When it comes to creating depth and richness in acrylic paintings, using semi-opaque glazes can bring your artwork to life. Many artists use the glazing technique to layer translucent paints, but there comes a time when adding semi-opaque glazes is essential to give your work a more painterly quality. In this guide, we will explore how to apply these glazes effectively, along with tips and techniques to help you achieve a polished and professional finish.
Semi-opaque glazes sit between fully transparent and opaque layers. They allow some underlying layers to show through, but they also contribute to the richness and body of the painting. As I explain in This video, this technique provides a way to maintain the depth created by glazing while introducing more opacity to enhance the painting’s overall texture.
One misconception is that glazing must always be fully transparent. However, adding semi-opaque layers can improve the depth and vibrancy of your acrylic paintings, particularly when used strategically in areas that need more definition or opacity.
Many artists who follow the glazing technique may wonder when to begin transitioning into more opaque work. There’s no strict rule it’s a balance. The key is knowing where the glazing technique benefits your painting and where opacity can enhance it.
In this example of a commissioned painting of a lion and a soldier, I point out how semi-opaque layers can give the painting a more substantial feel compared to translucent glazes alone. Rather than letting the glazing technique restrict you, think of it as a tool that serves your overall vision. When you notice areas that need more richness or definition, it’s time to start incorporating semi-opaque layers.
When applying semi-opaque glazes, selecting the right color mixture is essential. You want to match the predominant color of the existing layers but go slightly lighter. This will allow the semi-opaque layer to blend seamlessly without overwhelming the underpainting.
In the video, I’ll demonstrate how to prepares a semi-opaque glaze using a mixture of raw umber, ultramarine blue, and titanium white. By adjusting the amount of white, he creates a lighter, semi-opaque tone that enhances the sense of light filtering through trees in the background of his painting.
The way you apply the semi-opaque layer is just as important as the mixture itself. Use a half-inch flat brush and load it up with the paint. Before applying the glaze to the canvas, test its opacity by brushing it onto a white card. This helps you visualize how the glaze will interact with the underlying layers.
When applying the glaze, use a perpendicular brush angle and push the paint into the weave of the canvas. This ensures an even application without digging into the surface. Once the paint is applied, smooth it out by gently brushing over the area, being careful not to disturb the layers beneath.
One of the most significant advantages of using semi-opaque glazes is the depth it adds to the painting. In this example, I applied a glaze over the background trees to create a soft, smoky effect. By combining semi-opaque glazes with earlier transparent layers, the painting gains a rich surface with multiple layers of depth.
As you apply your glazes, control the brush pressure to adjust the amount of paint being deposited. More pressure will push more paint onto the canvas, while lighter pressure allows for a softer, more subtle effect.
Once you’ve applied your initial glaze, you may want to adjust the color or opacity for subsequent layers. In the video, I demonstrated how to create a lighter mixture by adding more titanium white and ultramarine blue, along with a touch of phthalo blue, to achieve a sky like tone. Testing this mixture on the white card helps ensure it will work well with the existing layers.
This step is crucial for creating subtle transitions in your painting. For example, applying a lighter glaze on top of a darker one can enhance the sense of light and atmosphere in the scene.
While semi-opaque glazes add richness, they can also obscure fine details. This is part of the process and can be addressed in subsequent layers. After applying a semi-opaque glaze, you may notice that certain details, such as tree branches, have become less defined. Don’t worry this is normal.
Once the glaze has dried, you can go back in and reintroduce the details with more controlled, fine brushwork. The key is to build up the layers gradually, alternating between semi-opaque glazes and more detailed work to create a balanced, harmonious painting.
One of the most effective ways to use semi-opaque glazes is to enhance the atmosphere of your painting. In this example, the semi-opaque glaze helps create a smoky effect in the background, adding a sense of depth and mood to the scene.
By using a combination of lighter and darker glazes, you can create a soft transition between different elements in your painting, making distant objects appear more atmospheric and receding into the background.
Semi-opaque glazes are an essential tool in an artist’s repertoire, offering the perfect balance between transparency and opacity. By incorporating these glazes into your acrylic painting, you can achieve a more painterly effect, add depth, and enhance the overall richness of your work. Remember to experiment with different color mixtures, brush techniques, and layer applications to find what works best for your style.
Next time you’re working with glazes, don’t hesitate to add a touch of opacity. Your painting will gain a new level of depth and complexity, helping you create a masterpiece that feels more substantial and dynamic.
Tips and Techniques Recap:
By following these steps, you’ll be able to elevate your acrylic painting with the perfect combination of glazing and semi-opaque techniques.
For further resources and guides, visit realisticacrylic.com and check out my free courses to enhance your acrylic painting journey.
I’d love to hear your thoughts on this video. Please share it with your friends and family. Let me know if you have any further questions. I’ll greatly help you.
If you’d like to learn more, sign up for my free email tips and video class today.
Learn How to Paint Acrylic Portraits With My Free Mini-Video Course!Thank you so much for taking the time to read this tutorial and watch the video. That means a lot to me. I hope you find it very helpful in your portrait painting.
Yours for Better Portraits,
P.S. Did you find this post helpful or encouraging? If so, send it in ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!
Painting older portraits can be a challenging yet rewarding experience, especially when using the glazing technique with acrylics. In this tutorial, we’ll walk through the process of how to paint 2 older men using the glazing technique, and methods used to bring out realistic textures, skin tones, and details that capture the essence of age. Whether you’re working on a commission or personal project, glazing will help you layer colors and add depth, making your subjects come alive on the canvas.
The glazing technique involves applying thin, transparent layers of paint over a dry base layer. By building up multiple layers, you create subtle transitions in color and value, giving the painting a sense of depth. This method is particularly effective for portraits, where capturing the delicate variations in skin tone is crucial. For painting older subjects, glazing is ideal as it allows you to show wrinkles, sagging skin, and the translucent quality of aging skin.
When beginning a portrait with glazing, the first step is to block in the colors of the clothing. For this project, the artist started with ultramarine blue, Indian yellow, and raw sienna. These colors were used to paint the clothing of one of the men, applying them with a large flat brush. The brother’s clothing was done primarily in ultramarine blue, mixed with a bit of phthalo blue for added richness. A mixture of 75% ultramarine blue and 25% phthalo blue was used along with matte medium to maintain transparency.
Tip: Matte medium is essential when working with glazes. It helps thin the paint without losing its adhesive qualities, making it easier to apply smooth, translucent layers.
Glazing begins by applying the first transparent layer over the sketch. In this case, the clothing was built up in layers. Initially, I applied a very thin layer of paint that allowed the underlying sketch to remain visible. As the layers built up, the paint became more opaque in certain areas, particularly around the logo on one of the men’s sweaters.
Capturing realistic skin tones, especially for older subjects, requires a careful balance of warm and cool colors. I used a combination of naphthol red, raw sienna, and alizarine crimson to achieve the warm reddish tones in the face. Cooler areas were painted with raw umber dark and raw sienna.
The glazing process involved alternating between these colors to create subtle differences in the skin. Older skin has a unique texture and variation in color that requires careful attention. Areas like the cheeks and chin often appear more reddish, while the forehead and other parts may have a brownish tint.
Tip: Skin tones for older people are less uniform than younger individuals. Look for variations in color such as pinkish areas where blood vessels are closer to the surface and use glazes to subtly bring these out.
One of the key benefits of the glazing technique is the ability to work on multiple areas of the painting simultaneously. I worked on both the faces and clothing at the same time, applying glazes of raw umber dark and titanium white to add highlights and shadows. For the glasses on one of the men, darker areas were emphasized, and the rims were highlighted using titanium white mixed with a bit of raw sienna.
In the case of the eyes, darker shadows were painted in using ultramarine blue, phthalo blue, and raw umber dark. This combination helped create depth while avoiding an overly intense blue in the iris.
Tip: When painting the eyes, adding a hint of red around the eyelids can give them a more realistic, lively appearance. The blood vessels in this area are more visible, especially in older people.
As you progress in the portrait, focusing on wrinkles and skin texture becomes vital, especially when depicting older subjects. The artist used a detail brush to carefully paint the wrinkles under the chin, as well as the fine lines in the men’s faces. Shadows were added using raw umber dark, ultramarine blue, and phthalo blue to emphasize depth, particularly under the chin and on the sides of the face.
Tip: A small detail brush is invaluable when painting wrinkles and fine textures. Larger brushes may cover too much area, while a fine-tipped brush allows for precise control.
Towards the end of the process, the artist returned to certain areas to add more contrast and enhance details. The hair was given additional glazes to blend it seamlessly into the skin, making it appear as though it is gradually growing out of the head. Highlights were added to the forehead and around the glasses using titanium white.
For the finishing touches on the clothing, I painted the green bay packers logo on one of the men’s sweatshirts, using titanium white for the lettering and glazing over it with Indian yellow to create a rich, transparent glow.
Tip: When painting lettering or logos on clothing, use the negative space technique painting around the letters first. This makes it easier to maintain the correct proportions and alignment.
The glazing technique is particularly effective for painting older subjects because it allows for gradual build-up of details. As people age, their skin becomes more translucent, with a greater contrast between warm and cool areas. Glazing helps replicate these subtleties by letting the underlying layers of paint show through, creating a more lifelike and dynamic result.
Tip: Don’t rush the glazing process. Allow each layer to dry before applying the next, and experiment with different color combinations to bring out the most natural skin tones.
Painting two older men using the glazing technique requires patience and attention to detail, but the results can be stunning. By carefully layering thin glazes of paint, you can create realistic skin tones, textures, and depth that bring your portraits to life. Whether you’re a seasoned portrait artist or just starting out, incorporating glazing into your acrylic painting process will help you achieve professional-quality results.
For more tips and step-by-step tutorials on how to master acrylic portrait painting, visit Realistic Acrylic Portrait School, where you can explore a range of resources, classes, and check out my free courses to enhance your acrylic painting journey.
I’d love to hear your thoughts on this video. Please share it with your friends and family. Let me know if you have any further questions. I’ll greatly help you.
If you’d like to learn more, sign up for my free email tips and video class today.
Learn How to Paint Acrylic Portraits With My Free Mini-Video Course!Thank you so much for taking the time to read this tutorial and watch the video. That means a lot to me. I hope you find it very helpful in your portrait painting.
Yours for Better Portraits,
P.S. Did you find this post helpful or encouraging? If so, send it in ahead! Let others know with the share buttons below. I’d love to hear your comments. Thank you so much! Also, do you have a question on acrylic portrait painting you’d like answered? Let me know, and I’d be happy to help!