How To Paint Golden Fields Under Crimson Trees:30 Minute Acrylic

Capture the essence of autumn with this quick and vibrant acrylic landscape

Introduction

Autumn is a season of vibrant colors, with trees adorned in hues of crimson, orange, and gold. Capturing this beauty on canvas can be a rewarding challenge for any artist. In this tutorial, we’ll explore how to paint a stunning landscape featuring golden fields under crimson trees using acrylic paints. This guide is based on a 30-minute painting session, so it’s perfect for those who want to create a quick yet impactful artwork. Let’s dive into the steps, colors, and techniques needed to bring this autumn scene to life.

Materials You Will Need

Canvas: 8×10 inch white canvas board
Acrylic Paints:
- Ivory Black
- Raw Umber
- Dark Burnt Sienna
- Raw Sienna
- Ultramarine Blue
- Alizarine Crimson
- Naphthol Red
- Pyrrole Orange
- Indian Yellow
- Titanium White
Brushes:
- Quarter-inch flat brush
- Medium flat brush
- Detail brush
Palette
Water and Cloth for Cleaning Brushes
Matte Medium (Optional)

Step 1: Setting the Scene

Before starting your painting, it’s essential to set up a scene in your mind or use a reference photo. For this tutorial, we’re inspired by a pictures autumn view from Wisconsin, where golden fields stretch under a canopy of crimson trees.

Blocking in the Horizon

Begin by establishing your horizon line on the canvas. This line should sit slightly below the center, following the golden mean, which is not quite the halfway mark but a bit above a third. This placement will help balance your composition.

Mix a base color using ultramarine blue, raw sienna, and titanium white to create a soft greenish tone for the distant trees. Use a medium flat brush to block in the horizon line and the general structure of the fields and hills.

Step 2: Painting the Fields

The golden fields are the focal point of this painting. To achieve the rich tones of harvested crops, mix burnt sienna, raw sienna, and titanium white to create a warm base color. Apply this mixture to the foreground, using broad, horizontal strokes to suggest the flow of the field.

For the mid-ground, lighten the base color by adding more titanium white and a touch of indian yellow. This area should be slightly lighter to create depth and distance. Apply firm pressure with your brush to create a sense of texture in the field.

Step 3: Creating the Distant Hills

The distant hills should be a lighter, more subdued version of the field colors. Mix titanium white, phthalo blue, and indian yellow to create a muted greenish-blue tone. Apply this color to the hills in the background, keeping your brushstrokes soft and horizontal.

This muted tone will help push the hills further back in the composition, creating a sense of depth.

Step 4: Adding the Crimson Trees

Now comes the exciting part—adding the vibrant crimson trees that will dominate the upper part of the composition. Mix pyrrole orange, alizarine crimson, and a touch of indian yellow to create a fiery red-orange color. Use a small flat brush to apply this color in dabs and strokes, mimicking the natural shape of tree foliage.

Pay attention to the placement of these trees. Group them in clusters to avoid a pattern-like appearance, which can make the painting look unnatural. Place the trees slightly off-center to create a more dynamic composition.

Step 5: Enhancing the Colors

To make the trees stand out even more, layer in highlights and additional tones. Mix titanium white with pyrrole orange for brighter highlights, and with indian yellow for golden touches. Apply these colors to the tops of the trees, where sunlight would naturally hit, creating a vibrant glow.

You can also add a few touches of bright green to the trees by mixing phthalo blue with indian yellow and titanium white. This will add variety and realism to the foliage.

Step 6: Introducing the Foreground Trees

To frame the scene, add darker trees in the foreground. Mix raw sienna, ultramarine blue, and ivory black to create a deep, dark green. Use a small flat brush to paint the silhouettes of trees and bushes in the foreground. These trees should be darker and more detailed to draw the viewer’s eye into the scene.

Step 7: Final Touches and Details

With the main elements in place, it’s time to refine your painting with final details. Add texture to the trees by using a dry-brush technique—lightly drag a nearly dry brush with a small amount of paint over the canvas to create the illusion of leaves and branches.

If needed, add more highlights to the tops of the trees and fine-tune the colors in the fields. You can also use a detail brush to add small branches or leaves that catch the light.

Finally, paint the sky using a mix of titanium white and a tiny amount of ultramarine blue to create a soft, pale blue. The sky should be light and slightly gray, complementing the warm tones of the landscape below.

Tips & Techniques

Use a Reference: Always have a reference photo or real-life scene in mind. This helps maintain accuracy and enhances the realism of your painting.
Layering Colors: Start with darker tones and gradually layer lighter colors on top. This technique adds depth and dimension to your painting.
Brush Control: For more control over the shapes and textures, use smaller brushes for details and larger brushes for broader areas.
Timing: Remember, this is a 30-minute painting session. Keep your strokes deliberate and avoid overworking any part of the painting.

Painting an autumn landscape in just 30 minutes is not only possible but also a rewarding experience. By following these steps, you can capture the essence of golden fields under crimson trees and bring a slice of autumn’s beauty to your canvas. Don’t worry if it doesn’t turn out perfect—each painting is a learning opportunity. Keep practicing, and soon you’ll master the art of quick, vibrant landscapes.

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Yours for Better Portraits,

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