How to Shading & Skin Tones on Small Faces

Having trouble shading and toning small faces?

Introduction

When painting small faces in acrylic portraits, achieving the right balance of shading and skin tones can be tricky. The key lies in understanding light values and applying the glazing technique to create realistic tones and depth. In this post, I will guide you through a step-by-step process that will help you refine your acrylic portrait and improve your ability to paint smaller, more intricate details.

Step 1: Understanding Light Values

Before working with color, it’s essential to focus on values. Values refer to the lightness or darkness of an area, and they must be correctly identified and applied before considering color. For small faces, areas like the nose, chin, and cheeks are crucial for defining the facial structure. Often, light comes from above, casting subtle shadows and highlights that bring out the form.

• Tip: Use reference photos to study where light falls and shadows form on the subject’s face.

Step 2: Selecting Colors for Skin Tones

To achieve realistic skin tones, choose a mix of burnt sienna and titanium white as your base. Adding raw sienna or pyrrole orange can help create warmth and chromatic variation. Start with these hues and adjust the mix depending on the tone you want to achieve. For example, titanium white will cool the skin tone, making it lighter, while raw sienna adds warmth.

• Technique: Mix your colors with matte medium to create a transparent glaze that gives your painting more luminosity. Matte medium thins the paint while keeping it translucent, allowing for subtle layers of color that add depth without overwhelming the details.

Step 3: Applying Glazes for Smooth Shading

Glazing is crucial for achieving smooth transitions between light and shadow. When working on small faces, apply thin, semi-opaque glazes to slowly build up the skin tone. Make sure to adjust the transparency by adding more matte medium to control how much of the underlying paint shows through.

1. Start with the lighter areas: Apply a semi-opaque layer to the nose and chin, which typically catch more light.
2. Darken the cheeks: Using a slightly darker glaze, apply this color to the cheeks to create contrast with the highlighted areas.

• Tip: Wipe off excess paint to avoid streaks and ensure the glaze goes on smoothly. This prevents any harsh lines from forming, which could make the face appear less realistic.

Step 4: Enhancing Shadows for Depth

Once the basic skin tones are in place, it’s time to enhance the shadows, particularly around the eyes, jawline, and nose. Shadows are often underpainted, leading to faces that lack depth. When shading small faces, it’s vital to ensure that areas such as the eye sockets are sufficiently darkened to enhance realism.

• Tip: Don’t be afraid to go darker in these areas—shadows help ground the subject and bring the highlights into sharper focus.

Step 5: Adjusting Skin Tone with Chromatic Intensity

As you build up layers of glazes, add small amounts of pyrrole orange or Indian yellow to intensify the chroma. This helps achieve a more natural skin tone that has subtle color variations. Skin isn’t a flat color but rather a dynamic surface with slight shifts in hue.

• Technique: Add a little matte medium to each glaze to increase translucency, making the layers more vibrant and realistic. Apply the glaze lightly to areas like the neck or cheeks to enhance warmth, blending softly into the surrounding tones.

Step 6: Adding Final Shading and Highlights

To finish the shading process, concentrate on the jawline and neck area, particularly where light reflects off the subject’s clothing. For example, red clothing can reflect onto the neck, casting a warm glow. In such cases, mix pyrrole orange with matte medium and apply it sparingly to mimic this effect.

Finally, add a final layer of highlights using a lighter glaze of titanium white. These highlights should be carefully placed on areas like the tip of the nose or chin to emphasize light reflections and bring the painting to life.

Tips for Success:

• Keep your reference close: Position your reference photo close to your canvas or easel so you don’t lose focus on important details.
• Layer gradually: Acrylic painting is best done in layers. Don’t rush the process by applying too much paint at once.
• Use multiple glazes: Thin, multiple layers of glazes help achieve a smooth and realistic finish.
• Mix paints properly: Ensuring the correct mix of color and matte medium is crucial for achieving the right transparency.
• Adjust shadows properly: Eye sockets and other shadowed areas should be dark enough to provide contrast.

Shading and adjusting skin tones on small faces in an acrylic portrait can be accomplished through careful observation and the application of glazing techniques. Focus on values first, and build up skin tones through thin, transparent layers. By following these steps, you’ll improve the depth and realism in your portraits, making even the smallest details shine.

If you want to learn more about perfecting your acrylic portraits, download my free PDF guide, “Fix Muddy Skin Tones in Your Acrylic Portrait now.

LEARN MORE

•  Sketching Your Painting Accurately
• Beginning a Pet Portrait in Acrylic
• The Mystery of Realism in Painting
• Apply A Burnt Sienna Glaze to a Portrait
• Learn How to Sketch a Portrait Freehand in 45 Minutes
• Adding highlights to your acrylic painting
• 5 Excellent Reasons to Use Aluminum Foil
• Paint Realistic Wrinkles in Acrylic
• Painting Clothing in an Acrylic Portrait
• Paint a Cloudy Sky Acrylic  
•  How to add Semi-Opaque Highlights
• How to Enhance the Contrast in Your Acrylic
• How to Add Glaze to Your Acrylic Painting
• Paint Realistic Reflections on Eyeglasses in an Acrylic Portrait
• Build Up Depth on Your Acrylic Portrait Backgrounds
• How Do You Do Layers With the Glazing Technique?
• Learn How to Paint Wrinkles in Acrylic

Read more about how to paint a portrait that you can surely be proud of!

 

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Thank you so much for taking the time to read this tutorial and watch the video. That means a lot to me.  I hope you find it very helpful in your portrait painting.  

 

Yours for Better Portraits,

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