Applying glazes to an acrylic portrait is a great way to add depth and unify the different elements of your painting. One versatile color used by many artists for this purpose is burnt sienna. This reddish-brown hue can bring warmth to shadowed areas and smooth transitions between light and dark, creating a cohesive, harmonious effect across your portrait. In this tutorial, you’ll learn how to apply a burnt sienna glaze step-by-step, ensuring your painting achieves a professional and balanced look.
Before applying the burnt sienna glaze, ensure that your portrait has established base layers with underlying shadows and highlights. In this example, I have already blocked in key elements using raw umber dark and ultramarine blue to define shadows and add depth. These layers are essential for giving the burnt sienna glaze something to interact with, creating richer tones and a natural flow of colors.
Start by placing a small amount of burnt sienna on your palette. Mix it with a glazing medium until it reaches a smooth, transparent consistency. It’s important to blend it thoroughly, similar to mixing ingredients when baking a cake. The medium will help thin out the paint, allowing it to create a subtle wash of color over the portrait without losing the underlying details.
Begin with the background of your portrait. Dip the corner of your flat brush into the glaze mixture and apply it with even, horizontal strokes. As you work across the canvas, maintain a wet edge by moving quickly. Use firm pressure initially to push the paint into the texture of the canvas, and then lighten the pressure as you spread the glaze.
Tip: Turn your brush over to use any extra paint on the reverse side for a more efficient application. Lighten the pressure at the edges to smooth out any overlapping brushstrokes, giving your background a seamless transition.
Now that the background has been glazed, consider introducing burnt sienna into the shadows of the portrait, such as the hair, hands, and facial features. This reddish-brown hue adds warmth and depth to the shaded areas, making them stand out more vividly against the lighter tones.
For the hair, apply the glaze in the darker regions, blending it down towards the chin and neck. If you see this tone occurring naturally in the shadowed areas of the face, lightly glaze over these regions. Always make sure to evaluate where the burnt sienna fits best, as it’s a warm color that may not be suitable for cooler-toned areas like clothing.
Tip: When applying glaze to intricate areas such as hair, use a small round brush to control the precision of the strokes. This ensures the glaze enhances the features without overwhelming them.
A burnt sienna glaze can also enhance smaller details, like the fur of an animal in your portrait or the eyelashes. In this example, the artist finds that the glaze works beautifully within the dog’s fur, adding a touch of warmth. Similarly, in the boy’s facial features, it can accentuate the lips, eyebrows, and even parts of the gums and teeth.
When adding glaze to fine details, switch to a small round brush for more accuracy. This will help you control the flow of paint, allowing you to create more nuanced transitions between light and dark areas.
Glazing is a technique that benefits from multiple layers. Once your first layer of burnt sienna glaze is dry, you can assess whether additional layers are needed to achieve your desired effect. Applying thin glazes in layers helps you avoid overloading the painting with too much color at once.
Technique Tip: In areas where the value is already dark, like deep shadows, it’s possible to introduce burnt sienna even further. The artist notes that darker areas can handle more layers because the color builds up gradually without overwhelming the overall tone.
Conversely, for lighter areas, avoid too much glazing as it could darken the value and obscure the highlights.
One key consideration when using a warm tone like burnt sienna is to avoid applying it over cooler-toned areas of your portrait. For instance, the boy’s shirt in this example has a cooler undertone. While a small amount of burnt sienna may work in the darker parts of the shirt, applying too much can disturb the cooler color harmony.
Tip: Always take a step back from your portrait to evaluate the overall color balance. Introduce burnt sienna only where it naturally complements the existing colors.
Once you’ve applied the burnt sienna glaze to all the necessary areas, assess the overall unity of the portrait. Burnt sienna can be an excellent way to tie together different elements of your painting. The artist uses it subtly within the lips, the dog’s fur, and parts of the background to create a consistent, warm feel throughout the composition.
Before moving on to the next stages of your painting, let the glaze dry fully. Once dry, you can continue building up layers, adding more glazes or opaque colors as needed to refine the portrait.
Applying a burnt sienna glaze to your portrait can enhance the warmth and depth of your artwork. It’s a versatile color that works well in shadowed areas and ties together various elements in your painting, creating a cohesive, professional finish. By following these steps and tips, you’ll be able to master this glazing technique and take your acrylic portraits to the next level.
Read more about how to paint a portrait that you can surely be proud of!
I’d love to hear your thoughts on this video. Please share it with your friends and family. Let me know if you have any further questions. I’ll greatly help you.
If you’d like to learn more, sign up for my free email tips and video class today.
Learn How to Paint Acrylic Portraits With My Free Mini-Video Course!
P.S. Did you find this post helpful or encouraging? If so, send it on ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!