls into shadow, which adds depth and contrast.

To enhance this, add more ivory black and burnt sienna to the shadow areas on the face and neck. The interplay between light and dark will help define the features and make the portrait more striking.

Tip: Don’t be afraid to use more intense shadows. They can be adjusted later with highlights or softened through blending.

Step 5: Refining the Details

At this point, it’s time to go back and refine the smaller details. Use a fine brush to suggest the eyebrows, eyes, and mouth. For the eyes, a mix of raw umber dark and a tiny bit of alizarin crimson will give depth to the pupils, while white highlights can be added for reflection.

For the lips, mix pyro red orange with alizarin crimson to create a subtle pink tone. The lips should be softly blended into the surrounding skin, paying attention to where light and shadow fall on them.

Step 6: Final Touches and Adjustments

As the portrait nears completion, make any necessary adjustments to the values and colors. Add more contrast where needed, especially in the hair and facial features. Blend areas that appear too harsh and add highlights to areas that need more light.

Finally, step back from your painting and evaluate it from a distance. This will help you see the overall composition and balance.

Tips for Painting Efficiently:

  1. Set a Timer: Limiting yourself to 30 minutes encourages you to work quickly and make decisive brushstrokes.
  2. Practice Frequently: The more you paint quick portraits, the better you’ll get at gauging proportions and capturing likenesses in less time.
  3. Use a Limited Palette: Restricting your color choices can speed up the mixing process and ensure consistency throughout the painting.
  4. Focus on Large Shapes First: Start with the overall shapes and proportions before moving to the details. This prevents overworking smaller areas and maintains balance.
  5. Take Breaks to Evaluate: Step away from the painting to view it with fresh eyes. This will help you identify areas that need improvement or adjustment.

Conclusion

Painting a young woman with black hair in 30 minute acrylics is an excellent way to hone your skills, improve your speed, and gain confidence. By focusing on the key elements of light and shadow, blocking in major shapes, and refining the details efficiently, you can create a striking portrait in a short amount of time. Try incorporating this exercise into your regular painting routine to see significant improvement in your portraits.

Remember, practice is key, and with each portrait, you’ll get closer to mastering the alla prima technique. Happy painting!

 If you struggle with muddy skin tones and blotchiness in your portraits, download my free pdf guide called fix muddy skin tones in your acrylic portrait download here . 

 LEARN MORE

Read more about how to paint a portrait that you can surely be proud of!


I’d love to hear your thoughts on this video. Please share it with your friends and family. Let me know if you have any further questions. I’ll greatly help you.

If you’d like to learn more, sign up for my free email tips and video class today.

Learn How to Paint Acrylic Portraits With My Free Mini-Video Course!

Thank you so much for taking the time to read this tutorial and watch the video. That means a lot to me.  I hope you find it very helpful in your portrait painting.  

Yours for Better Portraits,

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P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!

 

30-Minute Acrylic Portrait: Man in the Dark Brown Cap

30-Minute Acrylic Portrait: Man in the Dark Brown Cap

Master the art of portrait painting in just 30 minutes with this step-by-step guide on how to paint a man wearing a dark brown cap, using quick alla prima techniques.

Creating a portrait in 30 minute acrylic portrait may sound challenging, but with the right technique and mindset, it’s achievable. In this guide, you’ll learn how to paint a man wearing a dark brown cap using the alla prima method. This method focuses on speed and efficiency, helping artists prioritize the most essential details to bring a portrait to life quickly. Here, we break down the steps and share tips on how to improve your acrylic portrait skills.

Introduction to Alla Prima Portrait Painting

Alla prima, or wet-on-wet painting, is a technique that involves completing a painting in one sitting. Unlike traditional methods that allow layers to dry between applications, alla prima encourages you to work quickly and efficiently. This guide demonstrates how to use this method for a 30-minute acrylic portrait of a man in a dark brown cap. The goal isn’t perfection but improvement in speed and technique while capturing the subject’s essence.

Palette and Materials

Before diving into the portrait, it’s crucial to have the right tools. For this tutorial, the following colors are used:

  • Ivory Black
  • Raw Umber Dark
  • Burnt Sienna
  • Raw Sienna
  • Ultramarine Blue
  • Alizarine Crimson
  • Pyrrole Red Orange
  • Indian Yellow
  • Titanium White

You will also need matte medium for thinning the paint, a few brushes (flats and rounds), and a canvas or canvas board. Using matte medium helps create smoother transitions, which is vital when working quickly.

Step-by-Step Guide to Painting

1. Start with a Quick Composition Sketch

The first step is to block in the basic shapes of the portrait. Using a mix of raw umber dark and ultramarine blue, sketch out the composition. The key is to focus on the overall structure and the visual weight of the painting.

Pay attention to the man’s hat, which should slightly extend beyond the picture plane, and block in the large areas like the hat, jawline, and clothing. These early strokes are foundational, so don’t worry too much about small details. Instead, concentrate on the positioning and proportions of the major features.

2. Block in Shadows

Next, switch to a smaller flat brush and begin blocking in the shadows. Shadows are essential for giving the portrait depth. For this step, mix raw umber dark with titanium white for opacity, and add a bit of alizarine crimson and ultramarine blue to neutralize the warmth.

Focus on the shadows under the hat, around the nose, and beneath the chin. The key here is to simplify the shadow shapes—don’t get bogged down with unnecessary details at this stage. Instead, aim for bold, confident strokes that define the light and dark areas.

3. Apply Skin Tones

Now it’s time to paint the skin tones. Use titanium white mixed with raw sienna and burnt sienna to create a base skin tone. You can warm it up with a bit of alizarine crimson for areas that need more pinkish tones, such as the cheeks or lips.

Block in the skin areas quickly but precisely, making sure to cover the face, neck, and ears. Don’t worry if some skin tones blend into the shadow shapes—these can be refined later.

4. Blend and Define Features

Once the basic tones are blocked in, it’s time to refine the features. Using a small brush, blend the darker shadow areas into the lighter skin tones. Pay attention to crucial areas like the nose, cheeks, and eyes.

For the man’s cap, switch to a darker mix of raw umber dark and ivory black to add more dimension. Use the same blend to define the man’s beard and eyebrows, making sure to capture the triangular shadow shapes around the eyes and the strong furrows in his brow.

5. Add Highlights

Highlights are what make the portrait pop. Use titanium white with a bit of burnt sienna to paint the brighter areas of the face. This mix will create a natural, soft glow, mimicking the effect of sunlight hitting the skin. Focus on the forehead, nose bridge, cheekbones, and the top of the lips.

This step is also where you can refine small details like the earring or the slight texture on the man’s lips. Be careful not to overwork these details, though, as you’re working within a tight time frame.

6. Final Touches

In the last few minutes, focus on refining the transitions between light and dark areas. Use a small round brush to add subtle touches to the beard and mustache. Add a bit of ultramarine blue mixed with titanium white to give the shadows a cooler tone, creating more depth.

Don’t forget to check the overall composition. Make sure the man’s cap is correctly placed, and the shadows and highlights are balanced. At this stage, you can also add finishing touches like small wrinkles or texture to the man’s clothing.

Tips and Techniques for Faster Painting

  • Use Matte Medium: This helps in blending and smoothing out transitions between colors while keeping the paint fluid.
  • Work in Layers: Block in large shapes first, then refine the details. This method ensures you capture the overall structure before getting too detailed.
  • Prioritize Important Features: Focus on the essential elements of the face, such as the eyes, nose, and mouth. Minor details can be added later if time permits.
  • Use Big Strokes: Especially at the beginning, use larger brushes and bold strokes to cover more surface area quickly.
  • Limit Your Palette: Using a limited palette helps streamline the process and reduces decision fatigue. Stick to the basic colors mentioned earlier for this exercise.

Conclusion

Completing a 30-minute acrylic portrait might seem intimidating, but with practice, it becomes a valuable exercise in efficiency and decision-making. This alla prima approach encourages you to focus on the most important aspects of the portrait, allowing you to improve your painting speed while still capturing the subject’s essence.

Remember, this 30-minute acrylic portrait exercise is a way to enhance your skills, and you can always take your quick study further into a more detailed painting later. With consistent practice, you’ll find yourself becoming faster and more confident in your portrait work.

For further resources and guides, visit realisticacrylic.com and check out my free courses to enhance your acrylic painting journey.

LEARN MORE

Read more about how to paint a portrait that you can surely be proud of!

I’d love to hear your thoughts on this video. Please share it with your friends and family. Let me know if you have any further questions. I’ll greatly help you.

If you’d like to learn more, sign up for my free email tips and video class today.

Learn How to Paint Acrylic Portraits With My Free Mini-Video Course!

Thank you so much for taking the time to read this tutorial and watch the video. That means a lot to me.  I hope you find it very helpful in your portrait painting.  

Yours for Better Portraits,

Signature_200dpi_sm.jpg

P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!

The First Few Layers of an Acrylic Painting

How to Paint Over a Detailed in First Few Layers of Acrylic

Learn the first few layers of acrylic glazing for depth and realism

Laying the Foundation with Acrylic Glazing

When it comes to portrait painting, the initial layers play a critical role in defining the composition, tone, and depth of the artwork. In this tutorial, we will explore how to paint over a detailed in first few layers of an acrylic portrait using the glazing technique. This method, often used by the old masters like Leonardo da Vinci and Titian, allows for the creation of subtle depth, rich shading, and enhanced realism.

In this lesson, we will delve into a commissioned piece depicting the biblical story of Moses, Aaron, and Hur during the ancient Israeli-Amalekite battle. The symbolism of this painting reflects intercessory prayer, where Moses’ raised staff determined the outcome of the battle, supported by Aaron and Hur. Let’s walk through the process of painting the first layers while maintaining the intricate details of the sketch.

Step 1: Blocking in the Shading

The first step in building up the painting is to block in the shading. Starting with a small flat brush, begin by mixing raw umber dark with a little ultramarine blue and blending it into matte medium. This mixture allows for transparent layering, known as glazing, which will help maintain the underlying sketch without disturbing its details.

  • Tip: Use small amounts of acrylic paint mixed with large amounts of matte medium for best results. This creates translucent layers that gradually build depth.

As you apply this mixture, focus on blocking in the shadows and edges of the figure. In this case, we’re focusing on the figure of Moses. The goal here is not to add too much detail but to establish the overall value structure—the lights and darks that will give the portrait its dimensionality. Keep the paint wet and blend softly to avoid harsh lines.

Step 2: Maintaining the Integrity of the Sketch

One of the advantages of the glazing technique is that it allows you to retain the integrity of your detailed sketch. Unlike opaque painting methods, where the initial sketch can get lost under thick layers of paint, glazing preserves every line. This is especially helpful when working on complex portraits that require precision and subtlety.

  • Technique: Build the layers slowly. The acrylic glazing method requires patience as each layer dries before the next is applied. This results in richer shading and more nuanced transitions between light and shadow.

Step 3: Applying the Glaze to the Headdress

After blocking in the shadows, it’s time to move on to more specific areas, such as Moses’ headdress. Here, switch to ultramarine blue for a cooler tone. Apply this thin glaze using a round brush, gently working it into the edges and interior details. The goal is to subtly enhance the color while maintaining the transparency of the paint.

  • Tip: Always zoom in to focus on intricate details. This ensures that the smaller elements of your painting, such as folds in fabric or facial features, receive the attention they need.

By layering the blue glaze, you start to see the headdress take on more depth, creating a subtle contrast between the cool blues and the warmer tones of Moses’ skin.

Step 4: Blocking Out Old Elements

As with many paintings, revisions are often necessary. In this instance, the figure of Aaron needed to be moved to improve the overall composition. To block out the remnants of the previous version, use titanium white mixed with raw sienna. This combination will effectively cover up old lines and prepare the canvas for new elements.

  • Technique: Blocking out sections with lighter colors helps create a clean slate for adjustments. Don’t be afraid to revisit areas that need correcting, as painting is a fluid process of refinement.

Step 5: Letting the Layers Dry

After applying the first few layers, it’s essential to let the painting dry. This is one of the key aspects of acrylic glazing—patience. Each layer needs time to set before the next one is applied to avoid muddying the colors or losing the delicate balance of transparency.

  • Tip: Allow ample drying time between layers. This prevents the colors from blending unintentionally and helps you achieve the sharpness needed for realistic portraits.

Once the initial layers are dry, you can return to the painting to add further nuances and build upon the foundation you’ve created.

The Benefits of Acrylic Glazing

The glazing technique offers several advantages, especially for detailed portrait painting:

  1. Preservation of Details: Because you are working with thin layers of transparent paint, you can retain all the intricate details of your original sketch.
  2. Depth and Realism: Glazing allows for gradual transitions between light and shadow, creating a more lifelike and three-dimensional appearance.
  3. Low Pressure: Unlike opaque techniques, where you need to get the colors and values right on the first try, glazing offers more flexibility. Each layer builds upon the previous one, so mistakes can be easily corrected with additional glazes.
  4. Historical Significance: This technique has been used by master painters for centuries to achieve the luminous quality seen in classical portraits.

Conclusion: Building a Strong Foundation

Mastering the first few layers of an acrylic portrait is crucial to achieving depth and realism in your painting. When using the glazing technique, you can preserve the details of your sketch while gradually building up the shading and values. Because this method requires patience but ultimately results in a more nuanced and lifelike portrait.

If you’re interested in learning more about acrylic glazing or portrait painting techniques, be sure to explore the resources available at RealisticAcrylic.com. and download my free gift for you here. With practice, you’ll be able to master this technique and bring your portraits to life with rich depth and realism.

LEARN MORE

Read more about how to paint a portrait that you can surely be proud of!

I’d love to hear your thoughts on this video. Please share it with your friends and family. Let me know if you have any further questions. I’ll greatly help you.

If you’d like to learn more, sign up for my free email tips and video class today.

Learn How to Paint Acrylic Portraits With My Free Mini-Video Course!

Thank you so much for taking the time to read this tutorial and watch the video. That means a lot to me.  I hope you find it very helpful in your portrait painting.  

Yours for Better Portraits,

Signature_200dpi_sm.jpg

P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!

 

How to Add Darker Values in an Acrylic Painting

How to Add Darker Values in Acrylic Painting

Learn the art of glazing to achieve richer, darker tones and depth in your acrylic

When creating a realistic acrylic portrait, understanding how to introduce darker values is essential. But these values help to add depth, drama, and contrast, bringing your painting to life. In this tutorial, we’ll explore how to effectively add darker values using glazing techniques in an acrylic painting. And then you’ll learn how to layer semi-transparent colors, apply shadows, and blend your tones smoothly.

Introduction to Glazing in Acrylics

Glazing is a technique used in acrylic painting where you apply thin, transparent layers of color to achieve depth and complexity. Unlike traditional opaque painting, glazing allows you to build up dark values gradually while maintaining a luminous, rich quality. In this tutorial, we’ll demonstrate this process step-by-step as we work on a portrait of King Hezekiah.

Choosing the Right Colors for Darker Values

The foundation for adding darker values begins with selecting appropriate colors. Because in this painting, we use raw umber dark, ultramarine blue, and titanium white. These colors are perfect for mixing subtle, darker tones that give the painting a more natural and realistic feel.

  • Raw Umber Dark: This earthy brown is excellent for creating deep shadows without overwhelming the painting.
  • Ultramarine Blue: Adding a bit of ultramarine blue gives shadows a cooler tone, adding complexity to the darker areas.
  • Titanium White: Although titanium white is typically used for highlights, mixing it with darker colors helps to control the transparency of the glaze and soften transitions between light and dark.

Step-by-Step Guide to Adding Darker Values

Step 1: Mix the Darker Tones

Start by mixing raw umber dark with a touch of ultramarine blue. Because this will create a bluish-gray tone that can be adjusted depending on how dark or light you want the shadows to appear. Then add a small amount of titanium white to increase opacity and allow for smoother application. The white will also help cover the canvas faster.

Step 2: Apply the Dark Tones to the Background

Using a three-quarter-inch flat brush, gently apply the mixed color to the background of the painting. The goal is to establish a gradation of tones, which means the transition from dark to light should be smooth and subtle. Then, as you work, focus on using directional brushstrokes it will vary in your brush strokes can add energy and interest to the painting, ensuring that it doesn’t feel flat.

Make sure to blend the darker values near the edges of the portrait, especially around the hair and clothing. This contrast will help bring the subject into focus while adding depth to the background.

Step 3: Add More Medium for Transparency

As you continue to layer the glaze, mix in matte medium to increase transparency. This is especially important for areas where you want to build darker tones gradually. Too much paint at once can make the area appear muddy, so patience is key. Because adding medium ensures that the previous layers are visible beneath the new ones, giving your shadows a more natural look.

At this point, the color may seem too cool or toned down. If this happens, simply mix more raw umber dark to warm it up and bring back the richness in the shadow.

Step 4: Develop Darker Tones in Clothing and Hair

Move on to the subject’s clothing and hair. Then for this, mix raw umber dark with a bit of burnt sienna to warm up the shadows. In keeping the tones slightly warmer in these areas, then it will create a natural transition between the shadows and mid-tones.

Begin to add shadows under the subject’s beard and in the folds of the clothing, where deeper shadows would naturally form. Use a half-inch flat brush for precision in these areas. The clothing’s wrinkles and folds will stand out more once the darker values are applied, helping the overall form feel more three-dimensional.

Step 5: Refine Dark Values in the Face

Next, use a round brush (size 8 or 12) to work on the finer details of the face. For a portrait like this, it’s crucial to maintain a consistent value range. Begin by darkening the shadows beneath the subject’s hand and the interior of the face, such as under the nose, along the jawline, and in the eye sockets.

When glazing the face, keep the strokes smooth and the application light. Since the face is a focal point, any harsh transitions or muddy colors will draw unwanted attention. As you add darker values, remember that you will be able to come back and paint highlights on top, restoring any lost details.

Balancing Warm and Cool Shadows

It’s important to maintain a balance between warm and cool shadows when adding darker values. Cooler shadows work well in areas where less light reaches, such as the underside of the face or the back of the hair. In contrast, warmer shadows should be applied where there is more ambient light, such as the edges of the clothing or near the face.

A helpful tip is to introduce a bit of raw sienna into your darker mixes for warmer shadows and ultramarine blue for cooler shadows. This slight variation in temperature will give your painting more dimension and make the shadows appear more realistic.

Techniques to Avoid Muddy Shadows

One of the common challenges when adding darker values is the risk of creating muddy shadows. To avoid this:

  • Thin out your paint: Always mix your darker tones with a medium to maintain transparency and allow previous layers to shine through.
  • Use multiple layers: Don’t try to achieve the darkest value in one go. Build up gradually, layer by layer, allowing each glaze to dry before adding another.
  • Blend edges: Smooth transitions between light and dark areas by lightly blending the edges of your shadows. This creates a soft, natural fade, preventing harsh lines.

Final Thoughts on Adding Dark Values

Adding darker values in acrylic painting is a skill that requires patience, but the results are worth it. Then with glazing, you can build depth and create dynamic contrasts that bring your painting to life. Always remember to balance warm and cool tones, use semi-opaque layers, and be mindful of smooth transitions.

In this tutorial, we’ve worked on developing the mid-tones and darker shadows in the portrait of King Hezekiah. As you continue to work on your paintings, keep experimenting with these techniques and gradually introduce highlights to balance the dark values.

Conclusion

Adding darker values to an acrylic painting helps create depth, drama, and dimension. By using glazing techniques and mixing rich dark tones, you can build up layers that bring realism to your artwork. Remember to balance warm and cool shadows, avoid muddy colors, and let each layer dry before proceeding.

If you’re looking for more instructional videos on how to improve your acrylic painting, visit www.realisticacrylic.com for more tutorials and check out my free courses here. Happy painting!

LEARN MORE

Read more about how to paint a portrait that you can surely be proud of!

I’d love to hear your thoughts on this video. Please share it with your friends and family. Let me know if you have any further questions. I’ll greatly help you.

If you’d like to learn more, sign up for my free email tips and video class today.

Learn How to Paint Acrylic Portraits With My Free Mini-Video Course!

Thank you so much for taking the time to read this tutorial and watch the video. That means a lot to me.  I hope you find it very helpful in your portrait painting.  

Yours for Better Portraits,

Signature_200dpi_sm.jpg

P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!

 

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